Roger Corman Tagged Articles at Cinematical

In 1939 the Academy gave an honorary Oscar to Edgar Bergen for creating a funny puppet. Some people may have thought that was silly. They also may have found it silly that a strange little "cartoon" called Snow White and the Seven Dwarfs earned itself an honorary Oscar. The legendary Bob Hope was given a fistful of honorary Oscars over the course of his amazing career ... and I don't remember anyone calling Bob Hope a brilliant actor or influential filmmaker.

In other words, these "honorary" awards that are handed out by the Academy of Motion Pictures Arts and Sciences (AMPAS) can be given for any old reason they feel like -- and I for one am thrilled that they've decided to give one to Roger Corman this year. My illustrious colleague Eric Snider clearly doesn't feel the same way, and I'm here to tell Eric he's dead wrong. Wonderfully funny and a snappy dresser, sure, but on this position ... dead wrong.

One day George Lucas will receive a similar award from the Academy. At that time you'll have film fans who say "Absolutely. For just the technical advances that he and his colleagues have created, and for his massive influence on modern-day film exhibition, he's certainly deserving of an Oscar spotlight." You'll also have film fans who say "The director of Star Wars, THX-1138, American Graffiti and The Phantom Menace? Really? The guy who produced Radioland Murders and Howard the Duck? I don't believe it! Typical Hollywood politics!"

[Note: Scott Weinberg has the pro side of this argument -- why Roger Corman does deserve an Oscar -- in an article that will run later today.]

In a post yesterday about the honorary Academy Awards given out over the weekend, I said this about one of the recipients, Roger Corman: "Corman, who has directed more than 50 films and produced nearly 400 (!), has never been nominated for an Oscar, probably because all of his movies are terrible. But apparently the Academy is rewarding quantity now, too. So don't give up, Uwe Boll! Just make another 300 movies!" These remarks were met with much disapproval by many readers, and so I would like to elaborate -- assuming any of the people who swore they'd never read Cinematical again are in fact still reading Cinematical (which they are).

First, a correction. I shouldn't have said "all of his movies are terrible." I should have said something like "his movies are generally terrible." "All" suggests that I've seen all 400 of them, which of course I haven't. I ought to have used more general language. That was my bad, as the kids say.

I stand by the point I was making, though. If the Academy is giving out Oscars based on the production of quality work -- which, last time I checked, was the basic idea behind the Oscars -- then Roger Corman does not qualify. The vast majority of his output is mediocre at best. Some of it is downright awful. A few films are good enough on their own, but not to where any of them would deserve Oscars individually. Even as a body, those moderately good Corman movies don't outweigh the dozens -- literally dozens and DOZENS -- of cheap, forgettable clunkers.

Producing a huge quantity of work whose overall entertainment or artistic value averages out to be somewhere between "mediocre" and "mediocre-plus" isn't worthy of Academy Award consideration. That's neat and everything, producing 400 movies over the course of 50 years. Very ambitious of you! But the Academy should be rewarding quality, not quantity.

As you've probably already heard, the Academy of Motion Picture Arts and Sciences is shaking things up at this year's Oscars by having 10 Best Picture nominees instead of five, and by moving the honorary awards (read: the boring part of the show) to a special ceremony of their own. That ceremony will be held in November, and-- holy crap, it was this weekend! The almost-Oscars were on Saturday!

They're called the Governors Awards, and while they won't be televised, the AMPAS website has some photos and background info. Honorary Oscars went to actress Lauren Bacall (pictured), cinematographer Gordon Willis (the Godfather trilogy, Manhattan, All the President's Men), and director/producer Roger Corman (numerous MST3K films). Astonishingly, the legendary Bacall has only received one Oscar nomination in her 65-year career, for The Mirror Has Two Faces. Willis was nominated for The Godfather: Part III and Zelig. Corman, who has directed more than 50 films and produced nearly 400 (!), has never been nominated for an Oscar, probably because all of his movies are terrible. But apparently the Academy is rewarding quantity now, too. So don't give up, Uwe Boll! Just make another 300 movies!

The other award at the special ceremony was the Irving G. Thalberg Award, given to John Calley, who produced The Remains of the Day and Closer and oversaw worldwide production for Warner Bros. throughout the 1970s.

