Run Fatboy Run Tagged Articles at Cinematical

I can think of at least three movies in the coming two weeks that feature scenes that are strikingly out of tone with the film they're a respective part of and yet seemingly included as a means of getting people to tell their loved ones how ridiculous Bit X in Movie Y is. And so today's Cinematical Seven list will be an arbitrary, far from ultimate compilation of the most distractingly disgusting and supremely superfluous parts in recent movies. Sure, most of these are comedies, and yes, most of them seem to have been released from the year 2000 on, and as always, we welcome your comments below. Just make sure they're not too gross.

(Speaking of which, NSFW clips follow after the jump.)

Near the end of last week, Defamer spread the rumor that Picturehouse, once the indie arm of New Line Cinema and currently dangling from the edge of the hulking entity known as Warner Bros., has its days numbered. Now that New Line is history and Warners, like many studios, has faced increasing cutbacks, it may give short shrift to the shingles responsible for handling artier fare. Along with Picturehouse, this also includes Warner Independent Pictures, whose recent release slate includes David Gordon Green's magnificent Snow Angels.

Defamer suggested that Picturehouse president Bob Berney might wind up at WIP or head up a new, currently anonymous company. On Friday, Variety's Anne Thompson put it in more coherent terms: It appears quite likely that WIP and Picturehouse will merge together as a single company, with current WIP president Polly Cohen working alongside Berney. Whatever happens, let's just hope that the final result still leaves room for the sharp selection of independent and foreign titles that Picturehouse has handled since its birth three years ago. Defamer points out that Marion Cotillard's unexpected Oscar win for La Vie en Rose matters less than the flop of Run, Fatboy, Run, while the John Simpson-directed horror film Amusement might get dumped on DVD. It was just last year, however, that the company helped edgy fare like The Orphanage and Rocket Science get the sort of release most studios would never try. Let's hope that bravery lives on, somewhere.

The Seuss-abration continued as Horton Hears a Who held onto number one for the second consecutive week. Tyler Perry's Meet the Browns took second, but held the highest per screen average of the top five films ($10,011). The caveman spectacle 10,000 B.C. took fifth, clinging to the top five for the third week in a row. Here are the totals:

1. Dr. Seuss' Horton Hears a Who: $24.5 million
2. Tyler Perry's Meet the Browns: $20 million
3. Shutter: $10.4 million
4. Drillbit Taylor: $10.3 million
5. 10,000 B.C.: $8.9 million

Four new flicks going into wide release, with the movies being divided equally between comedy and drama.

21
What's It All About: A young man in dire need of money to pay for his education at M.I.T. takes part in a well-organized card counting ring with a fool-proof method for winning at blackjack. Based on a true story.
Why It Might Do Well: The combined cool factor of having Kevin Spacey and Laurence Fishburne in the same movie may make some people curious.
Why It Might Not Do Well: Rottentomatoes.com is giving this one a lackluster 54%, and personally watching people play cards bores me to tears.
Number of Theaters: 2,500
Prediction: $17 million

When I refer to David Schwimmer's Run Fatboy Run as "a modern-day screwball farce," that's a nice way of saying it's outrageously predictable, unabashedly sappy, and completely formulaic through and through. You know where the movie is going from frame one, and it sure doesn't take a lot of detours getting there. But the phrase "screwball" probably wouldn't have come to mind if Run Fatboy Run wasn't at least a little bit funny. Which it is. So if you don't mind an amiable-yet-seriously familiar 90 minutes -- and you're a big fan of British actor Simon Pegg -- I'd have no problem recommending the flick. Even if I'd never come close to calling it something brilliant.

The effortlessly likable Simon Pegg stars as one of those lovably lazy sad-sack types that you only come across in comedic films: Despite the fact that he left his pregnant fiancee (Thandie Newton) at the altar five years earlier, Pegg's "Dennis" is one of those losers we love to root for. (How a doofus like this ever scored a catch like Thandie Newton -- and then abandoned her! -- is one of the film's sillier conceits.) So when his former flame's smarmy new boyfriend (Hank Azaria) mentions that he'll be running in an upcoming marathon, Dennis senses a shot at redemption.

It seems like just a few months ago we were enjoying the sights, the sounds, the smells and the cinema of South By Southwest 2007, but guess what? Now that it's January, the festival's only about nine weeks away! Awesome! So today we caught some slightly early news on what SXSW is cooking up for this March, and I must say I'm pretty impressed with what they snagged for their opening night film.

And that film is: Robert Luketic's 21, which is based on the book Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions. (You may remember Mr. Luketic from flicks like Legally Blonde, Win a Date with Tad Hamilton!, and Monster-in-Law.) Adapted by Ben Mezrich's book by screenwriters Peter Steinfeld and Allan Loeb, 21 stars Kevin Spacey, Laurence Fishburne, Kate Bosworth and Jim Sturgess. (Check out the trailer right here.)

And if that world premiere isn't cool enough, festival chief Matt Dentler has also divulged the following titles for SXSW '08:

At the Death House Door (Steve James & Peter Gilbert) "A sobering and powerful story of the wrongful execution of Carlos DeLuna and the Death House Chaplain, Pastor Carroll Pickett, who spent the last day of DeLuna's life with him."

Dreams with Sharp Teeth (Erik Nelson) "A documentary portrait of acclaimed author Harlan Ellison, as he looks back on his fabled and influential career as one of the world's top science fiction writers."

Flawless (Michael Radford) "In 1960s London, a talented but overlooked diamond executive (Demi Moore) is convinced to participate in a jewelry heist when a veteran janitor (Michael Caine) hatches a plan."

