Resurrecting the Champ Tagged Articles at Cinematical

Few leading male actors have followed the roundabout career trajectory of Josh Hartnett. Though indisputably tall, dark and handsome, Hartnett still manages to avoid the pratfalls of typecasting by landing roles in strange projects with questionable appeal. While this choice comes at the expense of a quality resume, his performances can lend barely competent films at least one redeeming ingredient: I could give or take Wicker Park, Resurrecting the Champ, and even the good intentions of The Black Dahlia, but each benefits from Hartnett's expressive glare, furrowed brow and whispered delivery. He's an instant generator of gravitas.

Although August, director Austin Chick's second feature after the relationship drama XX/XY, doesn't qualify as Hartnett's best movie, it's certainly one of his meatiest roles – right up there with his work in the unfairly maligned Lucky Number Slevin. As the crudely pompous CEO of the mysterious start-up company Landshark in New York City during the summer before 9/11, Hartnett offers a maddened, garrulous anti-hero replete with dark humor and sustained by a surge of baseless confidence. The movie follows the audacious entrepreneur, Tom, as his fifteen minutes begin to run out – and it concludes with him facing off against a freakishly powerful David Bowie as the icy corporate foil. Despite the age gap, both men exude an eerie amount of restraint – which is not the case for the film. August adds up to less than it aspires to be, but it's populated with enough curiosities to keep you watching.

I'm excited enough that Rod Lurie is returning to politics with Nothing but the Truth, a film loosely associated with the story of Valerie Plame. But I'm becoming more excited that it will feature a wide range of talented actors, from Kate Beckinsdale to Alan Alda to Matt Dillon to Vera Farmiga to David Schwimmer to Edie Falco to Harry Lennix to the just-announced Angela Bassett and Noah Wyle. According to The Hollywood Reporter, Basset and Wyle join the ensemble as supportive figures. Bassett is to play editor-in-chief to Beckinsdale's reporter and Wyle is to play the lawyer defending Beckinsdale's character, who ends up in jail for not revealing a source.

More than 13 years after being nominated for an Oscar (for What's Love Got to Do with It), I'm happy to see Bassett getting more meaty roles. In addition to this part, which will probably be too small to garner too much recognition, she is set to star opposite Don Cheadle as the titular wife in the biopic Toussaint, and she's sure to be seen by millions and millions in Tyler Perry's next movie, Meet the Browns. Wyle, too, is deserving of making his mark on the big screen now that he's done playing Dr. Carter on E.R. Coming up for him is a father role in the 1963-set coming-of-age film Boy of Pigs and his directorial debut, a romantic comedy titled Prince Test.

The interesting thing about Nothing but the Truth is it somewhat seems to combine Lurie's The Contender (possibly my favorite political film ever), which also focused on a woman under heavy scrutiny, and his recent box office disappointment Resurrecting the Champ, which similarly dealt with the world of journalism. For the sake of this great cast, I hope Nothing but the Truth is closer to the success level of the former.

There are three ways that Joe Wright's The Soloist can go. It can end up sharing the fate of the recent bomb Resurrecting the Champ, which similarly was about a reporter and a homeless man. Or it can be a modest success, in the tradition of many feel-good dramas involving obstacles overcome, and win the hearts of audiences more than it hits with critics and awards. Or it can be like Wright's other two films (Pride & Prejudice and Atonement), and garner Oscar buzz all around. Despite the familiar, uplifting plot scenario, I'm going to guess the film goes in the last direction. After all, as Patrick said in August, it has four things the Academy loves: "1) Homeless 2) Musician with 3) Mental Problems and 4) A Dream." And now it also has another Oscar favorite in two-time nominated actress Catherine Keener, who has joined the cast, according to Variety.

