Halloween's still a month away, but these films all have some afterlife in them.



The Spirit
The second trailer for the highly anticipated adaptation of Will Eisner's classic graphic novel looks a lot like Robert Rodriguez's Sin City. That's not surprising, since comic book great Frank Miller not only co-directed that flick, he also wrote the book it was based on. The Spirit marks his solo directorial debut, and he's definitely got the film noir thing down. After a rookie cop is brutally murdered, he's resurrected as the title character (Gabriel Macht), a masked crime fighter dedicated to keeping the city streets safe. Of course he has to vanquish a supervillain (Samuel L. Jackson as the Octopus) and a couple of femme fatales, first. It's clearly got a dark vibe, but it doesn't take itself too seriously. There's a bunch of one-liners in the trailer. My favorite: "Somebody get me a tie ... and it sure as hell better be red!"

By Monday, we were more than halfway through Fantastic Fest. On the one hand, festgoers who were just there for the weekend had departed, thinning the crowds slightly. On the other hand, some of us realized that there were still tons of movies to see and only a limited time, so we had better try to get into as many films as we could. I know some people who managed to see 5 or 6 films a day. I'm not one of them -- too wimpy.

One movie I saw and liked on Monday was Santos, a superhero film from Chile. When director Nicolas Lopez took the stage before the movie, I recognized him as one of the judges from Thursday night's Air Sex Championships. He was a wonderfully unpredictable judge and turned out to be a charming speaker during the intro and later during the Q&A for his film (as shown in the photo after the jump). Santos is about a comic-book artist who doesn't realize he has the same superpowers as one of the characters he writes about -- and at various points in his life, he's called upon to use those powers. It's very funny, but if you get the chance to see it, bear in mind that many of the gags are not at all family-friendly. Santos was produced by Elizabeth Avellan of Austin's Troublemaker Studios (which produces Robert Rodriguez's films) -- no U.S. distribution deals as of yet, but I hope that changes.

A note to anyone affiliated with a film festival that frequently employs the words scream, fear, horror, fright, dark, or creeeeepy: If you send me a press release, I'll throw you some blog-love. That's what happens when a childish genre nerd gets to work at a slick 'n' popular website like this one. Case in point: A very cool guy called Adam Lopez helps run an event called Toronto After Dark, and he asked if I wouldn't mind spreading the word on their upcoming slate. And since this is a small but reputable festival (and not to be confused with TIFF's own "Midnight Madness" line-up, which is like a mini-fest all by itself), I said "Sure, Adam!" And guess what? I'll do the same for LA Screamfest, UK Frightfest, and New Zealand Gorefest -- even though I just made that last one up.

TADFF (an acronym I also just made up) runs from October 17 to 24. The festival generally plays between 16 to 20 films, and while their final slate hasn't been decided just yet, they have snagged a few juicy titles for their first batch. The Jack Ketchum adaptation Red will be screened, as will Darren Lynn Bousman's Repo! The Genetic Opera and (of course) the stunningly wonderful Swedish import Let the RIght One In. Other titles include Bill Plympton's Idiots and Angels, the action-packed Mirageman, the self-explanatory Tokyo Gore Police, and the recent fest favorite Who is KK Downey?

For more information on Toronto After Dark, you can pick through their website right here. I'll also include a little promo video after the jump -- and here's the best part: You can get a full festival badge for around one hundred bucks Canadian! If they screen 17 movies, that equals out to about ... six bucks a flick! (Less, actually!) Stop back in a week or two and we'll have the full line-up. You Canadians get all the luck.

