Paul Verhoeven Tagged Articles at Cinematical

Despite their self-appointed pedigree as "The Criterion of Smut," Severin Films has carved a comfortable niche for themselves over the past few years as a reliable distributor of cult classics and obscure, overlooked gems. Unquestionably, their highest-profile release to date was a domestic DVD (and later Blu-ray) for Enzo Castellari's Inglorious Bastards, which inspired Tarantino's film of the same name (albeit different spelling). But they've released and reissued a number of terrific, highly-anticipated movies, almost all of which appeal to a unique and specific audience, even if they don't always register to mainstream viewers with the same excitement or awareness.

All of which brings us to Hardware, one of the company's latest releases. Though I hadn't seen it since it was first released on home video in the early 1990s, Richard Stanley's science fiction-horror film has been celebrated over the last two-plus decades as a modest masterpiece and a true cult classic, thanks in no small part to its small budget, even smaller distribution and minuscule but fervent fan base. Unfortunately, with mainstream "cult" movies like Paranormal Activity and District 9 occupying the head-space of contemporary genre fans, not to mention a great wealth of superior films throughout movie history that explore the same ideas, Hardware is a worthy film to revisit primarily to see how well it fueled our feverish imaginations before it fell to the wayside.

I know it's a huge bummer that Iron Man director Jon Favreau told MTV that he's not going to be directing The Avengers, Marvel's forthcoming superhero omnibus film that'll feature the likes of The Hulk, Nick Fury, Iron Man, Thor, Captain America, and whoever else the now Disney-owned studio wants to create a new action figure for. Favreau would love to do it, and he'll executive produce, but logistically he is just not going to be available to direct. Obviously that's not going to stop Marvel from moving forward with the guaranteed moneymaker, so here are five humble suggestions for replacement.

Before we let the fanboy inside us explode at the possibilities, let's keep things a bit grounded. They've got to be directors who could tackle something in the fantasy-action realm and they have to be available; so even though I'd be game for them, busy A-listers like Christopher Nolan or J.J. Abrams just aren't practical.

Go ahead and get that "AARGHHH!!!!" out of your system now. You'll feel better. (I have done so as well.) The remake that our own Eugene Novikov refused to believe a few short months ago is now moving forward. Total Recall will receive a "contemporized adaptation," according to The Hollywood Reporter. Kurt Wimmer has been hired to write the script, which may or may not be based on "We Can Remember It For You Wholesale," the Philip K. Dick story that inspired the original.

THR notes Wimmer's recent scripts for the upcoming thrillers Law Abiding Citizen and Salt, but the more pertinent credits are the ones he earned as writer / director of Equilibrium and Ultraviolet, which provided action thrills in science-fictional settings. If you harbor any hopes for this project, you can only dream that Wimmer can come up with something more closely resembling Equilibrium, a trashy yet entirely entertaining little surprise, rather than the flat, anemic, entirely incoherent Ultraviolet.

Beyond the "weird and scary and totally singular" elements that Eugene rhapsodized about previously, don't forget the juicy cast (Ah-nuld, Michael Ironside, Ronny Cox, Sharon Stone, Rachel Ticotin). Then there's the whole go-for-broke / super-violent / cheesy-but-we-don't-care / 70s B-picture vibe that was infused by director Paul Verhoeven. In today's environment, that wouldn't fly. I shudder to think of of a rote, toothless, PG-13 action pic that has state-of-the-art special effects but abuses Dick's clever concept and ignores Verhoeven's funky / chic artistic aesthetic. However, to paraphrase Smokey the Bear, "only YOU can prevent remakes" by not going to see them.

Many people think that a movie needs to avoid an R-rating in order to become a blockbuster. Most recent top earners have followed that dictum, with only four R-rated movies among last year's top 25 at the box office. Zack Snyder's 300 was a defiant exception in 2007, earning more than $456 million worldwide, and clearing the way for Snyder's R-rated dream project, Watchmen. Its content advisory warns / promises: "Strong graphic violence, sexuality, nudity and language." Can such an R-rated superhero movie become a blockbuster today, especially in the wake of PG-13 smashes like The Dark Knight and Iron Man?

If the history of the movies has taught us anything, it's that people will flock to see films that they really, really want to see, no matter the rating. As evidence, here are seven R-rated films with strong, adult content that may have made some folks blanch -- but it didn't keep the flicks from becoming blockbusters.

