Psycho Tagged Articles at Cinematical

Trailers have been part of the movie-going experience for almost a century, dating back to when they were shown after the feature (hence "trailers"), not before. Today, many people cite the coming attractions as one of their favorite things about going to the movies, and what's not to like? A trailer often has every single good thing about a movie, condensed into 2 1/2 minutes. That saves you a lot of time.

The scholars at IFC.com have compiled their list of the 50 greatest trailers of all time, presented in the very popular one-item-per-page format that all Internet users love. Great trailers aren't necessarily for great movies. In fact, a lot of these selections are for bad movies. It's the trailers that are good. And what constitutes "good"? IFC says, "Ultimately, we decided that the best trailers are those that most effectively combine art and commerce, and that sell and entertain with equal skill." Amen to that.

I'll be a spoiler and tell you their choices for the top five: Jerry Seinfeld's Comedian at #5, Miracle on 34th Street at #4, followed by Cloverfield, Psycho, and, in the top spot -- the best trailer of all time -- Alien. What do we make of the fact that the top three (in IFC's estimation) are for thrillers? And what did they leave off the list?

We've got the Alien trailer from YouTube after the jump, where no one can hear you scream.

My inbox, Facebook, and Twitter page were semi-flooded with messages of support and condolence when this A L I E N remake gossip hit the wires, and that's because (as anyone in the universe can tell you), it's my #1 favorite film of all time. Mainly because it's just about the perfect horror film, but also because it's a movie that helped plant me on the road of movie freakdom, and for that I'm eternally grateful. Plus it has Sigourney Weaver in her underwear.

So if a film as undeniably flawless as A L I E N can be considered for a remake, it begs the question: What movie won't they remake? Keep in mind that Psycho, Halloween, The Manchurian Candidate, and King Kong have already earned remakes, which tells me that all bets are off. Not even Casablanca, Gone with the Wind, or The Wizard of Oz are safe. Therefore, clearly, remakes are a force of pure evil.

Then again, there IS the old Shakespeare argument, the one that says "Hey, the Bard's plays have been remade over and over for centuries, and surely you wouldn't call Casablanca superior to King Lear, would you?" To which I would respond, "Good point. And no, Casablanca is definitely not superior to King Lear. But A L I E N certainly is."

For Halloween week, I thought I'd go back and challenge one of the biggest movie myths of recent years: that Gus Van Sant's Psycho (1998) is the worst remake of all time. On the contrary... it's actually one of the most fascinating of all remakes, and a great deal more satisfying than almost any other horror remake. Let me explain. If we go back and look at the history of horror movies, we can divide up the last 100 years into sections. There were the Expressionist horrors of the silent era, then the Universal monsters, then Val Lewton's RKO films, the British Hammer films, the Italian horrors, the American Renaissance of the 1970s, the 1980s tongue-in-cheek films, the Asian horrors of the 1990s, and now -- remakes.

There were three factors that made Psycho different from other horror remakes. It was based on a high-quality, undisputed classic rather than some slapdash, B-level monster movie. It was shot-for-shot, and a respected art house director made it. Van Sant had earned some fame, acclaim and an Oscar nomination (for Good Will Hunting), and so by signing on to do the remake he unconsciously indicated that he was stepping into Hitchcock's shoes, which was unforgivable, and also impossible. If a fourth-rate hack had tried it, it would have been laughed at, or ignored, out of existence. But Van Sant's skill and reputation made it stick.

Maybe you've seen them, maybe you haven't, but French thrillers are making a comeback in North America. That's good news for people uninterested in art houses solely for the sake of watching foreign films: You don't have to be a Francophile to appreciate smart, meticulously generated suspense, and that's exactly the appeal of several French movies hitting American theaters this year. A steady mixture of warm reviews and positive word-of-mouth appears to have helped Guillame Canet's breathlessly entertaining drama Tell No One land an impressive $240,858 at 18 locations. Earlier this year, veteran auteur Claude Lelouch, long known for his cinematic explorations of eroticism and lawbreaking, remained thematically consistent with a delightfully complex story of double-crossing novelists and dysfunctional families called Roman de Gare. The movie made over $25,000 on two New York screens when it opened in late April, and eventually pulled in more than $1.5 million after expanding to theaters around the country. It's not hard to argue that Tell No One and Roman de Gare put most recent American thrillers to shame. North America, once the haven of film noir, appears to be outsourcing.

