Henry Poole Is Here Trailer


When Pearl Jam's video for "Jeremy" came out, I think I watched it a billion times -- one, because it was damn good, and two, because I was young enough to crush on the cute, doomed, floppy-haired star. Now Mark Pellington, who directed the video, is bringing us the Luke Wilson-starring Henry Poole is Here, and you can check out the trailer above.

Not surprisingly, there is great music, but I'm not so sure on this whole premise -- it's too "Jesus on toast" for me. Nevertheless, Wilson stars as Poole, a guy who finds out he has 6 months to live, retreats from his life, and sets on a course to die in suburbia with junk food and booze. But then his neighbor notices a heavenly face on his house's stucco. Miracles ensue, love with Radha Mitchell grows, and Henry finds a purpose in life.

Now the question becomes: Will Henry Poole find his own miracle, or will he end up like Jeremy?

The film hits theaters July 25.

Earlier this week, there was buzz that Radha Mitchell was joining the science fiction thriller, The Surrogates. Now The Hollywood Reporter has confirmed it, and reports two other actors added to the mix -- Ving Rhames and Rosamund Pike.

Based on the graphic novel by Robert Venditti, the film will focus on a cop (Bruce Willis) who lives in a future world. However, instead of getting a naked Milla and trying to save the world from one uglified Gary Oldman, he's in a world where people live out their lives through "perfect-looking" robotic versions of themselves. But then these robots or "surrogates" start getting axed, and the cop has to venture into the world, as himself, to find the killer. Mitchell is playing his cop partner, Rhames is playing "a charismatic cult figure who disdains the use of surrogates and tries to lead an uprising against the 'new world order,'" and Pike is playing Willis' wife.

According to Coming Soon, Radha Mitchell has joined the cast of Jonathan Mostow's sci-fi thriller, The Surrogates. The movie is based on the graphic novel from Robert Venditti and was adapted by the screenwriting duo of Michael Ferris and John D. Brancato. The bad news is that these guys have written some pretty crappy movies in the past. Hopefully, these two are better at adaptations than they are at original ideas.

In The Surrogates, Bruce Willis stars as a cop in a futuristic world where all human interaction is performed by look-alike robots called Surrogates. Not only do the robots do all the talking for us, but they're even better looking too (when it comes to Mitchell, though, the original is none too shabby ... so I can't imagine what they would do to make her even better looking). When someone begins murdering 'surrogates' right and left, Willis is forced to venture into the outside world for the first time to track down the killer.

This is a great week to catch up with a few indies that came and went quickly in theaters. Craig Zobel's Great World of Sound burst out of Sundance last year with positive notices -- check GreenCine Daily's roundup -- and our own James Rocchi named it one of the ten best of the year. The basic premise is that two music scouts go on the road in the American South to look for acts to sign. In James' original review, he described it as "funny and vital and tough." Magnolia's DVD includes an audio commentary and deleted scenes.

If Feast of Love had nothing else to recommend it, it would deserve recommendation as director Robert Benton's latest work. As Jeffrey M. Anderson commented, Benton's melodramas (Kramer vs. Kramer, Places in the Heart, Nobody's Fool) "almost always hit home." Feast of Love "focuses on several couples in a Portland college community," he wrote. "These characters may live in a college town, but in love, everyone has something to learn." Morgan Freeman, Greg Kinnear and Radha Mitchell star. MGM's DVD looks bare, with just one feature evidently on board.

Director Allan Moyle returned to his roots (Pump Up the Volume, Empire Records) to make Weirdsville, in which stoners, Satanists and drug dealers commingle. In her TIFF review, Monika Bartyzel called it "fun, endearing, and quite fluid for a stoner comedy. It's also recognizably Canadian (the drug dealer is into curling), but still completely palpable for wider audiences." Wes Bentley and Scott Speedman star. Magnolia's DVD includes an audio commentary and 14 featurettes: behind the scenes, making of, and interviews.

