RobertoOrci Tagged Articles at Cinematical

There are Supermen, and there are perfect men. Doc Savage belongs in the latter category. Bronze and buff, with a mastery of everything from martial arts to surgery, he can do anything or be anything you ask him to be. Except a movie icon. For years, Hollywood has been trying to get a Doc Savage movie up and running (there was a disastrous attempt in 1975), but now the strength of Roberto Orci and Alex Kurtzman just might see it through. Ain't It Cool News reports that they're the latest names to become attached, and try to see it through to completion. Even better, they've hired my personal Jesus Shane Black to write a script. The news comes straight from the mouth of Black, who just happened to run into Harry Knowles at an Austin bowling alley.

Let me back up for a little biography on Savage. He's a pulp hero from the 1930s and 40s, an ordinary man who was trained from birth to achieve mastery of everything from medicine to music. Naturally, he uses his awesome abilities to punish wrongdoing, and his travels take him all over the world. He's usually accompanied by "The Fabulous Five": Monk, Ham, Renny, Long Tom, and Johnny. (Check out Wikipedia for exhaustive descriptions.) He also had a cousin named Patricia Savage who tagged along, but was no pretty little wimp, as she was a pilot and a skilled markswoman.

As Doc Savage scripts have come and gone, the temptation has often been to move him into the modern era. Black revealed that he fully intends to keep him in the 1930s, keep the Fabulous Five, and try to capture all of what made author Lester Dent's storywork so memorable. Thin news, but something to keep Savage pulp fans awake at night, as well as those of us itching to see Black return to the big time.

ETA: Ain't It Cool News has since run a correction that Orci and Kurtzman are not producing. Neal Moritz and Ori Marmur are for Sony Pictures.

Transformers: Revenge of the Fallen has become something of a calling card for my writing in 2009, and an albatross around my neck at the same time. There's little else I wrote this year that got as much attention, and yet it's by far the most misunderstood of my many, many reviews, primarily because one sentence published on Rotten Tomatoes, and later, literally one word used in the its advertising was employed to characterize my feelings about the film. Mind you, I'm not complaining, but it's made for a sort of fascinating study among my friends and colleagues, some of whom took me at those words and those words alone, while others read the actual review I posted here on Cinematical, and for better or for worse, agree or disagree, at least understood where I was coming from.

This week, Transformers: Revenge of the Fallen arrives on Blu-ray, and in the interest of thoroughness, I decided to revisit the film to see (a) how I personally felt about the film a second time, and (b) if any of the objections of its critics were explained, justified or otherwise corrected in the bonus materials. After perusing the content on both discs of the Collector's Edition Blu-ray, I'm unsure whether or not its detractors will be any more appreciative of its artistic merits; but watching it again on the small screen and augmented by the thoughts and comments of the folks responsible for the film, I at least feel as if I know where the sources of some of those problems lie.

At the press day for the DVD and Blu-ray release of the 2009 Star Trek, director J.J. Abrams talked briefly about the possibility of putting the series' original Kirk, William Shatner, in the forthcoming sequel. "The Shatner thing comes up quite a bit," Abrams said in a news conference Thursday morning. "Would it have been fun to have him in the movie? Of course. Would it be great to work with him? No doubt."

Abrams spoke to reporters about the DVD and Blu-ray release of Star Trek, which is due on November 17, 2009, but fielded a few questions about the next Trek film, including how and why Shatner didn't fit into the design of the previous one.

At a press day for the release of Star Trek and Transformers: Revenge of the Fallen on DVD and Blu-ray, screenwriters Roberto Orci and Alex Kurtzman discussed the futures of those respective franchises, and offered a few highlights from their upcoming slate of screenplays and producing projects. When asked about their process for developing sequels, Kurtzman said, "Every franchise has a different need, so you have to look at them differently, based on whatever the mandate is. You need to be able to not have seen the first movie to appreciate the second one. But, for us, it's always about going back to the sequels that we loved as kids and asking ourselves why we loved them."