In The Soloist, Keener will play the wife of Los Angeles Times columnist Steve Lopez, who we previously learned will be played by fellow Oscar nominee Robert Downey, Jr. The true story follows Lopez as he discovers Nathaniel Ayers (Oscar-winner Jamie Foxx), a homeless, schizophrenic musician with aspirations of playing at L.A.'s Disney Hall. To me, the plot sounds like an adaptation of that old joke about how to get to Carnegie Hall (practice!), but I assume Lopez's collection of articles, "From Skid Row to Disney Hall" are not so comic. However, wih such a talented team -- including Oscar nominated screenwriter Susannah Grant (Erin Brockovich) -- it will at least have to be entertaining.

As evidenced by our Resurrecting the Champ insert caption entries last week, 99 percent of which included a swear word or some variation of "motherf***ing," all it takes is a photo of Samuel L. Jackson to turn even the most docile blue-haired granny into an f-bomb-dropping badass. Without further motherf***ing ado, here are this week's gloriously foul-mouthed winners:

1. "Hehe, well sh**. Maybe I should've said no to Snakes on a Plane. Hindsight. Got a quarter?"
-- Curt

2. "Ah man, I can't wait to wipe my ass with this."
-- Aaron Lopez

3. "What!! Half off at SuperCuts!!?? Out-Mother-F&%!ing-Standing!!!"
-- Shanec

See full image and all captions

This week, we bring you a photo of a mulletted Dan Fogler and a purple-robe-clad Christopher Walken from the upcoming Ping-Pong comedy-epic Balls of Fury. So let the male genitalia puns commence and hit us (not in the Balls, please) with your best caption. Winners will receive Balls of Fury underwear briefs, T-shirt, Ping-Pong paddle and a pack of balls -- just in case, you know, you don't have any of your own.

Read the official rules for this contest

Never one to sidestep controversy, writer/director Rod Lurie recently caused film purists to perk up their ears when he seemed to suggest during an interview that his upcoming remake of Sam Peckinpah's revenge thriller Straw Dogs would be tantamount to a moral improvement over the original film, since it would purposefully not rehash the ultra-controversial moment from the Peckinpah original when Susan George, playing the wife of Dustin Hoffman's character, begins to express pleasure during a brutal rape sequence. Lurie was more than ready to expand on his statement and explain exactly what he meant when I spoke with him recently -- he's out promoting his new sports journalism drama, Resurrecting the Champ, which opens in theaters today. During the course of our conversation, we talked about that film and what it says about the state of journalism today, we talked about his career path and how he wants to alter it, and I got his thoughts on the decline of the print film critic and the rise -- for better or worse -- of the Internet film critic. Here's the interview.

Cinematical: What are you up to today?

RL: Today's the day before the release of my film, so I'd like to say I'm just chilling out, but really we're watching all the reviews come in and all the box-office tracking and all that. It's a tense day, to say the least.

Cinematical: I wanted to ask, did you catch that article in the American Journalism Review this month, about film critics?

RL: No, I didn't.

Cinematical: Pretty interesting. It talks about print critics being offered buyouts or being simply let go at a lot of places, in favor of coverage from the wire services and all that. The underlying premise, I think, was that the trend was escalating.

RL: You know, I think about it a lot, because you know, I was a film critic for many years.

Cinematical: Right.

RL: There but for the grace of God go I, sort of thing, Ryan. You know, the Internet is a wondrous thing. It's the space travel of our time. By that, I mean it's the sort of thing that, twenty years ago was sort of unfathomable and it's done a lot of wonderful things, but it's also destroyed a lot of things. Print journalism is going to disappear, obviously, in the not too distant future. And part of the war of attrition on print journalism is getting rid of the non-essentials. Not that movie criticism is non-essential, but movie critics are, in the sense that there are plenty of wire services and we use Roger Ebert's reviews in 400 newspapers and the Associated Press and Reuters. It's a little sad, because I think it's nice for every town to have its own critic, its judge, its representative, its own community standards held up by the candle of that particular critic. So that's definitely going away, and it's too bad -- it really is.

