• Al Drebin (c.1918-2007) - Owner of Budget Films, an archive company that supplies footage to films, television shows and humanitarian projects. He died of heart failure September 18, in Los Angeles. (Variety)
• Edith Campion (1923-2007) - Poet, actress and mother of filmmakers Anna Campion and Jane Campion. She appears in the former's 1989 short The Audition and in the latter's 1990 feature An Angel at My Table. She died September 16 in Otaki, Manawatu, New Zealand. (ABC Radio Australia)
• Mark Copeland (1962-207) - Steadicam operator for The Gravedancers, National Lampoon's Pucked, The Ultimate Gift and the upcoming The Key Man. He died in a helicopter crash September 11, in Sarasota, Florida. (CBC-Raleigh)
  
• Joel Fein (c.1944-2007) - Oscar-nominated sound mixer for The Buddy Holly Story. He was also a recording sound mixer for Blade Runner and Fletch Lives and the restorations of Bridge on the River Kwai and Spartacus. As a sound re-recording mixer, he worked on Back to the Future II, Midnight Run, The Hard Way, Ghost Dad and Gary Sinise's Of Mice and Men, and as a score mixer, he worked on Bachelor Party. Later in his life he concentrated on television work, for which he won an Emmy and was nominated twice more. He died September 22 in Wichita. (The Wichita Eagle)
• Alice Ghostley (1926-2007) - Character actress (pictured) best known for her television roles on Bewitched and Designing Women. She is familiar to Grease fans as the film's automotive shop teacher, Mrs. Murdock. She also appears in The Graduate, To Kill a Mockingbird, The Flim-Flam Man, The Odd Couple II and as herself in the documentary Broadway: Beyond the Golden Age. She died of cancer September 21, in Studio City, California. (NY Times)

German cinema is mourning the loss of two greats this week, composer Peer Raben and actress Gisela Uhlen. The news of their deaths should be especially heartbreaking to fans of Fassbinder's The Marriage of Maria Braun, since it features the talents of both. Raben, who died Sunday at the age of 66, collaborated with Fassbinder on most of the director's films, including Querelle, which unfortunately earned the composer three Razzie nominations. Despite that one moment of fault, though, Raben was the recipient of a lifetime achievement honor at the 2006 World Soundtrack Awards.

In addition to scoring Fassbinder's major works, he also wrote original music for Wong Kar Wai's 2046 and The Hand (Wong Kar Wai's segment of the portmanteau Eros), Barbet Schroeder's Tricheurs and a restored version of Pandora's Box. And he occasionally wrote, directed, acted, produced. Uhlen died on January 16 at the age of 87. She had worked fairly steady as an actress for the past 70 years, though the aforementioned Fassbinder film is probably the work she's most known for in the States. It is also the film that brought her the one German Film Award she would ever receive. The only film that I have seen her in (I know, I need to see more Fassbinder) is Totò the Hero, and her death reminds me that it is disappointingly still unavailable on DVD in America.