Offering a list of their favorite follow-ups, Kurtzman continued, "there's Empire Strikes Back, Superman II, Aliens, Terminator 2, Star Trek 2. What do all those movies have in common? Well, they're amazing stories all on their own. You didn't have to see the first movie. And, there was some incredible, emotional test of character, in all of those movies. Superman has to give up his powers for love. The Spock and Kirk relationship is tested by Khan. Ripley finds a daughter. All of those things are such big ideas, in and of themselves, and you really can't tell those stories in movie number one because movie number one is very much about establishing a world."

Transformers: Revenge of the Fallen debuts on DVD and Blu-ray October 20, 2009, and Star Trek follows on November 17. The following is an edited version of a news conference featuring Orci and Kurtzman.

In terms of Star Trek's expanded universe, are there any elements from the later series that you might want to throw into the next film?

J.J Abrams, director of this summer's blockbuster relaunch of the Star Trek film series, told reporters that the forthcoming follow-up will, like its predecessor, both appeal to nonfans and reward those familiar with the long-running franchise. "Whatever the story is and whatever the final movie ends up being, I know it will be something that will work on its own terms and be something that you don't need to know and study Star Trek to get," Abrams said in a press conference Thursday afternoon. "But if you are a fan, there will hopefully be gift after gift of connections, references, characters that you hold near and dear. At least, that's the intent."

Cinematical spoke to Abrams at a press day for the DVD and Blu-ray release of Star Trek, which is due November 17, 2009. The following is an edited version of Abrams' comments to the press about the sequel, which is currently being developed by the director and his original screenwriters Roberto Orci and Alex Kurtzman.

Since you were able to wipe the slate clean with your prequel, do you plan to come up with something completely original, or is there a possibility you will reference some of the existing creatures or races in the next installment?

Whenever J.J. Abrams, Roberto Orci and Alex Kurtzman are pinned down, the talk inevitabley turns to the Star Trek sequel. They're only just beginning to toss around story ideas, but Hero Complex managed to pry a little more news out of Abrams & Crew, who hinted that Trek might start tackling contemporary issues.

"In many ways a sequel will have a very different mission. It needs to do what [Gene] Roddenberry did so well, which is allegory," says Abrams. "It needs to tell a story that has connection to what is familiar and what is relevant. It also needs to tell it in a spectacular way that hides the machinery and in a primarily entertaining and hopefully moving story. There needs to be relevance, yes, and that doesn't mean it should be pretentious."

Orci echoed Abrams, noting that it had been one of the biggest criticisms of the new Trek. "One of the things we heard was, 'Make sure the next one deals with modern-day issues.' We're trying to keep it as up-to-date and as reflective of what's going on today as possible. So that's one thing, to make it reflect the things that we are all dealing with today." When asked if "modern day issues" meant war, terrorism, and torture, Orci agreed that was "an approach" they were taking.

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I really believe this is the best geek news we'll have all month. Not only is Robert Downey Jr. officially on board Cowboys & Aliens, The Hollywood Reporter announced that he's bringing Jon Favreau along for the ride. Considering the original screenplay was penned by Iron Man screenwriters Mark Fergus and Hawk Ostby, it's literally a dream team come true.

As if it wasn't touched by the movie gods enough, Alex Kurtzman and Roberto Orci, they-who-can-write-no-failures, are penning the script, and producer Damon Lindelof came aboard last fall. There's no way this can fail. Even if the movie was one big trick, and simply 2 hours of Robert Downey Jr. in a cowboy hat reading a phone book, it would succeed. We would just call it arthouse, and praise them all for subverting our expectations!

But there's no danger of arthouse here, Cowboys & Aliens really does promise to be pure fun with this team. The story takes place in 1880s Arizona, where a war is raging between settlers and Native Americans. Their war is interrupted by the arrival of a UFO, which promptly unleashes hell onto the plains of Silver City. The Native Americans and settlers must unite to fight a larger threat, and are led to battle by Zeke Jackson (Downey), a gunslinger and former member of the Union Army. You can read the entire graphic novel online, which should keep you satisfied until Cowboys & Aliens hits theaters in the summer of 2011.