The power of the adolescent libido and the need for a good laugh were proven when the teen sex romp Superbad outdid all the competition on its opening weekend. Rush Hour 3 and The Bourne Ultimatum covered the two and three spots, with the fourth-place The Simpsons Movie clinging to the top five for the fourth consecutive week. When all was said and done, this is what the final tally looked like.

1. Superbad: $31.2 million.
2. Rush Hour 3: $21.8 million.
3. The Bourne Ultimatum: $19 million.
4. The Simpsons Movie: $6.7 million.
5. The Invasion: $6 million.

There are six five new contenders this week for the top five positions, so the competition should be fierce. Here's what coming out on the weekend of August 24.

Mr. Bean's Holiday
What's It All About: Rowan Atkinson returns as the little-spoken Mr. Bean, who wins a church raffle for a vacation in Cannes, France.
Why It Might Do Well: Even if I've always preferred his Black Adder series to Mr. Bean, Atkinson is a comic genius.
Why It Might Not Do Well: 1997's Bean scored only $2.2 million on its opening weekend, (though it should be noted that was for a limited release of only 242 theaters) and the British style of humor may not sit well with mainstream U.S. audiences.
Number of Theaters: 1,580
Prediction: $9 million.

The Nanny Diaries
What's It All About: In this film based on the novel by Emma McLaughlin, Scarlett Johansson stars as a young woman hired to care for the child of a snooty New York City couple.
Why It Might Do Well: Paul Giamatti plays the upper crust dad, and he's always worth watching (Big Momma's House notwithstanding), and it should appeal to those who like their comedy on the heartwarming side. Ms. Johansson captured my heart in Lost in Translation, and I'm always game to see what she's up to next.
Why It Might Not Do Well: That booger-eating joke in the trailer was enough to keep me away.
Number of Theaters: 1,800
Prediction: $8 million

Resurrecting the Champ
What's It All About: Josh Hartnett plays a sports reporter who discovers a boxing legend (Samuel L. Jackson) living on the streets.
Why It Might Do Well: Dude, it's Sam Jackson, and the film is sporting an 85% fresh rating over at rottentomatoes.com.
Why It Might Not Do Well: The title may fool the general public into thinking this is the world's first zombie boxing movie.
Number of Theaters: 1,550
Prediction: $11 million

September Dawn
What's It All About: A romantic drama set against the backdrop of the 1857 Mountain Meadows Massacre, which involved the deaths of over 100 California-bound Arkansas emigrants in southwestern Utah at the hands of Mormon settlers.
Why It Might Do Well: Jon Voight makes one scary-ass religious zealot.
Why It Might Not Do Well: Again, Jon Voight makes one scary-ass religious zealot.
Number of Theaters: 850
Prediction: $7.5 million

WAR
What's It All About: War? Huh. Good God y'all. An FBI agent hunts down the assassin who killed his partner.
Why It Might Do Well: Things blow up and with Jet Li in the cast you can bet there will be spinning back kicks aplenty.
Why It Might Not Do Well: When I heard Jason Statham say "They killed my partner!" or words to that effect in the trailer, my cliché alarm went off and refuses to stop buzzing.
Number of Theaters: 2,200
Prediction: $15.5 million

Here's how I reckon next weekend will turn out:
1. Superbad
2. The Bourne Ultimatum
3. War
4. Rush Hour 3
5. Resurrecting the Champ

Here's how the last week's competition ended up:
1. Matt: 12
1. Curt: 12
1. Porcalina: 12
1. Gregory Rubinstein: 12
1. Paul D: 12
1. Bubba8193: 12
1. El Borracho: 12
1. Withasong: 12
1. Andre: 12
2. Josh: 11
3. Anna07: 10
3. Rufus: 10
3. Mario: 10
4. Ethan Stanislawski: 8
4. Jasonsmusicpage: 8
4. Ray 8
5. Mike: 7
5. Blair: 7
5. Tangoeco: 7

Please post your prediction for the top five films in the comments section below before 5:00 PM on Saturday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie. Come on, make us proud.