Basic Instinct
Paul Verhoeven's thriller has it all: sex, violence, profanity, and very adult themes. The most notorious shot features Sharon Stone's, er, legs, but the flick also includes male and female nudity, intense sex scenes, stabbing, blood spattering, dozens of profanities, and relentless sexual innuendos. But it's not just a sensationalist button-pusher. Indeed, Basic Instinct lives up to its title in its dogged, sometimes earnest exploration of the basest desires known to man or woman. It may have tittilated, but it also made you think long after the credits rolled.

When Paul Verhoeven returned to the silver screen after a six-year absence with Black Book, it felt like a homecoming. The Dutch director made a terrific thriller about the unheralded Dutch resistance during World War II, his first film in his native tongue since he'd left for Hollywood in the 1980s. Now the biographer of Jesus is "in talks" to make an erotic thriller that crosses Risky Business with Fatal Attraction, according to Variety.

The untitled project, written by Wendy Miller, follows "a college intern who finds himself trapped in a dangerous affair with the boss's wife." Will she be a college-aged trophy wife or a middle-aged lady? I'd like the danger to come from the wife herself, like Glenn Close -- wouldn't it be cool if she was a legendary black widow type, boiling rabbits if she doesn't get her way and ready to kill after the first mating? Could she secretly be an afternoon prostitute who is also attending college, like a cross between Catherine Denueve in Belle de Jour and Rebecca De Mornay?

Naturally, if we're talking Verhoeven and erotic thrillers, we must pay homage to Basic Instinct and wonder who will be his next Sharon Stone. She made her career, of course, by crossing her legs in that controversial flick, but times have changed since 1992. I mean, Basic Instinct writer Joe Eszterhas is now a churchgoing Midwesterner!

Who would you like to see in an erotic thriller directed by a "no holds barred" Paul Verhoeven?

You can't accuse this movie of false advertising. Tokyo Gore Police, which screened this weekend as part of the seventh annual Asian Film Festival of Dallas (AFFD), bursts at the seams with severed limbs, oceans of bodily fluids, and enough intestines to choke a horse. More sensitive souls will run screaming from the room during the first scene, in which a man's head explodes in a cloudburst of blood, but that sets the tone of the movie as a live-action adult cartoon. Just keep repeating to yourself: "It's only latex and corn syrup, it's only latex and corn syrup ..."

Structured very much like a sick and twisted variety show, Tokyo Gore Police is all about the set pieces, which are mighty impressive indeed for fans of "hardcore mega-splatter," as our own Scott Weinberg described a clip he saw a few months ago. In the future, the Tokyo police force has become privatized for the protection of its citizens. That gives them license to execute all criminals with, let us say, extreme prejudice. One strain of bad guys remain a problem, however. Whenever so-called "engineers" lose a body part, the missing limb mutates into a bizarre weapon.

I thought Noburu Iguchi's The Machine Girl was insanely over-the-top, but Tokyo Gore Police ups the ante by mixing in generous nods to Paul Verhoeven, especially RoboCop and Starship Troopers.

When two movies with similar plots hit theaters around the same time, it usually just reveals the vapidity of Hollywood formula (as was the case when Deep Impact and Armageddon came out a few months apart). The situation changes, however, when the subject matter has far more thematic weight. Defamer's S.T. VanAirsdale points out the potential conflict brewing now that The Weinstein Company has picked up U.S. theatrical, DVD and television rights to the 2004 German film Operation Valykrie, a dramatization of the failed attempt to assassinate Adolf Hilter during World War II. Sound familiar? That's because Bryan Singer's upcoming 2009 release, Valkyrie, tells precisely the same story, with Tom Cruise in the role of would-be assassin Col. Claus Von Stauffenberg. In the German movie, the character is played by Sebastian Koch, the debonair star of The Lives of Others and Paul Verhoeven's Black Book.

In addition to the overlapping content, VanAirsdale points out another potential conflict: Koch's female co-star in Black Book, the alluring Carice van Houten, stars opposite Cruise in Valkyrie, creating the sort of meaty overlap that money can buy. Harvey Weinstein's no slouch when it comes to instigating controversy, but his company hasn't exactly had the best of luck with its recent daring titles (few turned out for Where in the World is Osama bin Laden?). Personal drama has impacted Cruise's films before, but this might be the rare case where he would have nothing to do with it.

