Are you prepared for Wrath of the Lich King? WoW Insider has you covered!
Moviefone
Posts with tag RaisingArizona

Cinematical Seven: Best Coen Brothers Supporting Characters



With No Country For Old Men coming to DVD next Tuesday (3/11) in the final paces of the film's victory lap, it seems like a good time to note that when one of the film's Oscars went to Best Supporting Actor Javier Bardem, it came as the logical conclusion of a long-established fact for many Coen watchers: the brothers have a Midas touch when it comes to supporting parts -- writing them, casting them, directing them. Throughout their career, the writing-directing duo of Joel and Ethan Coen have always peppered their films with brief, brisk parts that both famous and lesser-known actors have turned into standout moments. Here, then, is a list of seven truly great Coen Brothers supporting parts, as well as runners-up from each film. As ever, these lists are highly subjective, and our comments section below awaits your thoughts. ...

1. The Dane (J.E. Freeman), Miller's Crossing

In Miller's Crossing (for my money, the the most overlooked and under-appreciated film in the Coen canon) the brothers pull a balancing act; they not only refuse, refute and re-invent gangster film styles, plots and archetypes, but they also freshen, fire up and fulfill those gangster film styles, plots and archetypes. So it is with J.E. Freeman's Eddie Dane, a fearsome tough guy whose simple, shark-like capacity for murder and mayhem drives the plot and whose complicated private life adds a few twists to the finale. Much is made of John Turturro's work in this film (as it should be) but it's The Dane who keeps sticking out in my mind whenever I re-visit Miller's Crossing, a small, self-contained example of why the film as a whole is so good.

(Runners-up: Bernie Bernbaum (John Turturro), Vera Bernbaum (Marcia Gay Harden) and Johnny Caspar (Jon Polito).

Continue reading Cinematical Seven: Best Coen Brothers Supporting Characters

Review: No Country for Old Men



No Country for Old Men, the new film from Joel and Ethan Coen, is an unquestionable return to form. It is scary, funny, moving, violent, and meaningful, in pretty much equal measure. The Coens' take on the Cormac McCarthy novel of the same name is a pairing as successful, as seamless, as delicious as that of chocolate and peanut butter.

Josh Brolin gives the finest of his four excellent performances this year as Llewelyn Moss. Moss is a struggling everyman who stumbles upon a circle of trucks and dead Mexicans in the desert -- a heroin deal gone bad. Real bad. The lone survivor asks Moss for some agua, and Moss ignores the request. He surveys the scene and eventually comes upon a suitcase filled with $2 million dollars. Moss' response upon finding the money? A simple "Yeah." It's a perfect moment in a movie packed with them. Moss takes the money and returns home to his trailer and his wife Carla Jean (Kelly MacDonald). Soon, his conscience begins to nag at him, and he decides to head back to the scene of the crime to give the dying man a drink. A compassionate decision, but not, as you can probably imagine, an intelligent one.

Javier Bardem plays Anton Chigurh (start to say Chicago and then growl and you're close to the pronunciation). I'll leave his specific involvement in the proceedings up to you to figure out, but just know that he really wants that $2 million. Moss will come to refer to Chigurh as "the ultimate badass," and that's about right. Chigurh is a classic screen villain, the kind we haven't seen in far too long. Every time he appears on screen, cattle stunner in tow, it just makes your heart sink -- somebody is going down. Much like Hannibal Lecter, the guy is a vicious, remorseless killer, but he has a strangely sensible logic and one can't help but be seduced by him. Bardem, sporting a Prince Valiant haircut, gives a flawless performance here, one that will likely be noticed come Oscar time. He completely disappears into Chigurh.

Continue reading Review: No Country for Old Men

Cinematical Features



Take a step outside the mainstream: Cinematical Indie.

