PaulDano Tagged Articles at Cinematical

Next to the table of contents in the new book Heads On and Then We Shoot: The Making of Where the Wild Things Are, there's a list of songs that Spike Jonze says were influential and inspirational in the making of his adaptation of Maurice Sendak's children's classic. Among them are plenty of melancholy mood pieces, including The Smiths' "Cemetry Gates," "Maps" by Yeah Yeah Yeahs, whose lead singer composed original tunes for the film, and perhaps most obviously, Arcade Fire's "Wake Up," which ultimately appeared in Wild Things' theatrical trailer. But in my opinion, the most telling track included on that list was Langley Schools Music Project's devastating cover of The Beach Boys "God Only Knows" sung by a chorus of Canadian schoolchildren in the late 1970s, it captures the deeper sentiment of desperation and loneliness in Brian Wilson's lyrics even as it reverberates with the naïve, wholesome enthusiasm of voices unfamiliar with real heartbreak.

In the best possible way, Jonze's film also harnesses that contradiction: it feels like a grown-up story told by kids, where all of its emotional weight is buried in the story or otherwise ignored because nobody seems to know better than to emphasize it. Bereft of nostalgia, much less a cinematic style that lends itself easily to conventional spectacle, Spike Jonze brings Where the Wild Things Are to life in a way that no one could have possibly expected, but thankfully in one better than they could have ever imagined.

Tom Cruise has been in Boston (what, haven't you read the reports of Suri sightings in Beantown?) filming what was previously known as Witchita, a new film from Fox co-starring Cameron Diaz that is billed as a spy comedy romance thriller. Well, the film that has been blowing sh*t up in Massachusetts has the new title Knight & Day, as well as an impressive roster of new cast members.

In addition to Cruise, Diaz, Paul Dano, Maggie Grace, and Marc Blucas, Knight & Day has added Oscar nom Viola Davis, thespian Peter Sarsgaard, and sexpot Olivier Martinez to the cast.

As Jen Yamato pointed out, this sounds like it could be successfully aimed at the female audience, but can audiences accept the idea of Tom Cruise as a Clooney-type dreamboat? Can he still be funny? (Funny on purpose -- not funny like in Valkyrie.) Will female audiences be turned off by Diaz? James Mangold (3:10 to Yuma, Walk the Line) is directing, but the five (!) screenwriters include Dana Fox, who wrote Couples Retreat and What Stays in Vegas, and partner Scott Frank wrote Marley & Me and The Interpreter.

Color me skeptical. Cutesy title and a mixed bag of actors and writers? What do you think?

Recently, I rejoiced about all of the upcoming projects that The Proposition and The Road director John Hillcoat's got brewing. But there's also another in turnaround that's getting new life. As The Hollywood Reporter's Risky Biz Blog reports, there's a whole slew of talent circling around the once-struggling The Wettest County in the World. Scarlett Johansson's name has been thrown around as well as one heck of a diverse mix of young male talent -- Ryan Gosling, Shia LaBeouf, Michael Shannon, and Paul Dano.

Sorry, Shia, but I feel compelled to sing: "Which of these boys is not like the other?" If there's any chance of getting into one of those odd-man-out scenarios, this would be the one. i can't imagine they're all up for the same part (as there are 4 main gigs), but could he really compare to four actors who have proven themselves to be quite hardcore and skilled? I don't care how many big-box office films he's been in, there's a difference between money and impressive acting skills.

A period piece rife with Depression-era bootleggers, Wettest is a crime drama based on author Matt Bondurant's own grandfather and great-uncles. The trio were a moonshine-led criminal gang, and the film will follow them alongside a writer named Sherwood Anderson who's "on the trail of the bootlegging story" and researching the 1936 novel Kit Brandon.

I say drop the names who can't compare and go wild because this combination sounds almost perfect. (We wouldn't want another Appaloosa/Renee Zellweger scenario!) How 'bout you?

It's no accident that at the very beginning of the movie, the title shows up broken into three words, one on its own separate line: Taking. Wood. Stock. The immensely likeable comedian Demetri Martin plays Elliot Teichberg, a menschy young guy who is spending his summer at his parents' ramshackle motel in the Catskills in yet another attempt to stave off their foreclosure. He has a life back in NYC, sure, but his work as an interior designer and painter isn't going so well, and his friends are all leaving for San Francisco. Elliot, or Ellie as his parents call him, is the consummate Good Jewish Boy – he runs the local Chamber of Commerce, helps around the hotel, and withstands his Russian mother's browbeating (played by Vera Drake's Imelda Staunton).

It's only sheer luck and desperation that leads him to call the Woodstock folks after a nearby town decides they don't want a hippie invasion after all. The rest, as they say, is history, much to Elliot's bemusement. Obviously, though, the free love and plentiful drugs help grease the wheels of his own individuation, as the Summer of Love draws to a close and the darker era of Altamont and Manson creep closer.

All this week we'll be highlighting some of our favorite scenes from Oscar-winning films and performances leading up to this year's Academy Awards on Sunday night.

Yeah, I'll say it: Daniel Day-Lewis' performance in There Will Be Blood is not only one of the best we've seen in the last couple of decades, but I'll go as far as to say it's one of the best performances by a male actor that I've ever seen. Day-Lewis won the best actor Oscar last year for his role as oil-hungry entrepreneur Daniel Plainview in this film directed by Paul Thomas Anderson. Most people love to replay the final moments from this flick -- which include that oh-so-memorable line about drinking milkshakes -- but there's something about this scene below that I just adore. Something about the little mind games Plainview and Sunday (Paul Dano) play; the lies, the deception, the greed, the anger, the heartbreak -- it's all just brilliant. Of course this scene means a whole lot more when you watch it in context, but I also believe this scene by itself makes for a great preview of the overall themes and plot of the entire film. Check it out below ...