When the production for The Code gets into swing this month in Bulgaria, there will be more than a Morgan Freeman thief-like mentor and a younger Antonio Banderas crook. Variety reports that Radha Mitchell has signed on to star with the duo in the upcoming caper drama, which will be brought to us by director Mimi Leder and screenwriter Ted Humphrey. Unfortunately, they're not saying what her role is. Will she play Banderas' wife? Someone in the Russian mob that Freeman's character owes? The person the duo will rob to get that money? Who knows.

Mitchell made a name for herself in films like Phone Booth and Finding Neverland before heading Melinda and Melinda, Woody Allen's dual-story movie trek. Now she's got a handful of movies on the way that definitely hit some different themes. First up is a B movie named Rogue, which has her taking a cynical American writer on tour of the Outback when they get attacked by a crocodile and end up in some sort of horrific Gilligan's Island scenario. After that she goes back in time for The Children of Huang Shi, a period drama about journalist George Hogg who saved a group of orphaned kids, with help from a nurse and partisan fighter, during the Japanese occupation of China in 1937. Then things get lighter with Luke Wilson's Henry Poole is Here, and then darker again when she co-stars in The Seed -- about a "killer [who] returns from the past, forcing a young detective to return to a case that took her mother's life years before."

No director alive can make family melodramas as brilliantly as Douglas Sirk once did, but I'd suggest that Robert Benton comes the closest. Though filmmakers continue to grind out weepies by the truckload, it's extremely difficult to find that exact thread between heavy and hammy, perhaps even more difficult than making a funny comedy. Weepies generally tell depressing stories, about death, disease, failed romances, unrequited romances, estranged romances, etc. The trick is not to make the film itself depressing. Most directors make the mistake of shooting the material head-on, which has the effect of bludgeoning the audience rather than coaxing them in. Part of Sirk's genius was his timing; he made his best films in the 1950s when you couldn't show everything. He used his skills, his palate of colors, space and the elements, to suggest, rather than tell, his stories.

Admittedly, Benton isn't as visually astute as Sirk, but he's a good writer, good with words and characters. He has lots of different kinds of films on his resume -- he's often attracted to crime stories -- but his melodramas almost always hit home: Kramer vs. Kramer (1979), for which he won a Best Director Oscar, Places in the Heart (1984), and Nobody's Fool (1994). Even his previous film, The Human Stain (2003), worked on a basic, emotional level, though critics generally dismissed it because of its failure to live up to Philip Roth's novel and its mismatched casting of Wentworth Miller as a young Anthony Hopkins. Benton's new movie has less of a pristine literary pedigree, and so perhaps it will go down easier.

I apparently like Luke Wilson more than Erik, who recently told us about the actor's role in Henry Poole is Here, but I have to agree that the Vacancy star is at his best when surrounded by a good ensemble. Well, some of the other cast members of Henry Poole have just been announced, and so far it looks like Wilson will be supported well. The first, Radha Mitchell, is actually signed on, while the second, Oscar nominee Adriana Barraza, is still in talks ("advanced" talks). Though neither actress is who I would initially have in mind for a comedy, even one actually described as a dramedy, they are each talented enough for me to have faith in their capability for humorous performances.

Not much is really known about the plot of Henry Poole, which was written by Albert Torres, but a good guess for Mitchell's role is the love interest for Wilson's character. This part could be the fiancee that he breaks up with when he discovers he has six weeks to die, or it could be a new romantic pursuit, possibly one of the neighbors who disrupt his plan to wallow in seclusion for the rest of his short life. Hopefully Barraza will not ruin her Oscar-nominated reputation by appearing as a Mexican stereotype. So far, Henry Poole, which director Mark Pellington says is about a hopeless man who finds hope, makes me think of Joe Vesus the Volcano meets The 'burbs. As great as that combo sounds, though, Wilson is not quite the next Tom Hanks (even if you think Old School is Wilson's Bachelor Party and My Super Ex-Girlfriend is his Splash). Not even I like Wilson enough to give him that much credit.

