Paris36 Tagged Articles at Cinematical

I Love You, Man
Bro-mance, schmo-mance, this is a funny movie, centered by a very good performance by Paul Rudd as a befuddled "ladies' man" in search of a best man for his upcoming wedding to Rashida Jones. He starts awkwardly 'man dating' until he stumbles across the happy-go-lucky bachelor Jason Segal, and an unlikely triangle is formed. "A sweet, amusing, and perfectly acceptable comedy all around," wrote Eugene Novikov. Also on Blu-ray. Buy it.

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17 Again
Personally, I have zero interest in seeing this movie, but if you're a devoted fan or even curious about the star, help yourself. 17 Again is "a run-of-the-mill family comedy that would be tiresome," Jette Kernion opined, "if not for [Zac] Efron and a few of the other cast members." Also on Blu-ray. Skip it.

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The Class (Entre les Murs)
Laurent Cantet directed this adaptation of a semi-autobiographical novel by François Bégaudeau, an inner-city Paris school teacher. James Rocchi observed: "Begaudeau's interactions with his students are so nuanced and smart that it doesn't feel like the heavy hand of drama when various incidents and events escalate as the film progresses; they feel natural, lived in, human." Also on Blu-ray. Buy it.

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Also out: Chaos (from 2006, with Jason Statham, Ryan Phillippe, and Wesley Snipes); Road Trip: Beer Pong (the sequel, directed by Steve Rash); I Do, I Did ("One man, two women, too much!").

More Indies on DVD, more Blu-ray picks, and Collector's Corner, all after the jump!

Valkyrie
Tom Cruise wants to kill Hitler. "Worth seeing for its irresistible ensemble of character actors, a handful of really well-crafted sequences, and a truth-based story that simply deserves to be repeated," wrote Scott Weinberg. Directed by Bryan Singer. Available in single-disc and double-disc editions, and also on Blu-ray. Rent it.

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Paul Blart: Mall Cop
Kevin James as a plus-sized man in uniform. "Harmlessly humorless, Paul Blart tepidly goes through its motions, but that doesn't mean you have to," opined Nick Schager. Directed by Steve Carr. Also on Blu-ray. Skip it.

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My Bloody Valentine 3D

Remake of 1981 slasher flick. "Cheesy, corny, gimmicky, gory fun ... low-brow entertainment with high-tech execution," declared William Goss, and I concur. Consider this movie a love letter to horror fans. With Jensen Ackles and Kerr Smith. Directed by Patrick Lussier. Also on Blu-ray. Rent it.

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True Blood: The Complete First Season

Southern Gothic vampire weirdness translated remarkably well to television, despite some wonky faux-Louisiana accents. Not every episode works, yet even the imperfections and blemishes are fascinating to watch. With Anna Paquin. Also on Blu-ray. Buy it.

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After the jump: Indies on DVD, more Blu-ray picks, and Collector's Corner!

Welcome back to the Indie Spotlight, in which we list the new limited-release films being released today. Keep an eye out for when they come to your local art house or Netflix queue.

• Alien Trespass (pictured), opening on about 40 screens nationwide, is a loving, non-parody homage to the cheesy invaders-from-space B-movies of the 1950s. For me, the style wears thin too quickly; the fact that the '50s films were corny out of necessity while this one is doing it on purpose makes it feel insincere. Indeed, it has a low 31% approval rating at Rotten Tomatoes.

• Bart Got a Room is a comedy about a nerdy Jewish teenager trying to find a date for the prom. Cinematical's Erik Davis loved it at Tribeca last year, and the 71% positive rating at Rotten Tomatoes backs him up.

• C Me Dance combines the world of evangelical Christianity with the world of dancing. Sold! It's opening on about 150 screens nationwide. No reviews are up yet, but I would suspect it's a preaching-to-the-choir sort of thing, aimed at people who are already evangelical Christians.

• Sugar comes from the Half Nelson team of Anna Boden and Ryan Fleck and is finally hitting theaters after premiering at Sundance last year. It's about a young Dominican Republic baseball player who is recruited by scouts and brought to the U.S. to train for the majors. Cinematical's Kim Voynar liked it quite a bit, calling it a coming-of-age story more than a baseball movie, and as beautiful as "a painting brought to life" -- and hey, check out that 88% positive rating at Rotten Tomatoes!

Paris 36 tries to do a dozen different things, and does none of them well. But even that description may not be harsh enough, because it makes the film sound ambitious. It's not. Director Christophe Barratier, whose The Chorus was a quality rendition of an age-old formula, doesn't even pretend to give much thought to any of the disparate elements he assembles here. This is one of those middlebrow period-piece comedies that mistakes frenzy for energy and spotless soundstage gloss for visual style. It may play well with certain audiences for whom "arthouse" is synonymous with "no explosions," but there's really nothing to see here.

Well, in theory there's a lot to see, including but not limited to the following: a would-be portrait of the French Popular Front in the 1930's; the story of a bunch of unemployed workers banding together to put on a show and save a historic theater; the tragedy of an old workhorse (Gérard Jugnot) who loses custody of his accordion prodigy son to his cheating wife when the theater first closes down; a romance between a communist rabblerouser (and stagehand, and actor!) and a singing ingénue (Nora Arnezeder) taken under the wing of a fascist loan shark (Bernard-Pierre Donnadieu); the spiritual rebirth of an old orchestra conductor who has spent the last 20 years alone with his radio; a no-talent comic (Kad Merad) who sinks to performing for the Nazis after being booed off stage by everyone else, though he is of course much too lovable to actually be an anti-Semite.