There were no big surprises at the box office this weekend. To officially ring in the fall, it was the first weekend since April when no film debuted to more than $20 million. The best opener was the tolerably-reviewed Anna Faris vehicle The House Bunny, with $15.1 million. Interchangeable Jason Statham Movie, a.k.a. Death Race, followed with an estimated $12.3 million -- among Statham's weakest showings and the worst ever for director Paul W.S. Anderson (not counting the indie Shopping, which played on one screen).

Neither The House Bunny nor Death Race could dethrone Tropic Thunder, which held up fairly well to stay on top with a $16.1 million second weekend. It looks to have better legs than Pineapple Express, and should pass that film before all is said and done. In other holdover developments: The Dark Knight fell to fourth, but should reach $500 million by next weekend; Star Wars: The Clone Wars fell an unsurprising 60%+, and will top out around $35 million -- still not bad for a cartoon, I think.

Two more wide release debuts fared poorly. The Longshots -- the Ice Cube/Keke Palmer football drama directed by Fred Durst -- made a predictably tepid $4.3 million bow. But boy was I ever wrong about The Rocker, which was heavily advertised and promo-screened, but landed out of the top 10 with $2.8 million and an under-$1000 per-screen average. Color me surprised -- it's a decent flick, too. I guess Rainn Wilson not only can't open a movie, but affirmatively turns people off.

Hamlet 2 opened on 100 screens before going wide next weekend. Its $435,000 gross -- around $4,200 per screen -- isn't terrible, but doesn't inspire confidence for the expansion.

The full estimates after the jump.

Medical science tells us that there's a portion of the brain called the R-complex that, nestled low and close to the spinal cord, governs simple, automatic brain functions like respiration and reflex and heart rate; other outlying, larger brain structures cover language, culture, memory and art. I mention this because Death Race, writer-director Paul W.S. Anderson's re-visitation of the 1975 trash-classic Death Race 2000, is wholly, entirely and perfectly designed to appeal to the R-complex portion of your brain. Death Race roars, rages and races down the track, all velocity and visceral violence, unencumbered by logic, sense, reason or dignity. My more evolved brain structures kept objecting to Death Race's more ludicrous contortions as it whipped around its curves, but my R-complex didn't want to hear the high-pitched whining voice of logic and reason; it simply grunted, settled into a soft cushion of popcorn topping and said "Shut up, bigger brain; bald man who talk cool killing now."

To paraphrase the scariest horror movie currently in theaters -- Mamma Mia! -- you wait long enough for a red-band trailer and then three come along at once, at least two of which deal with hitting the road in the name of action, so without further ado...

First up is the age-restricted trailer for this week's Death Race. I've yet to watch this one myself, since reactions posted elsewhere have assured me that whatever meager hopes I have for it being just a fun piece of trash cinema -- from a filmmaker who often lives down to that title -- are to be derived from moments shamelessly showcased therein. I'm no prude, having shelf space and soft spots set aside for the man's Event Horizon and the first Resident Evil, for the reliably butt-kicking Jason Statham and for the surprisingly present Joan Allen (him signing up for it, no big surprise, but her?). However, I'm roughly one trailer away (well, one feature away) from giving it the genuine benefit of the doubt.

Erik wrote about the original trailer back in June, and now one only has to wait until this Friday to determine just how fast and spurious this baby is.

After August comes September, and after Death Race comes Righteous Kill. The profanity-spiked red-band trailer for this NYPD thriller has been included after the jump...

Much like the characters in the best-selling game, Castlevania is the movie that will not die. So far the film has undergone personnel changes and became one of the many causalities of the writers strike; but you can't keep a so-so idea down, and it looks like the project is up and running again. Talk of the film has surfaced again now that a script review for Paul W.S. Anderson's screenplay has appeared over at CC2K -- But I should warn you, it's not looking good.

Early previews on Kotaku, described the script as the story of an, "adult Trevor Belmont who, with his fellow "battle-hardened" brother Christopher, is ordered by his king-through man of god Lucius-to dispatch you-know-who." But, according to CC2K's tipster, the latest incarnation of the story is more of a rip-off of Bram Stoker's Dracula with very few similarities to the Belmonts that fans know and love.

Originally, Anderson was going to direct as well as handle the script, but as we all know, he later dropped the project to work on Death Race. Enter Sylvain White (Stomp the Yard) to take over directing duties, and who is still committed to the project despite the lack of a solid start date.

Having never played the games, I can't say I'm all that worried about the changes Anderson has potentially made to the Castlevania 'canon'. But I know that fans probably feel a little differently; so get it all off your chest, believe me, you'll feel better.

[Thanks: Ain't It Cool News]

There's a really neat-sounding small-scale sci-fi project in development at Overture Films called Pandorum. But for the news that Paul W.S. Anderson is involved, I'd be really excited. Pandorum will be about two spaceship crewmen who wake up on their ship with no idea who they are or what they're supposed to be doing. Soon, they "make a discovery that threatens the survival of mankind."

Anderson didn't write and won't be directing the film -- those tasks both fall to relative unknowns -- but he is reteaming with his Resident Evil cohorts to produce it. He's not exactly on my must list these days, since the Resident Evil franchise has pretty much died under his supervision and AvP isn't exactly a venerable addition to the list of ongoing big-name series. Pandorum's premise sounds cool, but then so did Event Horizon's until you actually learned what was going on. In any case, Dennis Quaid and Ben Foster (in a possible rare non-psychopathic role?) have signed on to star as our heroes, which is good news. I guess the big question is what exactly the two of them "discover" on that spaceship.

Pandorum is supposed to start production in August in Berlin, according to the Variety piece; no word on a release date. Sci-fi fans, make a note of it.

