Posts with tag Pearl Harbor
Cinematical Visits MOMA's "Dali: Painting and Film" Exhibit
Filed under: Animation », Classics », Comedy », Documentary », Drama », Foreign Language », Independent », New Releases », Noir », Mystery & Suspense », Celebrities and Controversy », Fandom », Scripts », 20th Century Fox », DIY/Filmmaking », Politics », Obits », Images », Stars in Rewind »

Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.
Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.
DVD Review: Ken Burns' 'The War'
Filed under: Documentary », Independent », Telluride », DVD Reviews », New on DVD », Home Entertainment », Cinematical Indie », War »
Ordinarily, I probably wouldn't write about a PBS series on Cinematical, but Ken Burns' The War deserves an exception. The lengthy documentary, which has seven episodes, first caught my attention at Telluride last year, where one of the episodes was shown as a sneak peek. I knew who Burns was, of course -- his previous documentary series -- The Civil War, Baseball, and Jazz -- are noted for their exceptional quality. But still, The War being added to the Telluride schedule seemed to catch folks by surprise. And then, on the gondola and in line, I started hearing buzz about The War. When I asked people what they'd seen that they liked at the fest, The War was mentioned over and over (usually preceded by, "Well, it's long, but ..."). So when I heard that the DVD set of The War was coming out, I knew I wanted to write it up.
Even if you're not familiar with Ken Burns' work, or you think you're not into war movies, this documentary is so extraordinarily well done that you're bound to find value in it. It is long. Very long. As in, it takes about 14 1/2 hours to get through all seven episodes, and by the time you're done, you're likely to feel like you've been through a war yourself. Burns notes on the 36-minute "Making of" featurette that the production team filmed hundreds of hours of interviews, looked at hundreds of photos, and culled through thousands of hours of archival foootage in pulling together this remarkable project. It's hard to imagine a more comprehensive view of one of the most cataclysmic events ever to impact the world.
Chemistry Crisis! Which On-Screen Pairs Have the Least Chemistry?
Filed under: Romance », Casting », Celebrities and Controversy », Lists »
Chemistry -- you can be the best filmmaker, writer or actor, but nothing makes up for a lack of that intangible connection between two people. This is probably why so many actors can't keep up long relationships -- they continually get paired up with people they have great chemistry with and are weakened by temptation over and over until they can't help but break the ties that bind and go libidinously nuts. Oh, the devilish temptation! But on the flip-side, there are pairings that are just plain crappy -- painfully free of that interest and attraction that comes from the eyes. The CBC has reported that British cinema advertisers Pearl and Dean recently conducted a survey asking 3,000 movie-goers which duos have the worst on-screen chemistry, and came up with a list of the 10 worst offenders.The top spots are no big surprise, really -- the 5th went to Catherine Zeta Jones and Sean Connery in Entrapment, the 4th to Madonna and Adriano Giannini in Swept Away, Keira Knightley and Orlando Bloom got the third spot with the Pirates of the Caribbean trilogy, the runners up were the rockin' Bennifer pair for Gigli and the top spot went to Natalie Portman and Hayden Christensen with Episode II: Attack of the Clones. I'd say they're pretty spot on, although my top offender are the two that hold that third spot, and I'm glad I'm not the only one that thinks so. Granted, Johnny Depp can whip up some chemistry with almost anyone, which makes it hard to compete, but man, I hated Knightley and Bloom together. This also made many parts of the final film truly annoying, if you get my drift. Also, you've got to question your real-life couple choices when you can't cook up chemistry at work, with your significant other.
Finishing the list, there's Hugh Grant and Andie MacDowell in the 6-spot with Four Weddings and a Funeral, Ben Affleck appeared again at 7 with Kate Beckinsale for Pearl Harbor, Tom Cruise and Nicole Kidman got 8 with Eyes Wide Shut, Heath Ledger and Jake Gyllenhaal followed with Brokeback Mountain and Titanic got the final, 10th spot, with stars Kate Winslet and Leonardo DiCaprio. Who would you pick?