Without going into too many embarrassing details about my misspent youth in eyeliner, let's just say I am pretty familiar with the 'Gothic lifestyle.' As a result, I've spent way too much time watching vampire movies, and now it looks like there's another one to watch. Fangoria is reporting that sources have confirmed that a film based on the life of Elizabeth "Blood Countess" Báthory is finally set for production. The story of the 15th century Hungarian countess who supposedly bathed in the blood of virgins to stay eternally young has been the source of plenty of vampire stories but there has never been much attention paid to the slightly less glamorous -- but no less gruesome historical story. Bathory was believed to have tortured and murdered over 600 young girls over the course of her life and was never brought to trial for any of her crimes.

It was almost two years ago when rumblings first surfaced about a Bathory film to be directed by Julie Delpy, who will also star, but there hasn't much solid detail about the project until now. According to Fangoria, the cast now falling into place would also include Ethan Hawke (I'll avoid the obvious Before Sunrise vampire joke), and Vincent Gallo. Supposedly, the film is set to start shooting this summer in Eastern Europe. If this project moves beyond gossip and into the production stage, it won't be the first Bathory film to hit screens this year. Juraj Jakubisko will be directing a "feminist" telling of the story. If Delpy's project continues inching forward at the same pace its been moving over the last two years, Jakubisko's film might be the only one we get.

I was having a conversation at my local coffee house the other day about cheesy sci-fi movies that we all loved and enjoyed in spite of, or because of, their cheesiness. One of the ones I brought up is a favorite of mine about an alien that takes over people's bodies and goes on a thrill-killing rampage around LA. I'm talking, of course, about the Kyle MacLachlan, Michael Nouri starrer The Hidden -- which also features a sultry Claudia Christian and her super-powered, um, sweater. If you've seen the movie you know what I mean. If not, its definitely worth a look.

Obviously, I'm not the only fan of this mid 80s gem because there's already been a direct-to-video sequel -- the extremely lame but cleverly titled The Hidden 2 -- and now, according to an article over at Movie Hole, a remake is in the works which already has a cast and director attached. Reporting for duty in the remake, now known as The Seed, are Neal McDonough, who's movie sci-fi cred goes way back to Star Trek: First Contact and the very cute Radha Mitchell, who also has a couple sci-fi films under her belt including the very good Pitch Black.

Actually, the film is not exactly a remake in the strictest sense. The new pic will change up the story slightly with Mitchell investigating a mysterious killer from her past that caused her mother's death and McDonough showing up to help catch the killer who just happens to be an alien from another world bent on the destruction of humanity. Currently, the film is in pre-production with Rock Shaink, Jr. attached to direct from a script he wrote with Mark Jonathan Stanley. No word yet on additional casting or a start date for shooting.

The only thing I know for sure about the casting situation with The Tender Hook is that it's an Australians-only affair. An article in this morning's Herald Sun is re-affirming most of what we've already known -- that Rose Byrne has replaced Radha Mitchell as Iris, a woman in a noir-stylized 1920s Sydney who is fought over by two opposing boxers. Hugo Weaving, Ray Winstone and Matt Le Nevez are also still attached to the project, although official announcements have yet to be made. The project is being written and directed by Jonathan Ogilvie, whose last film, Emulsion, was unseen by me. Still, I have high hopes for any film that self-identifies as film noir, one of my favorite genres.

Byrne, who was the Duchesse de Polignac in last year's Marie Antoinette, has a full slate of high-profile films for 2007, including the sequel to Danny Boyle's 28 Days Later and the starring role in Boyle's highly-anticipated 'the sun is dying, what do we do?' science-fiction film, Sunshine. The paper also reports that The Tender Hook is set to be shot in Melbourne, which has recently become one of the hottest filming spots in all of Australia.