Posts tagged Raising Arizona at Cinematical

Posts with tag Raising Arizona

Cinematical Seven: Best Coen Brothers Supporting Characters

Posted Mar 2nd 2008 9:02PM by James Rocchi
Filed under: Cinematical Seven, Lists

With No Country For Old Men coming to DVD next Tuesday (3/11) in the final paces of the film's victory lap, it seems like a good time to note that when one of the film's Oscars went to Best Supporting Actor Javier Bardem, it came as the logical conclusion of a long-established fact for many Coen watchers: the brothers have a Midas touch when it comes to supporting parts -- writing them, casting them, directing them. Throughout their career, the writing-directing duo of Joel and Ethan Coen have always peppered their films with brief, brisk parts that both famous and lesser-known actors have turned into standout moments. Here, then, is a list of seven truly great Coen Brothers supporting parts, as well as runners-up from each film. As ever, these lists are highly subjective, and our comments section below awaits your thoughts. ...

1. The Dane (J.E. Freeman), Miller's Crossing

In Miller's Crossing (for my money, the the most overlooked and under-appreciated film in the Coen canon) the brothers pull a balancing act; they not only refuse, refute and re-invent gangster film styles, plots and archetypes, but they also freshen, fire up and fulfill those gangster film styles, plots and archetypes. So it is with J.E. Freeman's Eddie Dane, a fearsome tough guy whose simple, shark-like capacity for murder and mayhem drives the plot and whose complicated private life adds a few twists to the finale. Much is made of John Turturro's work in this film (as it should be) but it's The Dane who keeps sticking out in my mind whenever I re-visit Miller's Crossing, a small, self-contained example of why the film as a whole is so good.

(Runners-up: Bernie Bernbaum (John Turturro), Vera Bernbaum (Marcia Gay Harden) and Johnny Caspar (Jon Polito).

Continue reading Cinematical Seven: Best Coen Brothers Supporting Characters

Review: No Country for Old Men

Posted Nov 9th 2007 2:02PM by Patrick Walsh
Filed under: Action, Comedy, Drama, Thrillers, New Releases, Mystery & Suspense, Theatrical Reviews, New in Theaters, Miramax, Paramount Vantage

No Country for Old Men, the new film from Joel and Ethan Coen, is an unquestionable return to form. It is scary, funny, moving, violent, and meaningful, in pretty much equal measure. The Coens' take on the Cormac McCarthy novel of the same name is a pairing as successful, as seamless, as delicious as that of chocolate and peanut butter.

Josh Brolin gives the finest of his four excellent performances this year as Llewelyn Moss. Moss is a struggling everyman who stumbles upon a circle of trucks and dead Mexicans in the desert -- a heroin deal gone bad. Real bad. The lone survivor asks Moss for some agua, and Moss ignores the request. He surveys the scene and eventually comes upon a suitcase filled with $2 million dollars. Moss' response upon finding the money? A simple "Yeah." It's a perfect moment in a movie packed with them. Moss takes the money and returns home to his trailer and his wife Carla Jean (Kelly MacDonald). Soon, his conscience begins to nag at him, and he decides to head back to the scene of the crime to give the dying man a drink. A compassionate decision, but not, as you can probably imagine, an intelligent one.

Javier Bardem plays Anton Chigurh (start to say Chicago and then growl and you're close to the pronunciation). I'll leave his specific involvement in the proceedings up to you to figure out, but just know that he really wants that $2 million. Moss will come to refer to Chigurh as "the ultimate badass," and that's about right. Chigurh is a classic screen villain, the kind we haven't seen in far too long. Every time he appears on screen, cattle stunner in tow, it just makes your heart sink -- somebody is going down. Much like Hannibal Lecter, the guy is a vicious, remorseless killer, but he has a strangely sensible logic and one can't help but be seduced by him. Bardem, sporting a Prince Valiant haircut, gives a flawless performance here, one that will likely be noticed come Oscar time. He completely disappears into Chigurh.

Continue reading Review: No Country for Old Men

Nicolas Cage Will Search for 'The Vanished'

Posted Oct 17th 2007 2:02PM by Peter Martin
Filed under: Drama, Thrillers, Casting, Focus Features

Nicolas Cage as a parent? Variety says that Cage has signed up to play "a father who goes in search of his college-aged American-born Muslim son, who's missing overseas" in The Vanished. Cage is 43, so he's certainly old enough chronologically to play the parent of of a college kid. But maybe I'm just fixating on the buck-toothed role he played in his uncle's Peggy Sue Got Married, wherein Kathleen Turner desperately wanted to avoid having him father her child. Or maybe it's Raising Arizona, where he stole another family's quintuplets. Or Leaving Las Vegas, in which he drank himself to death, or Face/Off, where he made John Travolta's daughter think her dad was coming on to her, or the kind of fathers he played in Matchstick Men , The Family Man and The Weather Man.

In real life, Cage is probably a wonderful father to his children, but his performances tend to be all over the map, so we'll wait to see how his collaboration with director Hany Abu-Assad (Paradise Now) turns out. Does Cage's character in The Vanished disapprove of his son's decision to become a Muslim? I would count on it. Does he love him anyway? Of course. Will he come into conflict with racial and religious prejudice? No doubt.

The Vanished is described as a thriller, but it's being made for Focus Features. That, along with the subject matter, clearly signals the film as possible Oscar bait. (For comparison's sake, Focus's releases this fall are Eastern Promises and Lust, Caution, Reservation Road and Atonement.) Cage will next be seen in the sequel National Treasure: Book of Secrets, which hits theaters on December 21. He starts filming Darren Aronofsky's The Wrestler in January and moves on to The Vanished in April. I wouldn't be surprised if they're aiming to complete it in time for the Toronto and/or Venice film festivals next September.

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Cinematical Seven: Best Coen Brothers Supporting Characters

Review: No Country for Old Men

Nicolas Cage Will Search for 'The Vanished'

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