Olivia Thirlby Tagged Articles at Cinematical

With all due respect to my esteemed colleague Elisabeth Rappe, geeks are not the only ones who learned important lessons from watching movies this summer. Herewith is my personal, arthouse summer school summary.

Werner Herzog cast a disapproving eye on the ugliness he discovered at Antarctica's McMurdo Station ("they even have a yoga studio and an ATM!") and was skeptical about the sanity of some of the real-life characters he met, which is partly why Encounters at the End of the World was so entrancing. What I learned: Evidence for gay penguins is skimpy, but they have been known to have threesomes.

The Wackness (pictured) didn't became the breakout hit that some had hoped for, but it did showcase the talents of rising star Olivia Thirlby and director Jonathan Levine. What I learned: Never kiss Ben Kingsley in a telephone booth.

Nanette Burstein's filmmaking techniques were much more off-putting than her ultimately winning subjects in American Teen, another would-be smash that didn't live up to box office expectations. What I learned: Never break up with your girlfriend via text message, especially when a documentary filmmaker is interviewing her.

Unexpectedly, Tell No One became the breakout limited-release mystery thrill ride of the summer, and Man on Wire proved that impassioned high wire walkers can make dreams come true and enthrall audiences to boot. What I learned: It's good to be French.

Now it's your turn, all you indie-loving, doc-devoted, world cinema aficionados: what did you learn from the movies this summer?

As always, we seek to highlight indie films with this weekly post, so let's pause a moment and celebrate the success of a good, old-fashioned railroad movie. Brad Anderson's Transsiberian opened on two screens and earned a very tidy $17,600 at each, according to estimates compiled by Box Office Mojo. That has to be considered a triumph in the face of "The Bat Effect." Perhaps Transsiberian will get to a few more cities before its eventual landing on DVD shelves.

In a very welcome upturn of events, French thriller Tell No One expanded from 19 to 55 screens in its third week of release and averaged $9,725 per screen. More people will have a chance to catch this word-of-mouth success when it expands again this coming Friday.

Also in its third week out, The Wackness expanded by three theaters and kept a decent $4,441 per-screen average. It finally opened where I live and, while I loved Olivia Thirlby more than I should and was convinced that Jonathan Levine has good instincts as a filmmaker, I'm amazed it's done as well as it has, considering how drab so much of it feels. But that's just my minority opinion. I would still encourage you -- especially you 90s kids -- to consider checking it out when it expands wider this Friday.

Finally, Lou Reed's Berlin earned a per-screen average of $3,825 at the two theaters where it opened. Must be more Lou Reed fans out there than I thought.

Well, this is a bit of a bummer. I've been waiting, it seems like forever, to see when Jack and Diane, Bradley Rust Gray's endlessly gestating "lesbian werewolf" movie that Ellen Page was supposed to star in, would finally go into production. As I wrote waaaaaaay back in September, the film is supposed to be about:

"Jack and Diane, two teenage lesbians, meet in New York City and spend the night kissing ferociously. Diane's charming innocence quickly begins to open Jack's tough skinned heart. But, when Jack discovers that Diane is leaving the country in a week she tries to push her away. Diane must struggle to keep their love alive while hiding the secret that her newly awakened sexual desire occasionally turns her into a werewolf."

Cinematical is absolutely stoked to have received this exclusive poster for The Wackness (click on the image to enlarge), which just enjoyed its New Yawk premiere at the 2008 Tribeca Film Festival earlier this week. Directed by the very talented Jonathan Levine (All the Boys Love Mandy Lane), The Wackness centers on the relationship between a pot dealer with no friends (Josh Peck) and a therapist (Ben Kingsley) on the verge of a mid-life crisis. And did I mention that neither one is getting laid? Set in 1994 New York City, the film just oozes mid-nineties and definitely captures every ounce of what it was like to grow up during that particular time period. Olivia Thirlby, Famke Janssen and Mary-Kate Olsen also star (as the three lovely ladies our two heroes really want to get with).

I managed to catch The Wackness at a screening a few days ago with a young, hip New York crowd who absolutely devoured the flick. It's dope, it's mad funny and it brings just enough nostalgia to help you remember what it was like when you were unlucky and in love with not a clue what to do. Seriously, go see this one with a group of friends and have a blast. The Wackness arrives in theaters on July 3.

The cast and crew of New York, I Love You keeps growing and growing. There's not even enough room on the headline to list all the names that were just added. New York is a collection of short stories, part of a "Cities of Love" anthology that was begun by Paris, je ta'ime. New York will reportedly be followed by Shanghai, and then cities in South America and Africa.

The stories are showcasing an incredible variety of actors and directors. Natalie Portman and Scarlett Johansson are both making their directing debut, there's a good representation of international talent, and Brett Ratner hasn't been driven away by pitchforks and torches. Variety reported that Orlando Bloom, Olivia Thirlby, Hayden Christensen, and Ethan Hawke had climbed aboard the film. No word on who's segments they will appear in yet -- but a far better choice for Bloom's career than Prince of Persia, wouldn't you say?

