Patrick Wilson Tagged Articles at Cinematical

Last summer, it was reported that Columbia was setting up a remake of My Fair Lady and that Keira Knightley was pursuing the iconic, Cockney role of Eliza Doolittle. While Knightley has been "attached" ever since, The Telegraph reports that Scarlett Johansson was also vying for the role. But Knightley won out, and the Telegraph not only confirms that she's got the role, but that Joe Wright will be directing. Emma Thompson is writing the script.

Knightley has been taking singing lessons ever since the possibility came up (and I actually think she proved she had a good voice in The Edge of Love), and I think she'll be absolutely charming as Doolittle. But then I'm biased towards her. Even if you aren't (and I expect many "too skinny!" comments), I think the combination of Wright and Thompson pushes this into very, very promising territory. Thompson can do no wrong by me.

What will really tip the balance is who they cast as the grumpy, misogynist Professor Henry Higgins. The Telegraph reports that Daniel Craig is being considered, and he'd certainly be ideal as the grim Higgins, probably moreso than the dapper Hugh Jackman. I wouldn't mind seeing Patrick Wilson become a contender, and I half wonder if Gerard Butler's vocal chords were trotted out on Saturday Night Live as an audition. Just you wait, and practice your R's, and we'll see whose face Knightley must become accustomed to.

UPDATE: Screenrush caught up with Joe Wright, who says he never signed on, and is uninterested. Given the shakiness of the initial report, it's unclear whether Knightley's casting is official either.

In today's requisite edition of "Nothing Is Sacred" news, it looks like David Cronenberg's cult classic, Videodrome, is the next remake to come a-callin'. Ehren Kruger, writer of the remake of The Ring, is penning this update to "modernize the concept, infuse it with the possibilities of nano-technology and blow it up into a large-scale sci-fi action thriller," according to Variety.

Okay, at the very least, there's quite the opportunity for some nifty and nasty effects work, but beyond that, I can't help but feel that today's potential for satire may be outweighed by today's potential for the grotesque. And reading the phrase "large-scale" almost makes me want to pop in the low-budget widespread panic of The Signal instead.

But let's play devil's advocate here: who would you cast in the anti-hero role that James Woods originated in '83? I'd bet that either Patrick Wilson or Sam Rockwell could pull it off -- aw, hell, if they really just throw up their hands at some point, Nicolas Cage could be fun...

The cast for the cheekily titled Morning Glory (aka "that film where Harrison Ford is going to try and be funny!") really is shaping up nicely. According to The Hollywood Reporter, they've nabbed themselves the second Nite Owl, Patrick Wilson.

"The film that Ford is going to try and by funny in" centers on an up-and-coming news producer played by Rachel McAdams. She has to save a struggling morning show, and get its antagonistic anchors (Ford and Diane Keaton) under control.

Trying to save McAdams from losing the will to live is Wilson, who will play her boyfriend. While Wilson is clearly trying to earn some comedy cred (Morning Glory is the third comedy he's signed for, he's also got The Baster and Barry Munday in the works),
I sincerely hope there's a little more to his part than just "the boyfriend." Wilson is quite talented, and playing a boyfriend, even to McAdams, seems like a waste of his charm. Then again, how many actresses have been stuck in such a thankless part? Maybe the tide is turning.

There really is a lot of talent here on both sides of the camera: Roger Michell is directing from a script by Aline Brosh McKenna, and J.J. Abrams is producing with his Bad Robot banner. Let's hope they can bring us a film of the witty, fun Ford (yes, he does exist) and not another Hollywood Homicide.

Prepare to be bludgeoned. Watchmen is sledgehammer entertainment, an action epic with tremendous production values that acknowledges good and evil but is much more interested in things that go boom.

As director Zack Snyder amply demonstrated in his previous adaptations of other people's strikingly original source material (Dawn of the Dead and 300), he is more than up to the task of creating a multitude of dynamic, viscerally-exciting action sequences. As a bonus, there are small moments in Watchmen that prompt warm, unexpected laughter, skillfully-recreated scenes that inspire pure fanboy bliss, and one lengthy flashback segment that is entirely transcendent, as dazzling, thoughtful, and emotionally-stirring as anything I've seen in recent years.

And then there's the rest of the movie, which crams in a remarkably high percentage of the plot points from the original Watchmen series of comic books by Alan Moore and Dave Gibbons and faithfully includes tiny details, classic panels and a checklist of characters. Yet it skims over deeper reflections about masked crime fighters, superheroes, the essential nature of man, and the future of the world. It's like someone decided the alphabet was too long: most of the consonants are still there, but Watchmen is missing a couple of vowels.

The film features a bewildering assemblage of performances, with juicy turns by Jeffrey Dean Morgan and Jackie Earle Haley, wildly uneven, uncertain performances by Malin Akerman and Patrick Wilson, and sleepy monotone pronouncements by Billy Crudup and Matthew Goode. Some of the actors sound as though they're delivering their lines for the first time, reading off cue cards.

In 2008, the biggest movies of the year were superhero movies: The Dark Knight and Iron Man. In 2009, another superhero movie looks to be equally huge, and that's Watchmen, Zack Snyder's adaptation of Alan Moore and Dave Gibbons' graphic novel.

First published as a serial comic book in 1986, Watchmen was immediately heralded for turning the notion of a "superhero story" on its head. Set against the backdrop of the Cold War, Watchmen depicts a group of vigilantes who band together to fight crime; they have costumes, but no unusual powers ... save Doctor Manhattan, a scientist who acquires supernatural abilities after being caught in an experiment gone wrong.

