The international trailer for Body of Lies has just arrived online, and the combo of Russell Crowe and Leonardo DiCaprio is enticing to say the least. Based on the novel by David Ignatius (and scripted by The Departed's William Monahan), Body of Lies tells of a former journalist (DiCaprio) who's hired by the CIA to track down an Al Qaeda leader in Jordan. The film was directed by Ridley Scott.

Cinematical's Eugene Novikov recently used Body of Lies as part of his From Page to Screen column, and on the book he says: "Body of Lies, the novel, is pitched as a spy thriller informed by the author's extensive experience in the field and knowledge of the way the CIA really operates. (The back cover offers a fawning quote from former CIA director George Tenet, claiming that the book is "fiction but reads like fact.") It's certainly intelligent, plausible, and sometimes exciting." The trailer seems to focus more on that "sometimes exciting" part, showing DiCaprio in all sorts of iffy situations, while his CIA boss (played by an overweight and somewhat unattractive Russell Crowe) rides his ass until something gives. Body of Lies hits theaters on October 10.

I dig it. Do you?

The Nottingham rumors are flying as thick as, well, the trees of Sherwood Forest. Both CHUD and Ain't It Cool News, who apparently share the same source, are adamant that Christian Bale will not be playing Robin Hood in Ridley Scott's reinterpretation of the classic tale. So, as exciting as the idea of seeing Bale and Russell Crowe square off again is, it will have to wait for another film. Oddly, I find the news a relief. I like Bale immensely, but there are only so many icons a man should play in his career!

But, there's a new name being tossed about. Latino Review reports that Sam Riley, who played the troubled Ian Curtis in Control, is rumored to be in the running. Not only that, but Russell Crowe is said to be championing his casting. Whatever, and whoever, Crowe wants, he usually gets. So, if you look to your right, you may be looking at the latest incarnation of Robin Hood.

Riley is certainly closer to Sienna Miller's age, thus making the love triangle between Maid Marian, Robin and Nottingham a bit more complex. (And palatable to all of us leery of the age gap between Miller and Crowe.) He is certainly a fresh choice, and the role would lend itself to a talented newcomer. We shall soon see! Meanwhile, sound off below -- is Riley a good fit for the man in green? Or are you off the project for good now that Bale is out of the running?

Realistic spy fiction is hard. On screen, it's almost never done. The tendency to romanticize espionage is so ingrained in us through decades of James Bond and Bourne and 24 that a warts-and-all depiction of the way intelligence agencies actually operate might not even make sense to much of the moviegoing public. Occasionally, someone will make a minor, based-on-a-true-story attempt – The Good Shepherd with the CIA, for example, or Breach with the FBI – but those are viewed as history lessons, not spy thrillers.

That makes sense. The CIA doesn't exactly have an open-door policy, so it's hard to say for sure, but by all accounts the work of a real-life agent isn't terribly dramatic, or ripe for genre film treatment. Much of it is a bureaucratic nightmare, and the jobs that we view as exotic and exciting – "secret agent," for example – are usually a tedious slog, consisting of years of building connections and forging allies in the hopes of a payoff in the indefinite future. Yeah: all else equal, I'd rather watch Jason Bourne kick some bad guys in the face while searching for his true identity.

Am I the only one who hears Bryan Adams singing that cheesy love song each and every time Ridley Scott's new Robin Hood flick gets a mention? I can't help it, the damn song is just there. It's burned into my big-screen Robin Hood memories and it won't go away. Help! But enough about me -- the BBC tells us Sienna Miller has officially confirmed that she will be playing the lovely Maid Marian in Nottingham, opposite Russell Crowe's Sheriff of Nottingham. Says Maid Miller: "It's happening. I just found out. It's the most exciting news in the world. It's ridiculous. But there's this looming actor's strike, so it's not 100% sure that it's going to be made, but it's looking pretty certain."

Hopefully we'll avoid this whole actor's strike thingy, because I'm honestly very interested in seeing what Ridley Scott, Russell Crowe and Sienna Miller do with the Robin Hood story -- especially since they're sort of flipping it so that the Sheriff is a bit more sympathetic and Robin is, well, nothing but a street hood ... or something like that. Oh, and there's a love triangle. No word yet on who they'll get to play the legendary Robin Hood, though I wouldn't mind seeing Orlando Bloom in the role. Thoughts?

Nottingham is currently scheduled to hit theaters on November 6, 2009.

Jessica posted about Ridley Scott's recent cryptic announcement that he is returning to science-fiction with an adaptation of a book that he's been trying to adapt for 20 years. Scott refused to reveal the name of the book, but the sci-fi blog io9 has connected the dots to credibly speculate that he's talking about Aldous Huxley's dystopian masterpiece Brave New World. Indeed, it's a bit rich for Scott to be coy about this now, since news of his plans was going around back in March. At that point, Leonardo DiCaprio was being mentioned as a possible star.