The Governors Awards were also a chance for Oscar telecast producers Adam Shankman and Bill Mechanic to drop a few hints about what the big show will be like on March 7. Mechanic said they're not going to repeat the thing the 2009 show did where a coven of five past Oscar winners introduced the acting nominees.

If your business is known exclusively for renting out content other entities have created how do you go about telling customers that you're now going to start creating original content of your own for distribution? Well if you're NetFlix, you hire Roger Corman to produce and Joe Dante to direct a streaming web series called "Splatter" starring Corey Feldman. Bet ya' didn't see that coming.

There are no concrete details about the series yet, only that which Feldman has posted on his personal blog (via Hacking NetFlix) "This will be their first ever live streaming web series. Splatter will be a multi episode web series that will go live on the web on Halloween weekend. My characters name is Jonny Splatter. That is pretty much all I am allowed to say for now."

Read the rest over at Horror Squad

Edgar Allan Poe died almost 160 years ago, but his life and death is still surrounded with enough mystery and spooky theories to make the old 'scaremaster' proud. A few years back, there had been talk of a Poe biography from Sylvester Stallone (with Robert Downey Jr. allegedly circling the role) but it looks like Sly's not the only one with Poe on the brain. /Film recently got the chance to speak with James McTeigue (V for Vendetta) about his latest, Ninja Assassin, and he told them that he has also started working on a Poe-inspired thriller, titled after the famous poem, The Raven.

If you happened to have skipped high school English, The Raven was Poe's poem about a man haunted by his lost love (and, if you need a quick refresher, just watch The Simpson's classic Treehouse of Horror episode). But McTeigue isn't interested in trying to improve upon previous Poe films (like Roger Corman's classics) and instead, his film will be a fictional take on Poe's final days, and put the author smack dab in the middle of a murder investigation.

Hannah Shakespeare and Ben Livingston have already completed a script about Poe on the trail of a murderer who's using his literary works as a source of inspiration. It sounds pretty clever on paper, and McTeigue told /Film, "It's like the poem, The Raven, itself, crossed with Se7en. It should be pretty cool. The script is really good and everyone responds to it really well. I'm in the middle of casting."

Maybe if Stallone's project doesn't make it out of development hell alive, Downey could play Poe for McTeigue instead, what do you think?

It was bound to happen. We've had a cajillion films turned into musicals, or in the case of the The Producers, a film turned stage musical, turned screen musical. Now we're getting the tunes ripped away for something darker.

Bloody Disgusting recently spoke with Declan O'Brien about Wrong Turn 3, and he revealed that there's going to be a new Little Shop of Horrors. Forget Frank Oz; we're not talking about musical remakes here, but a return back to the original, awesome Roger Corman material from 1960. O'Brien said: "I just optioned Roger Corman's Little Shop of Horrors, which I'm setting up as a big studio remake." The director went on to say that they're shopping it to studios this week, and it won't be a musical: "it'll be dark."

This is the best remake news I've heard in a while. (Don't take that as a cue to get more musical and remake crazy, folks!) There might have been two campy versions, but I can easily picture this with excellent effects and a killer plant that's actually sinister, rather than darkly humorous. What do you think? Can you imagine Audrey in the dark halls of real horror? Or do you wish she'd just stay BIG in LAUGHS! and blood-hungry in song?

Ever know one of those guys who's always working? Well, if you were able to list their output the same way you could film directors, they would look something like the resumes of these guys. Once the number of movies gets up in the hundreds, it's hard to count because the IMDB starts to list things like participation in documentaries and talk shows, individual TV episodes, uncredited work, etc.. But even if the numbers aren't 100% accurate, the output of these seven filmmakers is indisputable.

1. Steven Spielberg
Love him or hate him, he's an uncanny businessman, a pure entertainer, and a genuine artist with a highly recognizable style (though he rarely transcends the middlebrow), and he has remained relevant for four decades. He has launched or at least aided some interesting careers, most notably Joe Dante (Gremlins), sometimes referred to as the anti-Spielberg, and Robert Zemeckis (Back to the Future, Who Framed Roger Rabbit), who unfortunately went on to make more films. It would take a book to talk in detail about Spielberg's wide-ranging and influential achievements, from "Columbo" to the one-two release of Jurassic Park and Schindler's List in 1993. He's enormously popular, but he has his share of unsung masterpieces that intellectuals can continue to debate and defend. Indeed, in terms of both quantity and quality, I'd argue that few other cinematic legacies come close to this.
Title Count: nearly 500
Essential Films: Raiders of the Lost Ark (1981), Innerspace (1987), Empire of the Sun (1987), Who Framed Roger Rabbit (1988), A.I. Artificial Intelligence (2001)