There's been a lot of talk (maybe too much talk -- OK, sorry, antiquated U2 reference) about Zack Snyder's involvement in the project, which has taken eons to get off the ground. Would he be faithful to the book? Too faithful, not faithful enough? How would he handle all the side stories, and such a large ensemble cast?

Now you can get the answers straight from the horses' mouths, as Moviefone's Unscripted interview series is bringing several of the stars of Watchmen together to talk about the movie. Now's your chance to grill Patrick Wilson (Dan Dreiberg/Nite Owl), Billy Crudup (Dr. Jon Osterman/Doctor Manhattan), Matthew Goode (Adrian Veidt/Ozymandias) and Malin Akerman (Laurie Juspeczyk/Silk Spectre) about their geek knowledge of the comic book, about what it felt like to wear all that rubber or play a ginormous blue man ... or whatever else your fanboy/girl heart may desire.

Submit your question in the comments section below for Crudup, Goode, Akerman or Wilson by Tues, Feb. 17, and be sure to include your first name and the city where you live. Then check back here on March 2 to see if your question made the cut. Thanks, and good luck.

It's a Watchmen week! New photos and posters are hitting the Internet this week, presumably in anticipation of the second trailer that's attached to Quantum of Solace. Yesterday Erik posted a new Rorschach-themed poster that had popped up on Yahoo! Movies over the weekend, now we have six new ones (including an extra Rorschach) to accompany it.

Warner Bros. released the six character posters all across the Internet -- and we were able to collect most of them here in our gallery, except for the one the boys most want to see. Silk Spectre is over on your left, watermarked to MTV's Splash Page, but if you click her, you'll be taken to her full length version. I'm as straight as can be, but even I can't take my eyes off her latex. Wow.

Please give a visit and a nod to the other sites that were graced with these cool images -- my personal favorite of the bunch, The Comedian, was posted over at the always awesome Hero Complex (who will have more Watchmen images later today). Dr. Manhattan was posted in a tiny, low-res version at Entertainment Weekly. (Come on, where's the big version, guys?) The really cool Ozymandias poster, costarring Bubastis, debuted over at Wired. Nite Owl comes by way of Access Hollywood, accompanied there by an automatic video of Patrick Wilson. And everyone's favorite vigilante, Rorschach, got his second poster of the week courtesy of USA Today.

They really are pretty glorious to look upon. And now if you'll excuse me, I'm going to furiously exercise in order to wake up resembling Malin Akerman.



[via Superhero Hype, who did the collecting]

Warning: This post contains heavy spoilers. Really big ones. Those who haven't read Watchmen and want to remain unspoiled, skip this post altogether.

Put this firmly into the "might not be true" category of your brains, and then take it with an additional grain of salt. I hesitate to even spread this further because it is unverified, but I think it's worth discussing. And hey, maybe someone who caught the movie might weigh in.

There was a test screening of Watchmen last week. And according to the gang at /film, the buzz is building that the ending of the graphic novel has been changed in the movie. Devotees of the book remember that Ozymandias engineers a giant alien squid in order to destroy New York, an event so horrifying that it stops the world in its tracks, and deflects a nuclear war with Russia. According to a few members of the test audience, the faux-alien is nowhere to be found. Instead, Ozymandias' plot involves a machine he builds with Dr. Manhattan which mimics Manhattan's powers, and sets off atomic-bomb like attacks all over the world.

It's very perplexing, as there have been numerous reports that the ending remained unchanged. Patrick Wilson laughed off reports, as have numerous cast members. An unofficial set report confirmed the squid's appearance. Zack Snyder insisted it was left intact, despite that it was an unorthodox one for a movie. So many reports confirming the squid would tip the balance against the test audiences.

However, in the interest of fairness to those movie-going spies, Collider's recent interview with Kevin Smith suggests the whispers might be true after all. "It's a little different. While it is a slight departure, it actually makes sense in the context of the story because it brings the characters back into it. It kind of makes the movie more about them by the end of it because of the switch they made. I would never say that Alan Moore f***ed it up or something. I love the ending of the Watchmen comic book, but I think this ending works just as well."

At one end of his career, Neil LaBute was an up-and-coming talent to be reckoned with. He earned a reputation as intelligent Mamet-like artist of uncompromising vision with movies like In the Company of Men and Your Friends & Neighbors, harsh, cynical films that looked under the rock of humanity and found icky, squirmy things. At the other end, there's The Wicker Man, a genuine, "what was he thinking?" movie, and the curious dud The Shape of Things, which couldn't quite reconcile LaBute's stage hat with his cinema hat. In the middle we have Nurse Betty and Possession, two exceptional Hollywood entertainments with gleaming surfaces and dark souls. As with David Gordon Green and his delightful, mainstream comedy Pineapple Express, this type of "compromise" may represent LaBute's real calling.

With his seventh feature Lakeview Terrace, LaBute has once again managed to take a surface thriller and use it to work through some of humanity's ugliest and most hateful issues. It begins with a picture of suburbia, USA. Single father Abel Turner (Samuel L. Jackson) struggles to get his kids up in the morning and off to school, but struggles even harder in relating to them. He knows how to boss them around, but doesn't understand them. (He makes his son change basketball jerseys to reflect "their" favorite team.) Later, he peers out the window and watches the new neighbors move in. He's clearly perturbed that it's a clean-cut white guy, Chris Mattson (Patrick Wilson), married to a beautiful black girl, Lisa (Kerry Washington). We eventually learn that he has his reasons, his own emotional wounds, to explain why and how his buttons have been pushed, but it launches an all-out battle of wills.