Well, uh, here's something I wasn't expecting to read today, though I might have been less blindsided had I seen this Cinematical post from a year ago. Paul Verhoeven -- he of Robocop, Showgirls, Basic Instinct and Starship Troopers (and Black Book, yes, but the contrast's not as much fun) -- is... publishing a biography of Jesus! Co-written by Rob Van Scheers (who also wrote... a biography of Paul Verhoeven!), the book is reportedly based on 20 years of research by the director, and looks to be a historical rather than a Biblical account of Jesus's life. The book will make some controversial claims, such as that Jesus was the son of Mary and a Roman soldier who raped her, and that he was not in fact betrayed by Judas Iscariot.

Awesome. With all deference to Verhoeven, I'm not sure how much he can possibly have to contribute to such a well-trodden subject. A note at the end of the Hollywood Reporter story may go a long way toward explaining the existence of the book: Verhoeven has long aspired to make a historically-grounded movie about Jesus, and hopes this book will generate interest in such a project. The book comes out in September, and I, uh... can't wait to read it? Maybe I can write a review, at least if it's released in English as well as Dutch.

As far as we know, when he's not researching Jesus, Verhoeven is still in pre-production for The Thomas Crown Affair 2.

To be honest, when word went out that the sequel to The Thomas Crown Affair was on the hunt for a director, I could never have predicted this. The master of sex and violence Paul Verhoeven told the Dutch radio program Met Het Oog Op Morgen, that he will be directing the Crown sequel for MGM. Titled The Topkapi Affair, the story will be a combination of Eric Ambler's novel The Light of Day, about a small time heist man who gets roped into an international jewel heist, and the 1964 adaptation of that novel starring Peter Ustinov. Considering the glamor of '99's Crown, the script might have to make some minor adjustments. Unless this time they are going for Thomas Crown on the skids.

Back in August, Patrick reported that Brosnan would be reprising his role as Thomas Crown, the dashing thief. Unfortunately, Renee Russo would not be returning, but previous reports have Angelina Jolie slated to star -- although there is still the chance that Jolie deal could fall through since there hasn't been any official confirmation. The script was completed back in January, and the project was given the green-light in March; (and I don't mean to be cynical, but the strike might have had something to do with MGM's enthusiasm in getting the film into production). Filming is set to take place on location in Istanbul, which might make use of the famed Topkapi Palace. Although it is unknown whether the production has permission to film in the palace -- Verhoeven just better make sure the nobody at the Istanbul Archeology Museum gets a hold of a copy of Showgirls. The Topkapi Affair is set for release in 2008.

[via ComingSoon.net]

Right across the street from my apartment sits a nice, fat, corporate-owned video rental store that I rarely visit. It's conveniently located and if I rent older releases I can keep them for a week, but I've simply fallen out of the habit of renting in person. Online rentals are even more convenient, and if I'm patient, most US releases come to video on demand and eventually premium cable. I could admit that I'm just too lazy to schlep across the street to return my rentals, but I'd rather imagine that I'm trying to stay on the cutting edge.

Recently, though, I ventured into the store. Based solely on its premise, I was predisposed to like Yo-Yo Girl Cop: Japanese schoolgirl recruited as a secret agent for a government organization armed only with a yo-yo. It sounds an entertaining action flick; sadly, director Kenta Fukasaku, son of the late, great Kinji Fukasaku, sucks all the joy out of the concept. The action is shot in the fashionable, quick cut, crazy angle, handheld style, but without any grace or distinguishing rhythm. That's typical of the entire picture, which stitches sequences together without any style, wit, or originality, to diminishing and wearisome effect. The DVD includes a 40-minute "making of" feature that is informative and makes me curious to see the original films and TV show.

Paul Verhoeven's Black Book was just as good as everyone has been saying, including our own Ryan Stewart and Christopher Campbell: a rollicking, humanistic Nazi adventure thriller that sizzles right up until it goes off the rails to deliver a heavy-handed message about man's inhumanity to man (as if the preceding two hours hadn't already made that apparent). I'm sorry I missed it on the big screen, though. Carice VanHouten is stunning.

William Friedkin's Bug was even better than I expected from reading Jette Kernion's review; a mesmerizing descent into madness that I resisted initially. It's so powerfully cohesive, though, and features such amazing, award-caliber performances from Michael Shannon and Ashley Judd that my objections melted away. Friedkin is especially forthcoming about his strengths and weaknesses as a filmmaker in an interview on the DVD, which helped make my trip across the street surprisingly worthwhile.