Run Fatboy Run (David Schwimmer) "An out-of-shape divorced father (Simon Pegg) makes one last attempt to win back the respect of his son, his ex-wife (Thandie Newton), and the community around him. All he has to do is finish his first marathon."

Wild Blue Yonder (Celia Maysles) "Celia Maysles had no idea her father and his brother Albert were pioneers of verite documentary filmmaking. Determined to uncover the secrets surrounding her background, Celia sets out on a quest to rediscover her father by using his own artistic process."

Expect a few more flashy surprises before the full SXSW slate is announced on February 5! Until then, feel free to browse through the SXSW website and decide if THIS is the year you're finally going to take my advice and attend the dang festival. (You do know it's a movie AND music fest, right? Interactive, too, and I do believe I've mentioned the indigenous BBQ more than once.)

I'm no horror buff, but I do love the zombies. Well, I love the idea of zombies. I'm not really that interested in watching all the low-budget zombie movies, all the Italian zombie movies, or all the non-Romero Living Dead movies. But it's funny, I was looking over Ryan's recent Cinematical Seven of reasons he doesn't care for zombie movies, and it dually serves as my own list of reasons I like zombie movies. Or at least those zombie movies that apply. Primarily, I like zombie movies for the first reason: the symbolism.

Shaun of the Dead may be a comedic zombie movie, and it may not have any political undertones or serious social commentary, as do Romero's films and other prominent examples of the genre, but it does permit a scholarly subtext reading nonetheless. And because I'm a scholarly sort of gent (or maybe really I just like to over-analyze everything), I'm going to take this opportunity to look at this deeper level of the movie. Sure, I could just write about why I think the movie is one of the most hilarious I've ever seen, but that would be boring; plus, I respect that some people don't have the same sense of humor as me.

Shaun's symbolism comes in the form of the romantic story. The movie, often referred to as a "rom zom com" (romantic zombie comedy), actually serves as a sort of cinematic relationship guide, comically instructing us about dealing with commitment issues. Look at the order in which the members of Shaun's party are killed (killed dead, not undead): #1: his stepfather (Bill Nighy); #2: his mum (Penelope Wilton); #3: the other guy who loves his girl (the underrated Dylan Moran, who must be seen in Run Fatboy Run); #4: his roommate (Peter Serafinowicz); and finally, #5: his immature best friend (Nick Frost). These are the people that have to die in order for Shaun (Simon Pegg) to devote his full attention to Liz (Kate Ashfield). In real, non-lethal terms, they are the people Shaun has to let go of before he can fully connect in a relationship.

It isn't uncommon for a guy to get a girl who's out of his league. It certainly happens in the movies and on television all the time. But it does happen sometimes in real life, and often the guy ends up feeling like he's never good enough. And then he sabotages the relationship somehow because of his insecurity. And then the idiot is back to dating women who aren't the woman of his dreams, always regretting screwing up that perfect thing he could have had. We've all seen it happen, right? Well, if you haven't, you can also see the scenario happen in the movies. Just recently I saw Run Fatboy Run, in which Simon Pegg plays a guy who leaves Thandie Newton (totally out of his league, right?) at the altar -- pregnant. And certainly this year's hit comedy Knocked Up was about a situation of a mis-matched couple. Oh, and the upcoming Margot at the Wedding has the same thing going on between Jack Black and Jennifer Jason Leigh. See, it happens all the time.

Now, according to Variety, there's another such movie coming (which we previously heard about and then saw on the pre-strike priority list). Titled literally She's Out of My League, this one is about a guy who finds himself dating an "extraordinarily beautiful woman" (why does it have to be about looks? certainly she could be out of his league in terms of brains or humor or other personality traits -- in Margot, Leigh is out of Black's league in multiple ways). Because he is insecure about her attraction to him, and because his friends and family are suspicious of beauty's motives, he comes close to sabotaging the relationship (unless he's about to leave her at the alter, with child, then this movie's got nothing on Fatboy). The movie will be directed by British sketch comedian Jim Field Smith and will star Jay Baruchel, best known from TV's Undeclared and, interestingly enough, Knocked Up. Originally scripted as a spec by Sean Anders and John Morris, the movie is currently in re-writes care of Tim Dowling (George Lucas in Love). It goes into production early next year, but if you can't wait to learn the secrets about how to score and keep a girl out of your league, I've got some tips: if it's good enough for Ric Ocasek, Rod Stewart and Billy Joel, it's good enough for you. And: girls love a funny guy, so if she's laughing, she probably doesn't care that you're not a hottie.

Just a few days from the Toronto International Film Festival, and the posters are coming out of the woodwork. Picturehouse was kind enough to provide us with an exclusive first peek at the spandy-new poster (click the image for a bigger view) for former Friend David Schwimmer's feature directorial debut (he has quite a bit of TV stuff under his belt), Run, Fatboy, Run. The film stars Simon Pegg as Dennis, a chunky, uninspired loser who gets cold feet and dumps his hot girlfriend, Libby (Thandie Newton) on their wedding day -- and then spends the next five years regretting it. He finally decides to win Libby back from her new, wealthy and handsome love, Whit (Hank Azaria), but first he has to get in shape and win a marathon to prove to Libby that he's a changed man.

Sounds like a great date flick to me. Like Knocked Up and 40 Year Old Virgin, it has the appeal of an average-looking Everyguy with a very attractive woman -- guys like to cheer for guys like that, and women clearly find them appealing as well, if Seth Rogen and Judd Apatow are any indication. The geek factor could definitely give the film a box office edge, especially if there's good buzz at TIFF. I've always like Schwimmer as an actor, and I'm really curious to see how he directs this film. What do you think of the poster? The film opens in the US on October 26; until then, you'll have to satisfy your curiousity with the film's official website, which has a trailer for the film, and