As journalist Erica Abeel recently observed in an interview with Canet, "French filmmakers are currently making the best old-style Hollywood thrillers." It's not the first time for a country that has a long history of borrowing from American cinema, and often improving on it. At the beginning of the French New Wave in the early 1960s, former Cahiers du Cinema critics like Jean Luc-Godard discovered Hollywood genre films and decided to make their own loopy versions. The results were often strangely philosophical and experiment works, ranging from Godard's Breathless to François Truffaut's ambitious Shoot the Piano Player.

I've lost count of how many times these movies have been released on DVD, but (wow) I don't own any of 'em yet, so here's a perfect excuse. DVDActive has the (very thorough) information on Universal's upcoming "Legacy Series" editions of (ready?) Alfred Hitchcock's Rear Window, Vertigo, and Psycho! Each package is a two-disc affair, complete with all sorts of goodies both old and new. (Yes, I love film historian audio commentaries. Sue me.)

Street date for all three releases is October 7, and if you'd like a complete listing of what each disc offers you can click one of these: Rear Window, Vertigo, Psycho. Also from Universal Home Video on October 7 ... it isn't Hitchcock, but it sure is awesome: Orson Welles' 1958 mega-classic Touch of Evil, which is a whole lot more than one impressive tracking shot, believe me. Like the Hitch titles, Touch will come complete with all sorts of new bells and whistles. Plus all four of the DVD covers are all sorts of retro-cool. Can't wait to dig through these discs.

The double-role has been a favorite for movie audiences for a long time. Actors as different as Lon Chaney and Ronald Colman have indulged in the two-actors-for-the-price-of-one roles. In The Dark Knight, Aaron Eckhart will get to do a two-fer, playing a character who didn't get nearly enough to do in that Joel Schumacher fiasco. (Though I did very much enjoy the bifurcated Tommy Lee Jones' use of the pluralis majestatis, the royal "we.") Few double-roles, however, are as roundly a good time as Brian De Palma's Raising Cain, a reviled but rich melodrama derived in equal parts from Psycho and the equally scandalous Peeping Tom. Preposterous, invigoratingly silly, and done to a technical turn by Hitchcock's most devoted fan, this forgotten thriller gives John Lithgow -- kindly actor and easy-going TV star of Third Rock from the Sun --a chance to show his hulking, evil side.

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Note to Jessica: Please don't ever cut your hair. Yes, that's Jessica Alba up top re-creating that memorable scene from Alfred Hitchcock's Psycho. No, thankfully, she's not starring in another remake -- this time the gal took part in a photo shoot for Latina Magazine where she re-created memorable scenes from several classic horror films. Hmm, I think I smell a trend brewing. Yup, definitely a trend. And is it me, or does Alba look like she's kinda laughing in that image; not screaming. It's like a laugh scream -- and I hear only the most talented actresses can pull one off successfully.

The other films Alba, ahem, crucified during the photo shoot include Rosemary's Baby, Scream, The Birds and The Ring. You can check out those photos in the gallery below, and be sure to let us know (as well as Alba) which one you think she should remake next.

[Photos via Egotastic]

This was supposed to be a list of horror movies appropriate for dates. Unfortunately, I kept coming up with reasons why each movie wasn't a good idea. While my rationale wasn't entirely realistic, it got me thinking about movies that open certain cans of worms. Pregnancy. Momma's boys. Infidelity. These seven flicks have got lots of relationship deal-breakers in them, and can lead to some date-damaging conversation, rather than sexy innuendo and rose petals to the bedroom. They might uncover questionable morals, or even some private kink that you just can't get into. And some will get just a little spoilery, but most of them are classics, so you probably know the gist already.

Either way, you've been warned!