Tales of a Viewmaster movie have been floating around for a few days now, and I thought it was just the fevered imagination of Twitter. But no. Now it's in The Hollywood Reporter. DreamWorks is talking to Mattel to acquire the rights to the toy, and has asked Alex Kurtzman and Roberto Orci "to do some Transformers-style magic on it."

The reason I thought it was a Twitter joke is that Brad Caleb Kane announced via 140 characters that he was penning the script. "It'll be like the old '80s Amblin movies: Goonies, Young Sherlock ... in that vein." The Tweet was subsequently deleted, though the plan is still in the works. DreamWorks really wants to make a family friendly film out of the ViewMaster, and is trying to get everything signed and official. Let's stress that -- it's not signed, and Kurtzman and Orci seem to be the deciding factor. One can hope that if they declare it to be ridiculous, DreamWorks will come to its senses and realize you cannot make a film out of an inanimate object. I mean hey, I loved the ViewMaster too, and I felt like I was transported into a magic film cell world, but it doesn't mean it can actually be a movie.

Besides, the ViewMaster already tried to make it onscreen in the 1980s, and failed. Go below the jump and remind the toy it's just not ready to be a feature after this performance.

Oh, the obvious jokes you can make about Alex Kurtzman and Roberto Orci being involved with a project called License to Steal. Considering they penned both of Michael Bay's robot-gasm installments, and Star Trek, plus produced The Proposal, one could say that this was their Hollywood life story.

But it's not. According to Variety, License to Steal is actually based on Marc Weingarten's Salon.com article The Learjeat Repo Man, which examines world of repo men. Not just any repo men that come after your flatscreen or your Prius, but the "big game" hunter who steal / repossess private jets, yachts, helicopters, and whatever else it is rich, corrupt people own. For the dangers they face (and oh, do they face dangers) they receive a cut of the overall value.

The script is being penned by Shane Salerno, Kurtzman and Orci are its executive producers. The project was shopped around by WME to three major studios, all with directors lined up to bid, and Salerno pitching it each and every time. McG took the project to Warner Bros., Timur Bekmambetov took it to Universal, and Bryan Singer took it to Sony. But Paramount snapped it up before anyone else had a chance to bid, and without a director attached. But Paramount has the dynamic duo pulling the strings, so they'll undoubtedly pull some major name in to tell the story they describe as "a smart, lighthearted action movie ... with a lot of unexpected plot twists." As you wait for the talent to hook themselves up, you can read the Salon piece, and dream of success and adventure ... either those enjoyed by Weingarten's repo men, or that of Kurtzman and Orci.

(Oversight! Thanks to ScreenRant for the photo up there! -- Weinberg)

Few genre properties bring out someone's inner geek – much less in actual fans of the show itself - more easily than Star Trek. Whether you love it or loathe it, everyone seems to have an opinion or a perspective, and almost everyone has an emotional entry point for the long-running series: a parent's welcoming knee or cold shoulder, the dingy carpet of a rec room or the negligent boyfriend next to you, a shelf full of spinoff novels or their indecipherable prose, an unwieldy stack of VHS tapes or the interminable hours suffering through commercials. It seems that no one could possibly be unfamiliar with Trek, no matter how they tried; but it was the unenviable task of writers Alex Kurtzman and Roberto Orci to digest some 40 years of characters, stories and mythologies, and tell a story that behaved as if no one but them had ever seen all that material.

The result of their labor is Star Trek, a spectacular opus, space opera, mythmaking science fiction story that condenses the sum total of its source of inspiration and reintroduces the series' mythology to viewers both old and new. Cinematical sat down with the duo at the recent Los Angeles press day for the film to discuss the process of reviving and reinventing the franchise for a completely new generation of moviegoers, much less potential Trek fans. In addition to indulging this critic's own passion for Kirk and company, Orci and Kurtzman talked about their ongoing creative collaboration with director-producer J.J. Abrams, discussed their own directorial ambitions, and dished a few details about their forthcoming follow-up to 2007's Transformers, Revenge of the Fallen.