I'm glad that I didn't know anything about Resurrecting the Champ before studying its new poster (apologies to Martha for not reading this post or this one last year) This way, I was able to look at the thing objectively and judge its worth as a marketing tool for the film. From what I could figure out, the movie is about boxing, it stars Samuel L. Jackson and Josh Hartnett and the latter's character has a son, making it as much a family drama as a sports drama. Oh, and according to the tagline, it is based on a true story, though a true story about a lie. So, my guess, again just from the poster, would be that Hartnett is the boxer, Jackson is his trainer, and the lie, maybe about how good the boxer is, is told to Hartnett's son. Sure, it doesn't sound that interesting, but the one-sheet isn't that interesting either.

So, how did I do? Well, aside from the boxing, and the obvious part about its stars, I was way off. According to its new trailer, the film is actually about a reporter (Hartnett), who is sure that a homeless man he has met (Samuel L. Jackson) is an old boxing legend. What even the trailer doesn't make clear, though, is that the man is not the famous person Hartnett's character thinks he is (but the man does have an interesting voice, thanks to Jackson). So what is up with the kid on the poster? Well, the official plot synopsis does mention the reporter has to reevaluate his relationship with his family, so I guess it represents that (the kid is Dakota Goya, who plays Hartnett's character's son). It is interesting that he appears so prominently on the poster, considering he's barely in the trailer. I've never been much for boxing movies (no, not even Raging Bull), so I'm not that interested in Resurrecting the Champ, even though I want to like another movie by Rod Lurie, because he did such a great job with The Contender. This poster doesn't do anything to change my mind, either, with its Hartnett-as-Peppermint Patty photo and its blazing, cloudy with a chance of Armageddon background. Sorry, Yari, try again.

Click on the poster for a larger size image. Check out the trailer after the jump.

It was pretty much inevitable that, like Eva Longoria, Teri Hatcher would eventually start getting movie gigs from producers who, after watching Desperate Housewives and seeing her face constantly in the tabloids, forget that she still isn't a very good actress. According to The Hollywood Reporter, her first post-Housewives gig will be a supporting role in Resurrecting the Champ, a semi-sports flick we told you about a few months ago.

The movie stars Samuel L. Jackson as a homeless man who reporter Josh Hartnett decides is actually a former boxing champion. In fact, though, he's no such thing, which at one time made the story sound awesome and unpleasant. Now, though, more details about the screenplay have emerged and, while Jackson's character still isn't the guy Hartnett thought he was, it turns out that he was a pro boxer back in the day. So the edge is now totally gone -- boo to that. Hatcher will play "the head of a TV channel who teaches Hartnett the ropes of being a reporter-turned-celebrity" (apparently he turns into a big star as a result of tracking down Jackson's character); the movie heads into production this summer.

Josh Hartnett and Samuel L. Jackson have signed on to star in Resurrecting the Champ, a drama that sounds like it could be pretty great, if the writer/director has the balls to make it dark enough. According to Variety, the movie will focus on a young reporter (that's Josh) who comes across a homeless man (Sam) and, instead of leaving him alone, decides that he's a famous former boxing champion. It turns out, however, that the reporter is a moron, and the guy is no more a boxing champ than you or I. So, do you see where I'm going with the whole dark thing? If the movie is less about Hartnett's naiveté and more about manipulation by Jackson's character, it could have a refreshingly nasty edge that would set it apart from most of the (non-horror) stuff in theaters these days. While I remain hopeful, the fact that the reporter and the fake boxer "[develop] a close relationship" suggest that nothing very sinister is going on in the screenplay. Dammit.

The film will be directed by Rod Lurie who also did a rewrite on the script. Production is expected to begin this summer.