While watching television last night (might've been during the college basketball game), I spotted this new Pontiac commercial; one that utilizes the old school Spy Hunter game. Once it ended, my friend and I looked at each other and were like, "Dude, let's check that out again." The commercial starts out on that classic video game screen before transforming into this sort of half real, half CGI realm -- with the Pontiac car as the hero (of course), as well as all our favorite villains from the game (damn that guy with the spikes coming from his wheels).

As far as the actual Spy Hunter movie goes, that thing has been up in the air for, like, ever now. Dwayne "The Rock" Johnson was supposed to star in the lead role with Paul W.S. Anderson directing -- but that was before the strike happened and I'm not sure what the current status is. Based on this commercial, though, I think I'd want to see that movie. You?

Since most people expect don't expect much from video game flicks, it can't come as much as a surprise that the big screen version of Castlevania has already been sent back to the drawing board. Back in 2005, Paul W.S. Anderson had signed on to write and direct, and up until January 2007 he was still committed to the project; promising a spring start date for production. But the lure of Anderson's next project, Death Race, must have been strong, since he dropped Castlevania to work on it full time.

Bloody Disgusting is reporting that Rogue Pictures has hired Ian Jeffers to completely re-work the script and Sylvain White to helm the flick. White was the director behind the straight-to-video horror I'll Always Know What You Did Last Summer, and the teen dance flick Stomp The Yard. Jeffers is relative newcomer, and Death Sentence was his screen writing debut.

For those not familiar with the best-selling Konami game series, Castlevania focused on The Belmonts, a family sworn to protect the human race from Dracula. The game has evolved over the years, but the producer for the film, Jeremy Bolt, told IGN back in June that the film has "a fair amount of references. We always try to give the fans something that respects their love of the game but also give them something completely new. So we've added a whole new spin to Castlevania". According to Bloody Disgusting, the addition of Jeffers means that Anderson's original script for the project has probably been scrapped -- which might come as a relief to die-hard fans out there. Castlevania is set for release in late 2008.

Sony Pictures has launched the official site for Resident Evil: Extinction. This time around: Alice, our genetically enhanced heroine (Milla Jovovich) is lost in the wastelands of Nevada while fending off the evil plans of the Umbrella Corporation. Joining Jovovich as fellow plague survivors are Heroes' Ali Larter and R&B singer Ashanti. Also returning are Oded Fehr as Carlos Oliviera and Mike Epps as L.J. Last month we had gotten word of a new R trailer for the film and another gallery of photos released to the web. The arrival of a web site might not seem like such a big deal, especially in the current climate of viral fever, but there's plenty of cool content. There are wallpapers, screen savers, and loads of media gallerie, as well as a pretty decent online game -- but be warned; it's armed with one of those age-verification login pages.

Resident Evil: Extinction was directed by Russell Mulcahy; according to this piece over at Movies Online, Paul W.S. Anderson's script has reportedly taken elements from the RE: Code Veronica. Anderson has written his share of video game flicks, including all three of the Resident Evil flicks, and directing the first one back in 2002. There had been some debate over whether Extinction was going to be the last film in the series, but Sony refers to the film as "the third and final installment", so I guess it really is the end for Alice -- I can only hope she will go out in style. Extinction hits theaters September 21st.

[via ComingSoon.net]

Yes, there is more news on Castlevania. Like it or loathe it, the adaptation keeps moving forward! The latest news is that Sylvain White, the guy behind Stomp the Yard, has signed onto to direct the live-action film. This makes things interesting. Is it a good move? Perhaps. White found success with Stomp, but he also helmed Trois 3: The Escort. The guys behind Castlevania seem to be hopeful -- White gets seven-figures for the job, which shoots in South Africa and Romania in the late fall. The script, which was penned by W. S. Anderson, is about the clash between Vlad the Impaler (Dracula, people!) and the Belmont family, who have "unleashed the original vampire" and must fight to defeat him. White says: "Most of the vampire films have been present or set in the future, from Blade to Underworld, and I was attracted by the chance to make a dark, epic period movie that almost has an anime feel to it."

The directorial chair was originally Anderson's, but he stepped down to re-make Death Race 2000. It's just as well, he can't be the name behind every single old-school Nintendo game. Beyond his Castlevania script, he's also got Spy Hunter in pre-production, and I wouldn't be surprised if something like Zelda or Ghost and Goblins followed. My dream is for an interactive Track and Field -- where the movie has you maniacally hitting on those damned little buttons until your fingers blister, just to get your guy across the finish line (unless you had that great controller with the turbo button). If only technology would catch up...

I'm actually fine with this, because who cares about Spy Hunter? Yes, I hung around enough bowling alleys when I was a kid to have played Spy Hunter many times. I remember the oil slick, the smokescreen, and that's pretty much it. It seems almost appropriate that the only person they could find to turn that into a movie is the auteur who brought us Alien vs. Predator and Resident Evil. Variety reports that in addition to directing the re-launched project for Universal, Paul Anderson will also be tackling writing duties along with another scribe. This move comes after many bumps in the road for the property -- among the writers who have already come and gone from Spy Hunter are Zak Penn, Derek Haas, Stuart Beattie and Michael Brandt. Director John Woo was also set to make a Spy Hunter film in 2004, but that deal fell through. The Rock has long been attached to play the lead role in the film, but there's currently no word on whether or not he's still on board.

Up next for Anderson is Death Race, a remake of the 1975 film Death Race 2000, starring Sylvester Stallone as Machine Gun Joe and David Carradine as Frankstein. Jason Stratham is currently attached to that one. Anderson is also attached to direct Man With the Football, a film about a group of terrorists who steal the President's nuclear football -- a briefcase he can use to send nukes wherever. That one actually sounds more promising to me than this Spy Hunter business -- maybe Anderson will be too busy with Spy Hunter and a good director will take over the Football project.