Eraserhead (1977)

Henry Spencer (Jack Nance) is just a simple, nervous printer who thinks his girlfriend, Mary (Charlotte Stewart), has broken up with him -- that is, until he is invited to dinner with her and her family. He finds out that she has had an amazingly brief pregnancy, and has given birth to some sort of strange alien baby. Being the noble boyfriend, he marries her, and is quickly left with this weird, wailing tot when she abandons them. Henry starts to become unhinged, and that just doesn't bode well for baby.

While this may be a short film, Eraserhead is packed full of taboo dating topics. Pregnancy. Marriage. Accepting abnormal babies. Ditching the family when sleep-deprived. Infanticide. One minute, you're watching an eerie David Lynch movie, and the next, you're having discussions about what you'd do with alien babies, whether you'd be noble and marry the mother of your out-of-wedlock kid. Or heck, whether love would keep you with her even if it looks like she got horizontal with some other strange sort of being.

Sure, it's easy enough to find the up-side of the handsome hunks of horror film. Hunks are easy. They're (mostly) hot, with their nicely whitened teeth and their hair product-styled to perfection, their six-pack abs, their ... sorry, where was I? Oh, right. Hunks versus Slashers. Jeff and Monika have already brought you the hottest hunks and chicks of horror; guess who drew the short straw and had to pick the slashers? (Actually, I volunteered for this one, so I guess that says something freaky about me ... ) My mission: to determine the hottest horror slashers (at least, according to me). These are the bad boys of horror you just can't stop thinking about, the ones who keep popping up in your dreams ... or nightmares. Whether they slash with blades on their fingers, roque mallets, or your basic kitchen knife, these are the boys you don't want to bring home to introduce to the folks over Sunday dinner ... unless you want your family to be the main course.

Anthony Perkins as Norman Bates (Psycho) My mother always told me: Never date a mama's boy. Little Normie's devotion to his mother was sweet, sure, but his methods of showing it left a little to be desired. But you have to admit, there's something about a guy who might stab you through the shower curtain if the mood strikes that guarantees that you'll never be bored while getting ready for your big date night. Anthony Perkins' striking performance as Norman Bates set the bar for horror slashers for decades -- even after all these years, watching Psycho still sends shivers up your spine. (View the trailer for Psycho or go straight to the gallery!)

Doug Bradley as Pinhead (Hellraiser) Sure, all those nails stuck into his skull give new meaning to the word "hammered" -- not to mention making it a little tricksy to coordinate outfits for those hot dates to movie premieres -- but at least, in his own bizarrely twisted way, Pinhead had a sense of fair play. Of course, if you make the wrong choice, your evening is gonna go downhill in a hurry. There's nothing like giant fishhooks pulling your flesh 14 different ways to put a damper on date night. On the plus side, though, you're probably pretty safe being walked home after dinner by a guy who looks like he had a close encounter with a nail gun, on purpose. (View the trailer for Hellraiser ... or go straight to the gallery!)

It can be hard to pick scary movies for a group of adults to enjoy -- unless you go the family film route, and who wants that? Some people can watch an eye be plucked form a skull, or a slow, terrifying scene scored with creepy music and be in heaven; others will squeeze their eyes shut and plug their ears to escape what they consider hell. While brainstorming ideas for Cinematical's month-long tribute to all things creepy, scary, and gory, I had the bright idea to cover scary flicks for the wimpy -- those people who squeeze, plug, and hate to be scared.

I didn't quite think about how antithetical this idea was. If it's scary, the wimpy won't like it, and if it is too watered down, it isn't scary any more. To make things even more difficult, everyone has different ideas about what is scary. For example, I consider Psycho to be scary for its time and not-so-scary now. Chilling, yes. Nail-biting or hair-raising? No. My friend, however, just looked at me like I was insane for including it on this list. Where in the heck do you go from there?

Comedy always works. The funnier the gore, the less scary it is. But this isn't a comedy list, so there has to be some sort of variety, and this is how it will work: the following is a list of movies you can watch with your more wimpy friends, but still have those ever-loved Halloween themes, and at least a little gore or a few jumps. They are listed from wimpiest to least-wimpy -- all of which should fall well below the truly scary films out there. If anyone finds the lower-rated ones too much to bear, you should probably stay away from anything scary, the evening news, and the absolutely frightening Showgirls.