Fox Moving Forward With WWII Pacific Adventure
Filed under: Action », Thrillers », Deals », Scripts », 20th Century Fox », War »
Fox has tasked William Wisher, a screenwriter of very inconsistent quality who is responsible for both T2: Judgment Day and Judge Dredd, to put pen to paper for a big WWII adventure story about post-Pearl Harbor action. The project, which is currently moving forward with the old-school title of Escape of the Pacific Clipper, is about a crew who try to get a Boeing B-314 back from New Zealand to where it belongs after the sneak Japanese attack on Hawaii. According to Variety, the "crew races against the Japanese and Nazis to make it home," which sounds like it could make for a pretty good adventure story, if the elements come together. Interestingly, Pan Am honcho Juan Trippe is a character in this story. Since Alec Baldwin played Trippe in The Aviator, and he also played Lt. James Doolittle in Michael Bay's Pearl Harbor, I say why not let Baldwin reprise both roles here? Hell, I just saw the latest Milos Forman film where Natalie Portman plays dual roles, and her characters even end up in the same place at the same time. Why not?
Wisher also wrote The 13th Warrior and Exorcist: The Beginning, and did polishes on both of the most recent Die Hard films, so I'm not really sure what to think about his ability to pull it off, but I guess we'll see. In general, I like the fact that Fox is gambling on big WWII-era epics like Australia and this; we'll keep you posted as more Pacific Clipper details become available. On another note, the Variety story also mentions that Wisher has another project in the pipeline called Pilgrim. That one is an espionage drama set in the modern-day Middle East, which will be directed by John Moore.
RIP: Reel Important People -- December 11, 2006
Filed under: Obits », James Bond », George Clooney »

- Timothy Albrecht (?-2006) - Choreographer for The Intern, Camp and Pretty Dead Girl. He died in his sleep December 9, in Los Angeles.
- Nicolas Balla (1918-2006) - Producer of many short documentaries for the National Film Board of Canada.
- Jack Bean (c.1922-2006) - Producer of Witches' Brew and Very Close Quarters. He died of pneumonia December 5, in Beverly Hills, California.
- Peter Brayham (?-2006) - Stuntman on a number of Peckinpah and 007 films, including Straw Dogs, Goldfinger and Live and Let Die, as well as Brannigan, The Guns of Navarone and Sweeney! He later coordinated/arranged stunts on Cross of Iron, Time Bandits, The Razor's Edge, White Nights, Spice World, Quadraphenia, Drowning by Numbers, Bridget Jones' Diary and My Left Foot. He also played named characters in From Russia With Love and Safari 3000. He died of a heart attack.
- Glenis S. Gross (c.1943-2006) - Co-founder of Coming Home Entertainment and Coming Home Studios, which produced straight-to-video music documentaries and concert films. She died of complications from diabetes November 24, in Oceanside, California.
- Anthony Jackson (1944-2006) - Actor who provided character voices for Labyrinth and appeared in Alan Cumming's Burn Your Phone. He died of cancer November 27, in London.
- Max (c.1987-2006) - Potbelly pig owned by George Clooney, who once told USA Today that the pet was his longest relationship. He died of natural causes December 1, in Hollywood, California.
- Kevin McClory (1926-2006) - Director, screenwriter, producer and assorted crew member who co-wrote and produced the 007 pic Thunderball (and its sorta remake Never Say Never). He was a boom operator and assistant to John Huston on Moulin Rouge (1952) and The African Queen, assistant director on Huston's Moby Dick, second unit director on Around the World in 80 Days (1956), location manager on The Cockleshell Heroes and writer-director-producer on a flop called The Boy and the Bridge. He died November 20, in London.
Monday Morning Poll: Born on the Third of July
Filed under: Action », Classics », Drama », Fandom », DIY/Filmmaking »
Today is my best friend's birthday. I've always been jealous of him because July 3rd is, hands down, the coolest birthday ever. First off, when you're young there's no school that day, the day after or the day after that. Heck, it's summer -- you don't have school for two months. When you're older, working some dead end job and hating your life, July 3rd is superb because of the federal (no work for me!) holiday that follows on the fourth.
Not only that, but early July is always such a fun time here in the United States. Time to go to the beach, throw a backyard barbecue and smuggle in illegal fireworks from Pennsylvania because I can't buy them anywhere near me. Ya know, it's time to be an American -- time to throw on some SPF 75, wave a flag and complain about what President Bush isn't doing. For a movie buff, it's time to escape the heat and sit down with one of your favorite patriotic films.
Depending on the kind of mood you're in, there's plenty of films to choose from -- most of which involve us Americans kicking someone's ass. Can't make up your mind? Well, here's a few flicks to help steer you toward a decision:
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Americans kicking Alien ass: Independence Day
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Americans kicking German ass: Saving Private Ryan, Battle of the Bulge
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Americans kicking Vietnamese ass: Platoon, Born on the Fourth of July
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Americans kicking English ass: The Patriot
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Americans kicking American ass: Glory
So, I ask you: What's your favorite patriotic (go America!) film?








