PhilDonahue Tagged Articles at Cinematical

The recent U.S. involvement in Iraq has become one of the biggest subjects for documentaries in the past few years, and it's hard not to feel weary of watching the variety of movies on this topic, no matter how varied and original they might be. Phil Donahue has contributed to the genre with Body of War, a documentary he co-directed with Austin filmmaker Ellen Spiro (Troop 1500). The movie focuses on the effect that the U.S. conflict in Iraq has had on a single soldier.

Body of War combines two threads of narrative. The first thread follows Tomas Young, who enlisted in the U.S. Army on Sept. 13, 2001 as a reaction to the events of Sept. 11. He ends up being deployed to Iraq, and after only a few days in combat is injured -- a spinal injury. He's paralyzed below the chest and is confined to a wheelchair. Tomas, his bride-to-be and his mom all have to get used to dealing with his range of physical problems as a result of this injury: not only can't he walk, but he's on an ever-changing variety of medications, he can't control his body temperature, he vomits frequently, and experiences sexual difficulties. Meanwhile, his experiences have made him passionately anti-war, and he visits Cindy Sheehan's compound in Crawford, Texas, travels to the offices of several politicians, and speaks out frequently in public.

Last November, when I brought news about Phil Donahue's directorial debut as a documentary filmmaker, there wasn't much known. We learned that it was focused on a paralyzed Iraq War vet named Tomas Young, that Donahue was financing it himself and that any profits would go to charity and to Young, and that he still had a lot to do before the film would be finished. It seems to be done, though, now. The former talk show host has been screening the doc, which he co-directed with Ellen Spiro (Troop 1500), in his Manhattan apartment, for a number of acquisitions execs from various distributors.

The film now has a title: Body of War (which sounds to me a little too close to Lord of War). It also has newly confirmed controversial subject matter: it criticizes many Democratic leaders, including Hillary Clinton, for their support of the Iraq War. Reportedly only one Democrat, Sen. Robert Byrd of West Virginia, is okay in Donahue's book. Body of War will feature a soundtrack of new music from Eddie Vedder that he wrote specifically for the film. Contrary to what I had predicted, it does not feature Donahue on camera in Michael Moore fashion. Donahue is hoping for a wide theatrical release, though the execs seem to be more interested in a smaller scale. Already the film has been accepted to one of this fall's prestigious film festivals, though it isn't known which -- possibly either Toronto or Venice -- so we'll probably see how it is received publicly before we hear about any concrete distribution plans.

There is no single superior format when it comes to documenting an issue. Non-fiction films have the advantage over fiction films in that they can give either a general overview, often with a sense of omniscience, or they can give a specific, personal study. Occasionally they can even provide a combined method. On a subject like Iraq War vets, both formats are necessary and effective. I will say, however, that I often prefer the broader documentaries, because with the narrower single-subject take I'm left wondering about the many other individuals. With technological accessibility what it is today, perhaps every Iraq War vet could get their own documentary -- but would this be at all sensible?

One vet is getting his own film thanks to garnering the attention of former talk-show host Phil Donahue. Tomas Young, a 24-year-old from Kansas City returned from the Iraq War paralyzed from the nipples down after being shot on his fourth day in country. Donahue, who believes his MSNBC show was canceled in 2003 because of his opposition to the war, met Young in 2004 while visiting Walter Reed Hospital with his friend Ralph Nader. Seeing as how he was then unemployed, he decided to shoot a documentary about the soldier. It is easy to imagine, too, that Donahue is making it for his own reasons, seeing it as his only outlet to speak out against the war and the media's mishandled coverage of it. However, he won't make any money off the film; he plans to donate any profits from the self-funded documentary to his wife's charity, St. Jude Hospital, and to Young.