There Will Be Blood
Add to Netflix queue | Buy at Amazon | Read Jeff's review

Cinematical has just received this exclusive poster for Explicit Ills, a film which has taken home at least two Audience Awards (SXSW, Gen Art Chicago) during its festival run in 2008. And when a film snags more than one Audience Award, that means audiences kinda dig it, like, a lot. Featuring the directorial debut of actor-turned-filmmaker Mark Webber, Explicit Ills stars Rosario Dawson, Paul Dano, Naomie Harris and Lou Taylor Pucci, among others.

From Scott's positive SXSW review: "Brief, honest, and admirably to-the-point, Explicit Ills follows a group of seemingly unrelated South Philadelphia folks who try to lead normal, happy, anonymous lives -- but their station on the lower rung of the income scale means that even the most basic requirements remain frustratingly out-of-reach." It's a pretty impressive debut for Webber as writer-director, and a film that will unfortunately hit home for a lot of folks during these tough economic times. But there's a strong message and a point, and you'll wanna set aside some time to watch Explicit Ills when it hits theaters on March 6th (In NYC), March 13th (in LA) and March 20th (in Philly).

Click the image below to view the full poster.

Cinematical has received this exclusive poster for the film Gigantic, starring Paul Dano, Zooey Deschanel and John Goodman (check out the full-sized version in the gallery below). Co-written and directed by Matt Aselton, Gigantic follows a depressed mattress salesman (Dano) who, while on a quest to adopt a Chinese baby, is sidetracked when he falls in love with a girl named Happy (Deschanel). Completely bizarre plot, but I have no problem whatsoever watching Deschanel in anything, and it's damn good to see our buddy Dano back up on the big screen (that yellow on the poster remind you of anything?). Oh, and I should mention that Ed Asner and Jane Alexander co-star. Right on! Click on the image below to see the full poster.

Gigantic hits theaters (in limited release) on April 3. Check out a full synopsis after the jump.

Hearing that Kevin Kline is starring in a new film always sets off my alarm, eagerly hoping for something like The Anniversary Party or A Midsummer Night's Dream (and not Trade or The Pink Panther). And this just may be it... Variety reports that Klein, Paul Dano, John C. Reilly, and Katie Holmes have signed on for an adaptation of Jonathan Ames' The Extra Man. Shari Springer Berman wrote the script with Ames, and will direct along with American Splendor director Robert Pulcini.

The book follows a troubled young man (Dano) who gets a teaching job in New York City and ends up living with an "elderly eccentric" (Kline) who spends his time as "the extra man" for rich old women on the East Side. (Ouch. The thought of Kline as "elderly" truly saddens me...) While the old man teaches him some tidbits about city living, like how to sneak into Broadway plays, the younger roommate struggles with his uncertain sexual orientation with cross-dressing and forays into "New York's transvestite underworld."

There is no word on who Reilly or Holmes will play, but maybe one of the book's fans could shed some light on character possibilities? Not that it really matters -- just the thought of Kline, Dano, and Reilly together is enough to sell me, and I'm dying to see what Dano and Kline do with their roles. And who knows? Maybe this will mean a big comeback for Holmes as well (as a big-screen actress) -- she was wonderful in the last film she shared with Klein -- Ang Lee's The Ice Storm.

When Demetri Martin joined the cast of Taking Woodstock, it was set to begin production in late August. In a nice change of pace, the movie is still on schedule, and will begin shooting at the end of the month, SAG strike be damned. But that isn't the only reason to anticipate Ang Lee's project. Variety reports the ensemble cast has been set, and it's insanely good. Get ready for a film that includes the likes of Emile Hirsch, Imelda Staunton, Liev Schreiber, Jeffrey Dean Morgan, Eugene Levy, Paul Dano, Zoe Kazan, Dan Fogler, Mamie Gummer, Henry Goodman, and Jonathan Groff.

Martin stars in the memoir adaptation as Elliot Tiber, a closeted gay man and aspiring interior designer who gives up his Big Apple dreams to run the family business in a Catskills motel. In 1969, he offered the hotel as home base for Woodstock organizers while his neighbor Max Yasgur (Levy) offered his farm. Staunton and Goodman play Tiber's parents, Groff will be festival organizer Michael Lang, Hirsch will play a Vietnam vet just back on American soil, Schreiber is in talks to play a transvestite named Vilma, Morgan will be a closeted married man having an affair with Tiber, Dano and Kazan play a hippy couple going to the concert, Fogler will be the head of a local theater troupe, and Gummer will take on the role of Lang's assistant.

I have a feeling this will be so very, very good.

Back in January, Paul Dano signed on to play a crazy healer who gets taken under the wing of Brian Cox in The Good Heart. Now Just Jared has got some shots from Dagur Kari's production, as it gears up in New York. To the right, you can see Dano in hospital whites, playing frisbee. I guess Cox isn't the only one in the film who hangs in the hospital. (There's another picture over at Just Jared of both of them in their whites.)

The movie is about a man named Jacques (Cox) who runs a deadbeat bar in New York, "like a bar in a Eugene O'Neil play." Dano, meanwhile, is a young homeless man with healing powers who comes to the bar and heals all the men there -- including Jacques, who "is always in the hospital, nearly dying." In thanks, the homeless man is taken under Jacques' wing, to take over the bar, but things get tricky when a Hungarian air-hostess creates a triangle between the two men.

And then, at some point, they must find themselves committed. They're certainly not in a normal hospital if they're walking around on their own and playing frisbee. Whatever the case, the mixture of Dano and Cox sounds excellent, and it should be worth the crazy, healing, dramatic adventure.