RobertSiegel Tagged Articles at Cinematical

IFP's Gotham Independent Film Awards kicks off the awards season in November each year with an impressive list of nominees, and this year's list is no different. While it includes big names like the Coens for A Serious Man and buzzy films like The Hurt Locker and Big Fan, it also gives deserving nods to smaller films like Amreeka, a wonderful film about a mother and son from the West Bank who move the Illinois. The awards also include tributes to the careers of Natalie Portman, Stanley Tucci, and The Hurt Locker's director Kathryn Bigelow, as well as producers Tim Bevan and Eric Fellner, who both worked on A Serious Man, The Soloist, State of Play, and a slew of other projects.

Previous Gotham winners include Frozen River, Trouble the Water, Into the Wild, Sicko, and Half Nelson, just to name a few. Check out Cinematical's preview coverage of the awards here.

The full list of nominees is after the jump.

Click image below to view entire poster

Cinematical has just received this exclusive poster for Big Fan, one of my favorite films from this past Sundance Film Festival and a must-see for anyone who's ever taken their fandom a bit too far. Written and directed by The Wrestler screenwriter Robert Siegel, Big Fan stars Patton Oswalt as a lonely New York Giants fan living out his days as an overnight parking lot attendant on Staten Island whose obsession with his favorite football team leads to an unfortunate (and embarrassing) incident involving his favorite player -- forcing our big fan to choose between his team and the rest of his life.

From my Sundance review: "... this isn't a film about sports, it's a film about fandom -- about being so in love with something you go overboard and neglect your friends, your family and your life in order to feed your addiction. This isn't a comedy about the goofy football fan who gets off on chanting and screaming his team's name; it's instead a cold, lonely drama (with brief moments of awkward humor) about the neurotic football fan who'd give up everything (and I mean everything) to see his team make the playoffs."

For more on Big Fan, check out our Sundance interviews with Patton Oswalt and Robert Siegel, and check out the full poster by clicking the image below. Big Fan will hit theaters later this year.

Robert Siegel made his directorial debut with Big Fan (reviewed by Erik Davis) at this year's Sundance Film Festival; comedian Patton Oswalt (interviewed here) stars as a lonely sports talk radio caller and New York Giants fanatic whose only love goes horribly wrong. Siegel spoke with Cinematical in Park City about his acclaimed script for The Wrestler, directing a comedian, why he's not worried about the wrath of the NFL, why Big Fan wouldn't have worked with George Clooney in the lead, and what he was hoping to explore with the film: "Sports radio can be very wonderful and joyous and spirited, but other times it can just be this forum for bitter ... it's a lot like the internet, you know? There are good blogs and bad blogs ... so in that way, (the world of sports radio) is kind of like the proto-blog, where you can just vent and take out all your frustrations ... but there's definitely this kind of angry White male hostile undercurrent to a lot of sports radio; it wouldn't be interesting to me if that was the only thing it had going for it, but that thing definitely gives it an extra layer. ... "

You can listen to the interview here at Cinematical by clicking below:



You can also download the interview in full right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

As Paul Auferio, the title character in Robert Siegel's Big Fan (which Erik Davis reviews here), Patton Oswalt didn't have a chance to fall back on the skill set he's honed through the years as one of the best stand-up comics working today: "As a comedian, your instinct is you tag everything with a joke or a look or a take; this guy, this character ... this is not one of those movies where the writer and director is looking at the characters ironically or in a post-modern sense where it's implied You all know that we're better than that, we're way smarter than this, that we're all looking down on this character, aren't we? This is a character that has no irony about himself ... and just unabashedly loves what he loves, to the detriment of having a real life. ..."

Oswalt spoke with Cinematical about the challenges facing a movie and comics obsessive in the part of playing a sports obsessive, how he sees Paul as an 'imploding" character, some of his favorite independent films and how he sees Big Fan as a tribute to some of the classic 'lonely man' dramas of the 1970's, plus much more.

You can listen to the interview here at Cinematical by clicking below:



You can also download the interview in full right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Perhaps I'm predisposed to liking Big Fan since a) I'm a die hard Giants fan, b) I grew up in the neighborhood where it was shot, and c) it's a film about sports fanaticism, which is a topic I know quite a bit about. But that doesn't mean you'll hate Big Fan if you aren't familiar with sports or the New York football Giants because this isn't a film about sports, it's a film about fandom -- about being so in love with something you go overboard and neglect your friends, your family and your life in order to feed your addiction. This isn't a comedy about the goofy football fan who gets off on chanting and screaming his team's name; it's instead a cold, lonely drama (with brief moments of awkward humor) about the neurotic football fan who'd give up everything (and I mean everything) to see his team make the playoffs.

Set in the borough of Staten Island, home to the blue collar heroes of New York City, Big Fan follows just one of several guys who live and die by their favorite sports team. Football is in no way just a simple form of weekend entertainment in New York; it's almost a religion for some people -- including Paul Aufiero (Patton Oswalt), a 35-year-old Giants fanatic who still lives at home with his nagging mother while working the late shift inside one of those parking garage toll booths at a hospital. While at work, Paul spends his time carefully penning Giants-themed trash talk speeches so that he can call in to the overnight talk radio show and give those Philadelphia Eagles fans (especially one loudmouth nicknamed Philadelphia Phil) some of the business. This is Paul's entire life -- and when he's not at work writing his speeches, or outside Giants Stadium watching the games on a makeshift television with his one friend, he's dealing with a family who want Paul to finally do something with his life.