RaymondChandler Tagged Articles at Cinematical
Sundance Review: The Missing Person
Filed under: Drama », Sundance », Noir », Mystery & Suspense », Theatrical Reviews », Festival Reports », Oscar Watch », Sundance Reviews 2009 »
The Missing Person, playing at Sundance even as its star Michael Shannon earns an Oscar nomination for his work in Revolutionary Road, isn't merely a clever, cool spin on the classic private eye story, but it also works as a private eye story. It showcases a lurching, hunched, quietly lived-in performance by Shannon but offers more than just that performance. It has the knowing, humane touches of Paul Auster's brilliant urban fiction but still manages to rope in familiar crime genre characters like the rich widow, the collaborating cabbie, the wanted man, the ethical crimelord, the unethical businessman, the femme fatale and -- most importantly -- the sad-sack, mercenary-but-moral private eye.
John Rosow (Shannon) lives and works and drinks -- and does a far better job of the last thing in that list than the first two -- in a shabby office in Chicago. The phone rings. Get to the train station by 7, he's told. Board the Zephyr Express from Chicago to L.A.; there's a man to follow. An old friend in New York recommended him, and he's got the job if he wants it: "Five hundred dollars a day, plus expenses ... not including gin." After Miss Charlie (Amy Ryan) gives him the dossier of background and some cash, Rosow shaves, puts on a brown suit, goes to the train and takes the job. Because that's what a private eye does, as near as he can tell. And aside from the ringing phone being a cell, we could be in the 30's or the '40s or the '50s with the train and the gin and the cash and the job. But, of course, we're not.
Clive Owen is Philip Marlowe
Filed under: Drama », Casting », Noir »
He may be prettier than Humphrey Bogart, but Clive Owen sometimes reminds me of the Casablanca star. I guess I just see a lot of Owen's characters as being the kind who would say that they stick their neck out for nobody. And then there's Owen's voice, which has been heard in voice-overs before and which would work perfectly in a film noir. Of course, Owen isn't distinguished enough to be cemented into the consciousness of cinema in the same way that Bogie has been. In one hundred years, Humphrey Bogart will still be the better remembered actor. For the time being, though, Owen is probably the best person to take on the part of Philip Marlowe (maybe Billy Bob Thornton would be good, too), a character that most of us associate with Bogart, despite the fact that so many others have played the role, some more than once. Producer Marc Abraham told Louisville, Kentucky's Courier-Journal that he will be following up Children of Men with another collaboration with Owen that will be based on one of Raymond Chandler's detective stories. He didn't specify which story would be adapted, but he did say that Owen would be playing Marlowe.
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