Brave New World is a great novel, and it's a shame that it mostly plays second-fiddle to Orwell's 1984 in the false-utopia pantheon. It's actually very different from Orwell's towering vision, cautioning not against authoritarianism and government oppression run amok, but against a culture that consumes itself in the pursuit of eternal, mindless, carefree happiness. It's not as literally dark as Scott's futuristic Blade Runner -- done right, Brave New World shouldn't really be an effects extravaganza -- but it's at least as bleak. If this is indeed what Scott has in mind, it's exciting news, and overdue: I haven't seen the 1998 Peter Gallagher TV-movie attempt at an adaptation but, uh, neither has anyone else.

It just might be possible that Ridley Scott has become one of the busiest directors in the business. Over the course of a year, Scott has been attached to everything from a fashion biopic on Gucci to a big-screen Monopoly flick -- and now there is another title to add to the list. In an interview with the rough and tumble director about his recent projects, the conversation drifted to sci-fi movies and Scott tells Eclipse Magazine, "I am going to do one. I waited for a book for 20 years and I have got the book. I am not going to tell you what the book is but that film is going to probably be written within the next month. That will definitely be what I do next after Nottingham..." Considering the man was responsible for one of the best sci-fi films ever made, trying to top it is going to be a tall order.

Scott failed to mention where this leaves his classic noir flick with Casey Affleck, The Kind One, or the long-suffering Cormac McCarthy adaptation, Blood Meridian. He did provide an update on Meridian and told Eclipse, "We got it down as a screenplay and the problem is that it is so savage. But that's what it is. If you did it properly it would be an X-certificate. But you can't apologise for the violence and you can't quantify the violence and you shouldn't try to explain the violence. It is what it is..." If there's anyone who can sell stylized violence to audiences, it's Scott, so I'm keeping my fingers crossed on that one.

Remember, nothing is official for either of these projects, so stay tuned to Cinematical for updates.

Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety reports that super-producer Jerry Bruckheimer (along with the Mouse) has purchased the screen rights to David Ignatius' spy thriller, The Increment. Ignatius is an associate editor for The Washington Post and Increment will be his seventh novel. An adaptation of his 2007 book, Body of Lies, has already finished shooting with Ridley Scott at the helm, and Leonardo DiCaprio starring as a CIA agent hot on the tail of a terrorist.

The Increment centers on a "shadowy, elite group of British undercover intelligence operatives who are conscripted by a CIA agent to help a weapons scientist defect from Iran." Early reviews of the manuscript praised the story, citing the wealth of facts about the CIA and the international intelligence community. But insiders were shocked that Disney would want the property considering the amount of 'hot button' issues in the book, like Islamic politics and an invasion of Iran.

Ignatius' novel has not even been published yet, so it's very early days for the adaptation -- and leaving plenty of time for Disney to water down the story. In the meantime, look for Body of Lies to arrive in theaters on October 8th, 2008.

Having pioneered tech-noir with Blade Runner, Ridley Scott is trying his hand at classical noir with The Kind One. Variety reports that Scott will direct and produce an adaptation of the Tom Epperson book, with Epperson himself writing the screenplay. The novel is about an amnesiac in 1930s Los Angeles who is informed that before he lost his memory, he was a ruthless gangster named "Two-Gun Danny," and that he works for a fearsome gangland boss. Epperson is a screenwriter by trade, best known for co-writing The Gift with Billy Bob Thornton; The Kind One is his first novel.

The other person to sign on to the project is Casey Affleck, who is clearly enjoying his new lease on life following The Assassination of Jesse James by the Coward Robert Ford and Gone Baby Gone. He's really the perfect noir hero, scrappy, jaded and intelligent; we saw some of that on display in his brother's film, where he practically disappeared into the tough working-class Boston milieu. He and Scott should be able to hit this one out of the park, if the source material is any good. As always, I'd love to hear from commenters who are familiar with the book.

Last year, a screenwriter making his directorial debut -- Tony Gilroy -- went and got himself a Best Director Oscar nomination. William Monahan already has an honest-to-goodness Oscar on his mantel for writing The Departed, but it looks like he'll soon get a chance to broaden his horizons. He's picked up the rights to a 2002 novel by Ken Bruen called London Boulevard, and plans to direct the film himself. It's a crime story about an ex-con who gets a job as a handyman for a rich actress but soon gets embroiled in the violent underworld he used to call home.

Single men of the world who are sick of seeing shocked faces on their dates when they say that they live at home -- this news bit is for you. Variety reports that Relativity Media outbid a collection of studios for a screenplay called The Low Dweller, by a new screenwriter, Brad Ingelsby. The 27-year-old is a grad from AFI who lives with his parents in Pennsylvania and works for his father's insurance business. Or, at least, he did. I imagine he quit once his script was picked up for $650,000 against $1.1 million.

That's not all! This seems to be such a hot script that there are already plans for Ridley Scott to direct and Leonardo DiCaprio to star -- possibly really soon. The film is said to need a brief 35-day shoot, so there is a chance that Ridley and Leo can squeeze it in somewhere.

The story focuses on a man named Slim (who DiCaprio would play). After serving a number of years in prison for murder, his lone goal upon release: to fulfill a promise and marry his "long-suffering girlfriend." However, he finds out that his brother has been murdered in some sort of gambling kerfuffle and feels that he must avenge his brother's death. The script is being compared to No Country for Old Men, so I'm betting you can expect something somber and gritty, with an underlying layer of humor.