We've seen Bill Murray do a lot over the years, but have we ever seen him as a tried and true, REAL stuntman? Jam! reports that the actor has signed on to parachute from a plane for an appearance at the Chicago Air and Water Show that's taking place next month. If planes buzzing about isn't something that appeals to you, maybe Murray descending from the sky will? He will perform a tandem jump with the Golden Knights skydiving team on August 15. That's a way to get new viewers -- come watch celebrities fall from the sky!

Meanwhile... Are you a Roger Dodger fan? If you haven't seen this flick, you should run out and rent it, pronto. Campbell Scott stars as an uncle who takes his young nephew (Jesse Eisenberg) out on a night on the town to teach him the ways of male adulthood. While at a bar, they come across Elizabeth Berkley and Jennifer Beals, who spend some time with the pair. Now EW has found out that the two ladies are reuniting on the final season of The L Word. Instead of playing friends who do what they can to help young Nick become a man, the Showgirls star will play the straight girl who got away from Beals' Bette in college. Oh, the possibilities!

After this weekend hits, I wouldn't be surprised if Forgetting Sarah Marshall becomes the quintessential break-up movie. But even if it doesn't, the comedy will go down in the record books for being that romcom about the really heart-broken and pissed off dude whose story lathered ad spaces everywhere with lovely messages like: "You Suck Sarah Marshall," and made Sarah Marshalls across the US wonder what they did to deserve that.

But there's still a ton of other flicks out there that deal with break-ups -- way too many to even begin to name. But while each of them has heartbreak on their sleeve, they all tackle the issue in different ways. In honor of Peter Bretter's broken heart, here are seven other men who have had their hearts broken on-screen, all for the sake of comedy. Check these out and then weigh in with your favorites. Annie Hall? The Break-Up? The Philadelphia Story? Say Anything? Swingers?

The Nasty Letter -- Overnight Delivery

Wyatt Tripps (Paul Rudd) didn't want much in his happy co-ed experience, just Kimberly Jasney (Christine Taylor)... and one more thing: sex. Imagine his surprise when he finds out that while he's been writing Kim romantic notes and thinking about how much he'll miss her on Valentine's Day, she's been humping the Ricker -- a notion that ruins his dream of white picket fences, kids, and maybe even a house. Sure, he ends up on a spastic road trip with Ivy Miller (Reese Witherspoon) to stop the letter with loving phrases like "cellulite-packed cactuses that you call thighs," and finds real love, but before that, he has a good cry in his cocoa and a lot of humiliation.

My greatest cinematic weakness is the movie conversation. A great action scene or shocker can pull me in like anyone else, but it's the words that mesmerize. A good movie conversation tugs at those appealing strings of voyeurism. You watch the intimacy of words, but they, and the scene, are not directed at you. It's amazing how much can really be done with words. With the right dialogue, you don't need a gimmick for the audience. You can vicariously have fun with another's conversation, or you can watch a story play out within the span of hello to goodbye.

The following list is by no means comprehensive, but it hits on many of the big conversational accomplishments of the last 30 years. Each has its own way of relating information through words. Some are backed by the urgency of eyes, some are fueled by unnaturally delightful wordplay and some just allow the conversation to happen, wherever it travels to and whatever it says. These seven films have words that roll off the tongues of the actors, creating a cinematic verbal candy that ties into everything from the artsy fartsy to the fart jokes.

My Dinner with Andre

Long before Wallace Shawn was thinking of what was inconceivable, he headed this conversational 80's zeitgeist with Andre Gregory. It's an intellectual niche film, and not for every audience. That being said, there are innumerable subtleties that make it worthy of a first, second and third viewing. What I find most intriguing are the secondary bits that are tacked onto the words, and more importantly, the silence. Shawn is reluctant to go to dinner with Andre, which keeps him silent for a good chunk of the movie. Yet for every word and crazily interesting story that Andre relays, Shawn reacts. He says everything with minute reactions – an eye twitch here, a raised brow and chuckle there.