Hell Ride is a deliberate, calculated throwback, referencing and recycling the cheapie bike-sploitation flicks of the '60s and early '70s as a band of burly brothers roar, rage and ride their way through the American Southwest on a rampage of revenge. Written by, directed by and starring Larry Bishop, Hell Ride thrums and roars with attitude; problem is, the drive shaft components of plot and character and logic just aren't there, meaning that even when Bishop hits the throttle, the roar and rattle can't hide the fact nothing's really happening.

Hell Ride revolves around a cycle gang known as The Victors, led by Pistolero (Bishop), with the tuxedo-shirt clad The Gent (Michael Madsen) riding on his right and recent inductee Comanche (Eric Balfour) an up-and-coming lieutenant in the organization, on his left. The Victors are trying to take care of business -- although what business it is they're in is never quite explained -- and the only thing interfering with that is Pistolero's obsession with righting the wrong done decades ago to Cherokee Kisum (Julia Jones), slain on the 4th of July in 1976. The Gent and Comanche are rubbed the wrong way by Pistolero's campaign of retribution, especially with the Six-Six-Six'ers and their kill-crazy leader Billy Wings (Vinnie Jones) edging in on Victors turf. ...

Every generation has its rebellious teen years, so a remake of 1979's Rock 'n' Roll High School, a movie about school kids fighting back against an oppressive school administration, doesn't seem entirely off the wall. Still, the movie pretty much existed as an excuse to put punk rock pioneers The Ramones on the big screen, so I'm wondering how this will work without them. According to an article in Variety, radio personality Howard Stern (who I always thought shared a common hairdo with The Ramones) will be producing the remake along with Larry Levinson. This makes two projects the pair are jointly working on, the other being a remake of 1982's Porky's.

The new Rock 'n" Roll High School will be scripted by Alex Winter, the same Alex Winter who joined Keanu Reeves for a couple of "excellent adventures" as Bill S. Preston Esq., and got staked by Cory Feldman in The Lost Boys. Winter still works as an actor (he had a recurring role on Adult Swim's Saul of the Mole Men), but he's primarily a writer/director these days, having directed music videos, commercials and the made-for-TV movie Ben 10: Race Against Time as well as a feature about Napster and its creator Shawn Fanning.

The original film was produced by B-movie legend Roger Corman and directed by Allan Arkush, with additional uncredited direction from Joe Dante and Jerry Zucker. The movie starred P.J. Soles as Riff Randell, the girl who is bound and determined to get The Ramones to play at the school dance. The cast also featured several Corman regulars including Paul Bartel, Mary Woronov, Dick Miller and Clint Howard. It's been years since I've seen this one, but I remember it as a fun bit of fluff from the drive-in era. What do you say, readers, will this translate well into the twenty-first century?

• Ollie Johnston (1912-2008) - Animator who was the last surviving member of Walt Disney's "Nine Old Men", who worked on classic features from 1937's Snow White and the Seven Dwarves to 1981's The Fox and the Hound. After retiring from animating at Disney, he was a story consultant on 1989's Little Nemo: Adventures in Slumberland and voiced characters in Brad Bird's The Iron Giant and The Incredibles. He was co-subject of the documentary Frank and Ollie and appears in The Pixar Story. He died of natural causes April 14, in Sequim, Washington. (Variety)

• Bebe Barron (1926-2008) - Composer who, with husband Louis Barron, scored Forbidden Planet, which was the first commercial feature film to include only electronic music. She also recorded music for Maya Deren's The Very Eye of Night and scored other experimental shorts, including Bells of Atlantis, which featured Anaïs Nin. She died April 20 in Los Angeles. (Variety)
• Hazel Court (1926-2008) - Actress who starred in '50s and '60s horror films, including Roger Corman's The Masque of the Red Death, The Raven and Premature Burial and Sidney J. Furie's Doctor Blood's Coffin, Terence Fisher's The Curse of Frankenstein and David MacDonald's Devil Girl from Mars. She died of a heart attack April 15, in Lake Tahoe, California. (Variety)