Perkins14 Tagged Articles at Cinematical
It's Official: After Dark Horrorfest is Moving Up in the World
Filed under: Horror », Lionsgate Films »
Since they like to release eight indie-style or foreign horror films on one specific day each year, I'm always a little bit fascinated by the latest goings-on at After Dark. The fact that I don't actually like the majority of their films is sort of beside the point. Being a hardcore fan gives you the right to be critical, of course, but it also means you should always give a new flick a fair break. And the AD gang has given us access to some half-decent titles, and so I opt to focus on the good (Borderland, The Gravedancers, Frontier(s)) instead of the bad -- which is just about everything else. Although your mileage may vary.And even though the next infusion of After Darkness won't arrive until January, I'm happy to note that they're putting together a rather solid slate. They'd already snagged a cool British chiller called The Broken (which I saw at Sundance ... and enjoyed) and a low-key occult thriller called From Within (which I saw at Tribeca ... and didn't), but now comes word on two new additions: The first one is also a Tribeca title, and it's an Aussie horror tale called Dying Breed. (Here's my review. I nagged Tim to play it at Fantastic Fest, but it ended up in the "very close but no cigar" bin.) The second is an American flick called Autopsy, which comes from screenwriter / first-time director Adam Gierasch (Toolbox Murders, Mother of Tears), and while I haven't seen this one yet, I've heard some quiet-yet-positive rumblings from my sources in the L.A. horror-geek scene.
The Broken, From Within, Dying Breed, and Autopsy will join Slaughter (aka Faithless), Perkins' 14, and The Butterfly Effect: Revelation when After Dark kick-starts on January 9. The eighth title has yet to be announced. Could it be this movie?
[Thanks to BD.com]
After Dark Seeks Horror 'From Within'
Filed under: Horror », Thrillers », Mystery & Suspense », Lionsgate Films », Distribution »
When the After Dark Horrorfest popped up in November of 2006, I caught about half of the offered 8 Films to Die For, despite a transparently sensationalized campaign of just how horrendously extreme these titles must've been to get such a specialized release. My experiences ranged from not bad (The Abandoned and The Gravedancers) to pretty dreadful (Penny Dreadful), but between the ratio of enjoyment that year and the yanking of actually-possibly-horrific Frontier(s) the next, I just passed entirely in 2007.
One might assume that, in an effort to meet me halfway, the Horrorfest has skipped out on itself this year, but while this is technically true, it's merely shuffled away into the doldrums of this coming January 2-9 instead. Scott Weinberg had already pointed out that The Broken and The Butterfly Effect 3 were among this year's (next year's?) selected batch of titles, and now The Hollywood Reporter reports that From Within -- about a rash of suicides in a small town -- and three After Dark productions: the aforementioned Effect, Slaughter, and Perkins' 14.
That leaves three more titles in the running. Any guesses? Just remember now: they can't be too scary.
After Dark Starts Producing Its Own Movies
Filed under: Horror », Lionsgate Films »
Their batting average might not be all that stellar, but I'm still rooting for the After Dark team. In theory, their idea of snatching up eight indie / foreign horror flicks a year and offering them a brief theatrical run is fantastic. And I've no doubt that the AD crew does the best they can with the flicks and funds that are available, but let's face it: Their track record isn't exactly sterling, now is it? (Their flick recap can be found after the jump.) But things seem to be looking up in After Dark country: According to The Hollywood Reporter, the scrappy little distributor plans to get a lot more involved in the production side of the equation.They've already announced Sean Ellis' The Broken* as the first AD08 title, but now we seem to have movies two and three. Production begins this month in Romania on both Faithless and Perkins' 14, the former a thriller about a woman on the run from domestic abuse, the latter a serial killer chiller. (Hey, the less I know about the plots, the better.) Faithless comes from the team of Stewart Hopewell and Tim Long, while Jeremy Donaldson's Perkins' 14 was apparently the winner of a screenwriting contest at Massify.com, which is kind of interesting. That flick will be directed by Craig Singer, whom Horrorfesters will remember from Dark Ride. This pair of flicks marks AD's first return to full-on production since 2006's An American Haunting.
(* Saw it at Sundance; dug it.)
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