Here's a round-up of today's news:

• Warner Bros. and Leonardo DiCaprio's production company are looking to bring us a feature-length Twilight Zone. This one, however, won't be episodic. Instead, they hope to stretch one out into a feature. THR
• Pretty, Baby, Machine is going to hit the big screen by Landscape Entertainment and bring Al Capone down. THR
• The MPAA goes viral. Variety
• Richard Dreyfuss is narrating a new doc called America Betrayed, which will be "a scathing look at the way out government contributes to and profits from disasters both here and abroad." Variety
• Harold and Kumar are coming back... again! John Cho and Kal Penn will reprise their roles; story is being kept under wraps. Variety
• Rupert Grint is bloody in Cherry Bomb. Just Jared
• New German doc -- Hitler on Trial. AP/Yahoo
• Trailer for The Brothers Bloom. Coming Soon
• More Repo! footage. MTV

Just the other day, I shared the new trailer for the bloody, music extravaganza known as Repo! The Genetic Opera, and I noted that the flick was still without a release date. If Ace Showbiz is to be believed, the opera has found itself a new tentative square on the calendar -- November 7, 2008. That puts it face to face with the next James Bond film, Quantum of Solace.

Spies. Genetic repossessors. Gadgets. Song and dance. Bond girls. Paris Hilton. Okay, going back and forth between the perks of each feature isn't going to win this battle. These are certainly different films, but I wonder if it's wise to put them head to head. But even more to the point -- why the 7th? Heck, seeing that it's only one week after Halloween, it would make more sense to zip it into theaters a week earlier -- it might have to go up against Kevin Smith, but it would have the Halloween creepiness on its side.

Stay tuned to see if this release date sticks.

Above, you can check out the sweet-ass new trailer for Repo! The Genetic Opera. Using a little comic book flair, the trailer lays out just what has happened to the world to make it a bloody, repossession nightmare before diving into the music and clips. It looks bloody awesome, and not just for Anthony Head. This collection of clips brings to mind a gory Moulin Rouge, especially when featuring the Repo Man, Nathan Wallace's house, and his daughter, Shilo (Alexa Vega).

When the first footage of the opera was shown during the Spike Awards last year, the flick had an April release date. Now, it is screening at the Fantasia Fest, which Scott just blogged about, but no theatrical release date has been set. (IMDb says August 8, but both the trailer and Maple's release schedule say it's just coming soon.) Hopefully they pick a date soon, because my anticipation is getting the better of me.

Finding a theme to bind together five trailers for this column every week can be tricky. Sometimes a common element jumps out at me, and other times I have to spend some time searching before I find one. Still other times there's no similarity to be found, which leads us to this week's topic. We're firing a barrel of buckshot (metaphorically speaking) at some new trailers, and we'll talk about the first five we hit. Ready? Lock and load.

Starting Out in the Evening
Frank Langella plays an aging novelist who can't get publishers to even look at his new book, but a young female grad student thinks she can revive people's interest in his work. Langella's character is so old school he actually uses a typewriter, and this looks like a truly great performance. The plot reminds me a bit of Finding Forrester, but only on a superficial level. James reviewed the film at the Toronto International Film Festival, and you can read that right here.

I am Legend
There's a new full-length trailer for this third adaptation of Richard Matheson's classic novel about a lone human in a world overrun with mutated survivors of a global plague. I'm not clear on whether the plague victim's in the movie are actually vampires like they are in the book or some other kind of mutation, but you finally get a peek at them here, as well as some mutant dogs. Beyond the basic premise, this doesn't look like it's going to be a particularly faithful adaptation, but I've always felt a film should judged for what it is and not how similar it is to the source material. This should be good.

I realize that headline might seem a little confusing, so here's a simple breakdown: Darren Lynn Bousman, the young filmmaker who co-wrote and directed Saw 2 and Saw 3, is about to start his third project for Lionsgate and Twisted Films. It's called Repo! The Genetic Opera and it sounds pretty wild. The Hollywood Reporter provides us with the scoop as well as this plot synopsis: "...set in the not-so-distant future where an epidemic of organ failures devastates the planet, killing tens of millions. As scientists feverishly make plans for a massive organ harvest, a multi-billion dollar biotech company, GeneCo manufactures salvation but for a price, offering easy organ payment plans."

The screenplay was written by Terrance Zdunich and Darren Smith, and is based on their stage play of the same name. Apparently Mr. Bousman fell in love with the script after reading it, and his backers approved the project after sitting through the director's 12-minute promo reel. Post-apocalypse? Plagues? Organ transplants? Count me in. If you're also among the intrigued, check out the official Repo! website.