PathsOfGlory Tagged Articles at Cinematical
RvB's After Images: The World's Greatest Sinner (1962)
Filed under: Comedy », After Image », Religious »
You want some blasphemy? Don't bother with that certain fantasy movie with that skinny lacquered redhead in it. Despite all the public outcry over that particular blockbuster's pro-Reformation message (isn't it risky for our cinema to endorse the policies of the heretic Martin Luther?), the Compass movie really doesn't give God much trouble for your entertainment buck. By contrast, The World's Greatest Sinner, a backyard-shot indie has a real beef with the Almighty. (Don't worry, kids, the Rock of Ages is tough enough to handle it!) As director, writer, producer, chief cook and bottle washer, eccentric character actor Timothy Carey shows the instincts of a French decadent. His Clarence Hilliard is a Southland Baudelaire who rails against the existence of God, and sets himself up as a false messiah. The hand-rubbed Letraset titles in the graphic above indicate the budget level of this berserk film. Much of it takes place in an early 1960s San Gabriel Valley a.k.a "The Inland Empire," so innocent and blue-horizoned that David Lynch would have refused to believe it.
RvB's After Images: The Return of Dracula (1958)
Filed under: Horror », United Artists », After Image », Columns », Cinematical Indie »
The least you can expect from a director, approaching a story as venerable as Dracula, is that he or she will have the guts to take it seriously. Updating the legend to modern day is even more possible when you figure out new versions of old terrors. The 1958 The Return of Dracula, an economical and effective black and white horror film released by UA, stars the ageless Czech-American actor Frances Lederer. Before Lederer's death in 2000, he claimed that his only regret as an actor was appearing in this film, possibly because of its gore content (it was gory by the standards of '58, that is). Apparently, his regret wasn't that Drac was some sort of anti-Eastern European stereotype, seeing as how Lederer reprised the Count as his very last role in "The Devil is Not Mocked," an episode of TV's Night Gallery directed by Legend of Hillbilly John's Manly Wade Wellman. (The plot of that episode is the perfect example of the first story that comes to a novice horror-writer's mind, and which has to be discarded right away: During World War 2, Nazi soldiers commandeer a certain castle, and...)
Well, it scared me, but it must have been the actor, not the story. Lederer is a Dracula to reckon with in The Return of Dracula as he helps himself to the denizens of Carleton, California (population 1162). "His sole purpose is to establish a chain of domination, " says the Van Helsing guy, an "European Police Agency" investigator called Meiermann (Jon Wengraff). This budget Drac was exhibited as The Curse of Dracula, and The Fantastic Disappearing Man--the latter title is an apt description of this one's modest special effects. But I've got an alternate title: I Was a Communist Vampire. Director Paul Landres zeros in on the Red Scare to give this Dracula some teeth.
Christopher McQuarrie Now Writing WWI Movie
Filed under: Action », Drama », Scripts », War »
There aren't a whole lot of WWI veterans left (I think there's less than a handful of Americans), which is a shame with Memorial Day coming up since many people aren't familiar with the significance of that Great War. It certainly hasn't helped that Hollywood -- the history textbook writer for many young Americans -- hasn't been interested in the first World War as a subject for a long time. The studios used to produce great WWI films like Wings, All Quiet on the Western Front and Sergeant York. Then WWII came along and became the more popular war, with its definite villain, Adolph Hitler. Meanwhile the best WWI movie we've gotten in awhile (from the U.S., anyway) is the terribly cartoon-like Flyboys, which actually had to be made independently. There's hope on the horizon, though, as a new WWI epic is being written by Christopher McQuarrie. The screenwriter of The Usual Suspects and the upcoming WWII movie Valkyrie, McQuarrie is interested in making a film that not only depicts the Great War, but also explains it. His script, titled No Man's Land (not to be confused with the German WWI film Niemandsland or the recent foreign Oscar-winner No Man's Land) focuses on the stories of three soldiers who stand in to illustrate the reasons for their nation's involvement in the war. One is an American who fights first for the French Legion and then for the U.S.; one is a Brit who is wrongly accused of being a coward; and the third is a German trench dweller.
Jeffrey M. Anderson's 400 Screens, 400 Blows - Revival Fever
Filed under: Classics », Out of the Past », Columns », 400 Screens, 400 Blows »
One of the joys of reviewing movies is the chance, every so often, to see a restored classic on the big screen. In 2006, I had the opportunity to see the restored cut of Alfred E. Green's nasty pre-code classic Baby Face (1933), with Barbara Stanwyck in all her glory. Better still, I saw Bernardo Bertolucci's The Conformist (1970) for the first time (both films screened at San Francisco's Balboa Theater). The Balboa also showed a recently uncovered war film, Stuart Cooper's Overlord (1975), a film with a simplicity and power lacking in most of the year's new pictures.
The great Rialto Pictures, the leading distributor of restored classics, gave us Jean-Pierre Melville's masterpiece Army of Shadows (1969); since it had never before opened in the United States, it has turned up on several critics' ten best lists for 2006. Also from Rialto we got Carol Reed and Graham Greene's The Fallen Idol (1948) and Christian-Jaque's silly swashbuckler Fanfan la Tulipe (1952). And to far greater publicity, Sony Pictures Classics re-released a bundle of Pedro Almodovar films, including Matador (1986), Law of Desire (1987), Women on the Verge of a Nervous Breakdown (1988), The Flower of My Secret (1995), Live Flesh (1997), All About My Mother (1999), Talk to Her (2002) and Bad Education (2004); I took advantage of the chance to see a few of these on the big screen. And each of them played on 400 screens or less.
Not always, but often, a re-release comes timed for a film's anniversary, and so I've made up a fantasy list of re-releases I'd like to see in 2007.
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Alec Baldwin Becomes Latest to Threaten Retirement
The First 'Iron Man 2' Poster Appears!
The Return of Jessica Alba?
Now 'New Moon' Prevents Skin Cancer!_thumbnail.jpg)
Discuss: Who Would be the Most Profitable Director if ...
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