CATEGORIES
Awards (824)
Box Office (548)
Casting (3607)
Celebrities and Controversy (1779)
Columns (216)
Contests (202)
Deals (2913)
Distribution (995)
DIY/Filmmaking (1809)
Executive shifts (98)
Exhibition (599)
Fandom (4209)
Home Entertainment (1148)
Images (617)
Lists (344)
Moviefone Feedback (5)
Movie Marketing (2175)
New Releases (1706)
Newsstand (4286)
NSFW (83)
Obits (284)
Oscar Watch (493)
Politics (792)
Polls (23)
Posters (133)
RumorMonger (2111)
Scripts (1476)
Site Announcements (269)
Stars in Rewind (59)
Tech Stuff (407)
Trailers and Clips (485)
BOLDFACE NAMES
James Bond (204)
George Clooney (150)
Daniel Craig (80)
Tom Cruise (230)
Johnny Depp (144)
Peter Jackson (120)
Angelina Jolie (146)
Nicole Kidman (44)
George Lucas (169)
Michael Moore (66)
Brad Pitt (146)
Harry Potter (155)
Steven Spielberg (266)
Quentin Tarantino (141)
FEATURES
12 Days of Cinematicalmas (59)
400 Screens, 400 Blows (103)
After Image (33)
Best/Worst (36)
Bondcast (7)
Box Office Predictions (76)
Celebrities Gone Wild! (23)
Cinematical Indie (3846)
Cinematical Indie Chat (4)
Cinematical Seven (222)
Cinematical's SmartGossip! (49)
Coming Distractions (13)
Critical Thought (347)
DVD Reviews (197)
Eat My Shorts! (16)
Fan Rant (41)
Festival Reports (824)
Film Blog Group Hug (56)
Film Clips (32)
Five Days of Fire (24)
Friday Night Double Feature (24)
From the Editor's Desk (68)
Geek Report (81)
Guilty Pleasures (27)
Hold the 'Fone (426)
Indie Online (3)
Indie Seen (7)
Insert Caption (112)
Interviews (314)
Killer B's on DVD (71)
Monday Morning Poll (47)
Mr. Moviefone (8)
New in Theaters (301)
New on DVD (263)
Northern Exposures (1)
Out of the Past (13)
Podcasts (99)
Retro Cinema (77)
Review Roundup (45)
Scene Stealers (13)
Seven Days of 007 (25)
Speak No Evil by Jeffrey Sebelia (7)
Summer Movies (40)
The Geek Beat (27)
The (Mostly) Indie Film Calendar (33)
The Rocchi Review: Online Film Community Podcast (27)
The Write Stuff (25)
Theatrical Reviews (1535)
Trailer Trash (443)
Trophy Hysteric (32)
Unscripted (33)
Vintage Image of the Day (140)
Waxing Hysterical (42)
GENRES
Action (4634)
Animation (945)
Classics (935)
Comedy (4219)
Comic/Superhero/Geek (2272)
Documentary (1256)
Drama (5437)
Family Films (1083)
Foreign Language (1410)
Games and Game Movies (279)
Gay & Lesbian (219)
Horror (2089)
Independent (2976)
Music & Musicals (850)
Noir (184)
Mystery & Suspense (762)
Religious (94)
Remakes and Sequels (3434)
Romance (1117)
Sci-Fi & Fantasy (2881)
Shorts (257)
Sports (259)
Thrillers (1717)
War (228)
Western (64)
FESTIVALS
Oxford Film Festival (1)
AFI Dallas (45)
Austin (23)
Berlin (89)
Cannes (276)
Chicago (18)
ComicCon (88)
Fantastic Fest (63)
Gen Art (8)
New York (52)
Other Festivals (287)
Philadelphia Film Festival (13)
San Francisco International Film Festival (28)
Seattle (64)
ShoWest (3)
Slamdance (20)
Sundance (596)
SXSW (274)
Telluride (61)
Toronto International Film Festival (340)
Tribeca (258)
Venice Film Festival (10)
WonderCon (1)
Friday Night Double Feature (0)
DISTRIBUTORS
Roadside Attractions (5)
20th Century Fox (569)
Artisan (1)
Disney (540)
Dreamworks (274)
Fine Line (4)
Focus Features (143)
Fox Atomic (16)
Fox Searchlight (167)
HBO Films (31)
IFC (108)
Lionsgate Films (350)
Magnolia (101)
Miramax (65)
MGM (181)
New Line (369)
Newmarket (17)
New Yorker (5)
Picturehouse (9)
Paramount (570)
Paramount Vantage (40)
Paramount Vantage (11)
Paramount Classics (48)
Samuel Goldwyn Films (7)
Sony (479)
Sony Classics (135)
ThinkFilm (105)
United Artists (37)
Universal (632)
Warner Brothers (887)
Warner Independent Pictures (92)
The Weinstein Co. (438)
Wellspring (6)

RESOURCES

RSS NEWSFEEDS

Powered by Blogsmith

Featured Stories

Sponsored Links

Recent Theatrical Reviews

Cinematical Interviews

Most Commented On (60 days)

Weblogs, Inc. Network

Other Weblogs Inc. Network blogs you might be interested in: