Okay, so the Monsters vs. Aliens and My Life in Ruins trailers may have been leaked and subsequently pulled earlier this week, as was the case with certain awards contender Frost/Nixon, but now we can offer up the trailer straight-up, fully legit, by way of Yahoo! Movies.

The incongruous song selections aside (honestly, though: going from "Baba O'Riley" for the sake of nostalgia to Clint Mansell's wondrous score from The Fountain for the sake of drama in a matter of minutes just distracts me), I have little reason to think that this won't deliver on its considerable stage pedigree.

Frank Langella won a Tony Award for his portrayal of disgraced prez Richard Nixon, and as British talk show host David Frost, Michael Sheen looks to tap into that same sense of dignity under pressure that served him so well as Tony Blair in The Queen. It doesn't hurt that both political dramas share the same writer, and it also doesn't hurt that this looks to be the punchiest thing that Ron Howard has directed in quite some time.

Landing smack-dab in the middle of the Oscar drama blitz, Frost/Nixon should open in select cities on December 5th and will expand through Christmas.

Maybe it's because this was my first summer writing for Cinematical, but it's felt like an exceptionally intense movie season: the event movies just kept coming, and many of them wound up having real traction. There was a lot to watch and a lot to talk about. It's barely ended, and in just a couple of weeks, Telluride and Toronto officially kick off the fall -- and "Oscar season". I'll sleep when I'm dead, I guess.

One of awards season's most formidable contenders -- already slated for the familiar December platform release -- is Ron Howard's Frost/Nixon, based on the acclaimed West End and Broadway play about journalist David Frost's famous televised interviews of post-resignation Richard Nixon; the ones where Nixon delivered the infamous line about how "if the President does it, it's not illegal." There's a well-crafted trailer for it over here, (trailer link removed at request of studio) and yep: we're in Oscar mode.

I saw the play with Frank Langella as Nixon and Michael Sheen as Frost, both of whom reprise their roles in the film. The show was great but very much a stage show, deriving a lot of its power from the foreboding set and the hugeness of Langella's Nixon impression which, from the looks of the trailer, remains very much intact. It worked great in the theater, but I'm worried it might overwhelm the film. I liked Anthony Hopkins' take on Nixon in the Oliver Stone film, where he basically said to hell with the impersonation and did his own thing.

Having been one of the ten people on earth who hasn't read The Da Vinci Code or Angels and Demons, it's no surprise that I'm not terribly amped for the follow-up flick from Ron Howard. But, I know I am in the minority here, so feast your eyes on a new batch of photos (courtesy of Trovacinema) of Tom Hanks and company hard at work on the big-screen Angels and Demons. Most of the cast is pictured in the photos, and by the looks of it, everyone seems to be having a grand old time on location in Rome.

Demons will center on Robert Langdon (Hanks), who's smack dab in the middle of a fight between The Vatican and The Illuminati. Once again, the Harvard professor will have to take down an ancient conspiracy, but this time they have an eye on assassinating high-ranking members of the church. Casting finally finished back in April with the addition of Ewan McGregor (which is a good thing for me, because if anyone can make me sit through a film I normally wouldn't touch with a ten-foot pole, it's McGregor), and Ayelet Zurer as the daughter of a CERN physicist looking to solve her father's murder.

Shooting on the picture just began last week, and Howard will finish up location shots in the next three weeks. Then the production will move back to the states where they can complete interior shoots on the Sony lot. So as long as a SAG strike can be avoided, Howard should be able to get the production in on time.

Angels and Demons is scheduled for release on May 15th, 2009.

This is one movie I keep forgetting is actually being made. Ron Howard's adaptation of Angels and Demons has been simmering away, sending out casting calls, not quite reaching any level of heady anticipation. Maybe this news will do it.

Entertainment Weekly is reporting that Israeli actress Ayelet Zurer has landed the part of Vittoria Vetra, the daughter of a CERN physicist who is embarked on a journey to uncover the truth behind her father's murder. Of course, Robert Langdon (still played by Tom Hanks) accompanies her, and they must foil a terrorist plot in the process.

The studio has yet to confirm. Naomi Watts was reportedly the last to be in talks for the role. No other parts have been cast.

I'm not an avid reader of Dan Brown, so I must ask: is the plot of Angels and Demons really that similar to The DaVinci Code? Is it really that a pretty foreign girl loses a member of her paterfamilias, and Robert Langdon must help her? Is it via the works of coded works of Michaelangelo? Is the Catholic Church evilly involved? I am guessing it is, since one of the characters in need of an actor is an aide to the Pope. Fill me in, because I will never read the book.

Angels and Demons is still set for release May 15th, 2009.

A dedicated contributor to the Ain't it Cool News machine got the chance to catch what they claimed was the final cut of Ron Howard's political drama, Frost/Nixon, and the good news is that it earned a resounding thumbs up (if you make it through the entire review, there is also a little surprise regarding the Arrested Development feature). Frost/Nixon is based on the famous stage play by Peter Morgan, which premiered in 2007 and earned Frank Langella a Tony for Best Performance by a Leading Actor in a Play.

In 1977, Frost, as the host of a popular news show titled Frost on America, conducted a series of hard-hitting interviews with Richard Nixon. Nixon had been interviewed countless times before, but Frost was perhaps the only journalist to ever get him to admit his culpability in the Watergate break-in. Morgan adapted his own play for the screen, and it centers on Frost's team as well as re-enactments of the interviews.

Reprising their roles are Frank Langella as the disgraced former President Nixon, and Michael Sheen as British journalist, David Frost. Joining Langella and Sheen are Kevin Bacon, Oliver Platt, and Sam Rockwell as James Reston Jr. Judging by AICN's tipster, it looks like most of the praise will be directed at Langella's stellar performance as the former president. So for those of you who like to get an early jump on your Oscar pool, you might want to keep Langella in mind. Frost/Nixon goes into limited release on December 5th.

Well, since Angels & Demons still has that big question mark hanging over the production, I guess Ron Howard wants to keep busy. Sci-Fi Wire reports that Howard's Imagine Entertainment and Paramount Pictures are in negotiations for the film rights to E.E "Doc" Smith's classic pulp sci-fi series, Lensman. Smith's grandson told Sci-Fi Wire that Imagine and Universal are negotiating for an 18-month renewable option for the film. He also went on to say, in what looks to be a carefully crafted response, "This is being negotiated now. One can only assume at that point if they believe it will be a profitable venture they would move ahead with at least one film."

The series first appeared in the '30s in Amazing Stories and at the insistence of friend and publisher Lloyd Arthur Eshbach, Smith later went back and re-wrote the story to work in the new stuff he was writing. The story focused on the struggle between two alien races: the Arisians and the Eddorians. The Arisians were in the role of the 'good' guys and the Eddorians are a power hungry race bent on war and destruction. The Lensmen are the result of selective breeding by the extinct Arisians to protect future generations from the Eddorians -- and armed with the 'Lens' which is way too complicated to explain but it appears to have something to do with telepathy and a pretty gaudy looking bracelet. Howard still has his political drama Frost/Nixon and the film version of Claire Messud's 2006 novel, The Emperor's Children, so I wouldn't start looking for Lensman any time soon.

[via ComingSoon.net]

Though production was just pushed back due to Akiva Goldsman's script not being ready, it appears casting for Angels & Demons is still moving ahead. According to the New York Post, Naomi Watts has landed a starring role in the flick opposite Tom Hanks, which, like The Da Vinci Code, will once again be directed by Ron Howard. An insider told the Post that production has been put off "until at least February," which means we'll hopefully see the film arrive in theaters at some point in 2009 (it was originally scheduled for release on December 19, 2008). Though it was critically panned and, let's face it, not that good, The Da Vinci Code ultimately went on to gross a ridiculous $758 million worldwide.

Angels & Demons, which was also written by Dan Brown, is a prequel to The Da Vinci Code. The book once again follows Robert Langdon (Hanks) as he races against time to find a hidden bomb and hunt down a serial killer in Rome. Joining him in his quest is the adoptive daughter of a physicist who's strange murder (in which his chest is branded with a symbol) sparks a hunt for the truth. The girl's name is Vittoria, and we presume this is who Watts will be playing ... though Watts is not Italian, and doesn't exactly fit the character description. However, she is a high profile name and a damn good actress, so it'll be interesting to see how it all pans out. Watts is also attached to star in the remake of Alfred Hitchcock's The Birds, which is currently eying a Summer 2009 release. For those that have read Angels & Demons, is Watts what you had in mind for Vittoria? Good choice? Bad one?

There are only a handful of examples out there of a director who has chosen to remake their own movie. But I guess if Alfred Hitchcock can do it, why not someone else? MSN is now hosting the trailer for Michael Haneke's remake of his own film, Funny Games. Starring Naomi Watts and Tim Roth, the update follows the same story as the original; a family vacationing at a remote country home is terrorized by a psychotic duo -- this time around it's Michael Pitt (Last Days) and Brady Corbet. Judging from the trailer, it's going to be a tough sell to North American audiences. Mainly because you can't tell whether the film is going for pitch black comedy, or a straight thriller. Not to mention (Warning, spoiler ahead), the ending might be a little hard for US audiences to take. Unless, of course, Haneke had some major changes up his sleeve.

This is just the first remake of a Haneke film slated this year. Rumors of Ron Howard taking on Haneke's thriller Cache with long-time production partner Brian Grazer surfaced back in February, although there has yet to be official confirmation. Haneke is also slated to start production on The White Tape or the Teacher's Tale, a period piece set in a German village pre-WW1. Since I haven't seen the original Funny Games, I can't say whether or not the remake is a good idea or not; although experience has taught me that most remakes can never live up to the original -- even if they are made by the same person.

In a whirlwind of Comic-Con Kevins, which involved Kevin Smith, Marvel Studios' Kevin Feige, G4's Attack of the Show Kevin Pereira, AOL's Kevin Polowy, and yours truly, I was able to get one more Kevin under the wire ... Kevin Bacon.

He's spent more time making movies than the rest of us have spent watching them, and I was able to catch up with him to talk about his upcoming thriller Death Sentence, and to ask him about some other things, including the upcoming Nixon/Frost film that reunites him with Ron Howard, Rails and Ties, directed by Alison Eastwood, and of course, the upcoming remake of Footloose.

Kick off your Sunday shoes, if you're still wearing them, and check out the video.

Opie Taylor, director, is quite busy these days. He's into pre-production on Frost/Nixon, and as Variety reports, there's also Colossus: The Forbin Project, a remake of the French thriller Cache and Angels and Demons -- a prequel to The Da Vinci Code. Ron Howard is now adding another to the mix -- an adaptation of Claire Messud's 2006 novel, The Emperor's Children. Erik Davis first told you about the project in January, before Howard officially signed on. As Erik noted, it's about those on the Upper West Side of NYC -- slightly older Cruel Intentions sort of people, or as The New Yorker calls them "New York's chattering classes." Basically, it seems like Whit Stillman territory if his protagonists hit 30.

So now Howard is definitely directing, and a script has been written by none other than Noah Baumbach. Most recently, he penned The Squid and the Whale, which he also directed, but he's also the words behind one of my favorite quirk fests -- The Life Aquatic with Steve Zissou. Obviously, with Howard blanketed by projects up to his ears, there's no word when this project will get off the ground, so I wouldn't be surprised if it is at least a year before he gets Children into production. I'm curious to see what he'd do with this. If we were talking Stillman, the chatter would flow and the pretension would be entertaining. But I can't imagine what Opie will make of this world.