Known in some circles as "that movie where Sir Ben Kingsley hooks up with Mary-Kate Olsen," The Wackness premiered at this year's Sundance Film Festival where it was met with an unbelievable online reception. Just about everyone I spoke to fell in love with this quirky drug-related dramedy from director Jonathan Levine (All the Boys Love Mandy Lane). While I didn't get the chance to see it (our own Scott Weinberg did), these good vibes have me all antsy to check out The Wackness when it hits the Tribeca Film Festival later this month.

Here's a bit from the synopsis: "... Luke (Josh Peck) is a socially uncomfortable teenage pot dealer with no friends, issues with his parents, and a whopping lack of confidence with girls. He trades weed for sessions with his therapist, Dr. Squires (Sir Ben Kingsley), whose much-younger wife (Famke Janssen) is slipping away from him. Squires, a drug-addled shrink with a hairline retreating to the back of his neck and a state of mind slouching back to adolescence, is an unlikely role model-but the two of them forge a friendship based on a mutual need: neither one is getting laid."

Check out both exclusive photos (including a larger version of the image above) from the film in the gallery below. The Wackness arrives in theaters on July 3rd. (And is it me, or does Kingsley have a little Keitel going on in that pic?)

Sometimes when I see a bit of casting news, I imagine a film not with the cast of actors, but with their previous roles. So, imagine what kind of ensemble can be put together with the upcoming romcom The Dream of the Romans. Variety reports that Jeff Daniels, Lauren Graham, Lou Taylor Pucci, Olivia Thirlby, and Kat Dennings have signed on for roles in the film, which will be the feature debut of writer/director John Hindman.

Romans stars Daniels as some sort of Rhonda Byrne -- a reclusive author who penned a book that "redefined spirituality for a generation." Unfortunately, his writing interferes with his desire to be left alone as many of his fans hunt him down, convinced that "he has all the answers." Two of them are Graham, who plays a struggling single mum, and Pucci, who plays a guy straight out of rehab. This is a romantic comedy, so most likely Ms. Gilmore will get to fall for Mr. Berkman. Or, maybe the backbone-lacking jerk from Chumscrubber will get some romance with Juno's friend or the 40-year-old virgin's stepdaughter.

iDeal's (the film's financer) Jana Edelbaum says: "This is a sparking piece of writing with vivid, wonderful characters." At the very least, it looks like a fresh jump into romcom territory, rather than the usual retread. The project just kicked off production in Philly.

With each picture since his 2000 debut George Washington, David Gordon Green has taken at least a small step backward. That gradual regression becomes a full-fledged precipitous decline with Snow Angels, a film in which the director (working from a novel by Stewart O'Nan) flails about in search of poetry, and comes up with only trivial stylistic flourishes that compound his story's overwrought faux-naturalism. Considering the lyrical grace of his heralded first feature, Green's devolution from one of American cinema's most promising talents to his current status as just another middling indie lightweight is tough to fathom. Yet with his latest, Green misses the mark in so many respects -- from a multi-strand plot devoid of insight, to performances that are generally overcooked, to a mise-en-scène that comes up largely empty in the department of inspired grace and beauty -- that it makes one wonder if his upcoming foray into director-for-hire work (with this summer's raunchy stoner comedy The Pineapple Express) isn't a shrewd attempt to escape his own increasingly faulty auteurist instincts.

Our friends over at indieWIRE continue their ongoing series of discussions with filmmakers at the Apple Store Soho by bringing in director David Gordon Green (George Washington, All the Real Girls) to show scenes from and discuss his latest film, Snow Angels, which opens March 7. Snow Angels, which stars Sam Rockwell, Kate Beckinsale, Amy Sedaris, Olivia Thirlby, and Griffin Dunne, is about two romantic relationships -- one just beginning, and one beginning to end. If you live in NYC, this should be a great filmmaker discussion to check out. The event happens Wednesday, March 5 from 7:00-8:00PM at the Apple Store Soho, 103 Prince St.; seating is first-come, first-served, so you might want to get there early.

In the meantime, you can read our review of Snow Angels from Sundance 2007, and listen to James Rocchi's interview with David Gordon Green from that fest.

After screening at Sundance last year, a trailer for Snow Angels has finally hit the net, which you can check out above. The latest from indie filmmaker David Gordon Green, Angels follows his small-town formula, but this time, with dueling stories of happiness and darkness. On the one hand, there's the burgeoning love story between Michael Angarano (the cutie from flicks like Almost Famous and Sky High) and Olivia Thirlby (who you might recognize as Juno's helpful best friend). On the other, there's a complicated familial story focusing on Kate Beckinsale, her estranged husband Sam Rockwell, and their young daughter. Making the whole deal even more tasty -- there's also the likes of Griffin Dunne, Amy Sedaris, and Nicky Katt.

If the trailer is any indication of the film, it should be a great cinematic experience. (But be warned: it does give a lot of detail into the film, as many trailers love to do.) However, if you need more of a reason to go see it, you can check out James Rocchi's glowing review from Sundance, as well as his interview with Green. On the flipside, you can check out Kevin Kelly's review, which was a bit less praising.

[via Empire]