Salvador Dali Tagged Articles at Cinematical

Our friends over at Worth1000 are always coming up with the strangest photoshop contests, and two of their latest asked readers to have some fun with old, classic paintings. One contest required folks to incorporate their favorite superhero into any piece of fine art (that didn't include Mona Lisa or Norman Rockwell). The other contest, however, was called Modern Renaissance, and it asked users to "put any modern celebrity, actor or popular culture figure as a substitute for the model of a painting or other form of artwork." The image above comes from the superhero photoshop contest, and it shows off Spider-Man in one of Salvador Dali's paintings. Check out a comparison below ...


What you don't see in the new painting is the Spidey villain Doc Ock hanging out in the lower left corner, but luckily we've pieced together a group of our favorites from each contest and have them for you in the galleries below. Let us know which painting(s) you'd happily throw up on your wall.

One thing is for certain -- it'll be hard for anyone that sees Little Ashes to think of Robert Pattinson only as the young heartbreaker from Twilight. But it also looks like it just might successfully keep him out of the supernatural type-cast rut. Above you can check out the trailer for Little Ashes, the film that has him donning Salvador Dali's classic 'stache and getting sexy with Federico Garcia Lorca.

The film follows a young Dali as a student in Madrid during the '20s, hanging out with Lorca and Luis Banuel on the eve of the Spanish Civil War. From the looks of the trailer, this film will deliver much more than a look into the sexuality of two noted Spanish thinkers, but also the environment of Madrid in 1922 and how Dali's persona came to be -- something entirely welcome in my book. The earlier twentieth century is rife with great material from the artists and authors of the time, and we don't get a taste of it nearly enough.

I just wish that this could've come out before the Twilight freakout so that it would be like some random guy becoming Dali, rather than Pattinson putting on the Dali mushtache. But I'm hoping that it's just something you get used to as the world of vampires fades away.

What do you think?

Back in October of 2007, when Robert Pattinson signed on to play Salvador Dali in Little Ashes, he was merely Cedric Diggory, the slain cutey from the Potter series. Now he's the vampire hottie of Twilight, and is gearing up to make all the young vamp lovers squee. But he's also going to show us a saucy side of Dali next year, and to the right you can get a glimpse of what that will be like, courtesy of EW. (And more over at MTV.)

Little Ashes focuses on the relationship between Dali and the Spanish poet Federico Garcia Lorca. Dali swore that Lorca's lust for him never became physical, but screenwriter Philippa Goslett's take on the relationship is much steamier, insisting that they did consummate the relationship in some way.

There has got to be something in the water over at Hogwarts, or something in the air on the sets of darker teen fare. Rather than sticking with fluffy musicals or succumbing to celebrity, these guys are branching out and really challenging themselves. That's refreshing to see.

But back to Mr. Salvador: Do you buy Pattinson as Dali?

Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.

Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.

I imagine that the posthumous completion of Destino sent many a studio into a creative flurry. "Salvador Dali! Why didn't we think of it before! Let's get a movie in the works!" Then, of course, the idea spread through a billion little tentacles and we ended up with what Christopher Campbell said last year was 9 projects. Some have petered off, some have stayed around, and one seems to have nabbed its superstar.

The New Zealand Herald says that Johnny Depp is holding auditions to find screenwriters for the Peter Rawley-produced Dali picture. (When CC wrote about it last year, Rawley was trying to woo Depp.) In what I would call the best casting move in eons, Depp will star as Dali, and is scavenging the earth for the right writer. A source told the publication that Depp is "open to working with anyone -- from housewives to pensioners -- if the script is right."

Meanwhile, it also looks like the Al Pacino and Peter O'Toole pics are still in the works. Now, I completely get Depp as Dali, and think that's as good as you can get for the epic artist. I would also bet that O'Toole could pull off something funky, but Pacino? It almost sounds like a joke. Nevertheless, this might just pull me out of my distaste for back-to-back biopics on the same person. Stay tuned!

[via Ace Showbiz]

One of the most amazing things I've ever seen was Destino, the short, unfinished animated film collaboration between Salvador Dali and Walt Disney. Financial concerns during World War II had brought an end to the project, letting it lie forgotten for many decades. In 2003, nephew Roy rediscovered the project, finished it, and released it to a number of festivals like Toronto's Worldwide Short Film Fest, which is where I saw it. Just imagine the old-school, artistic touch of Disney merged with Dali's surrealist eye.

Over a year ago, the film was on its way to DVD as part of the Legacy Collection, but the release date came and went. Now the Disney Blog has posted the disc's new release date, which was part of a recent announcement. It seems that now the film will be part of Disney's Treasures collection. Each release -- Destino, Chronological Donald, Volume 4, and Dr Syn, Alias the Scarecrow -- are hosted by Leonard Maltin and will get a 2-Disc DVD on November 11. Of course, this is Disney we're talking about, so the release will be limited.

Those crazy artists, always experimenting sexually. Big deal. Nothing new. Right? Oh wait, the idea still has people intrigued. Remember those lesbian scenes in Frida? Of course you do -- they're the only reason you watched the film. But will you be as interested in seeing a young Salvador Dalí make it with a man, specifically Spanish poet Federico Garcia Lorca, as you were in seeing Salma Hayek kiss Ashley Judd? A UK-Spain production must be hoping so; it not only has the distinction of being about the 100th Dalí film in the works right now, but it also describes itself as the "racy" and "sexy" one, and will likely be released into the public reception as "the gay Dalí movie".
According to Guardian Unlimited, the film is titled Little Ashes, named for one of Dalí's paintings, and it isn't exactly based on any definite evidence. In fact, Dalí reportedly acknowledged being the object of Lorca's homosexual affection multiple times, but denied they ever became physical and insisted that he continually rejected the poet. However, the film's screenwriter, Philippa Goslett, stands by her depiction of the events. She claims to have done enough research to believe that the men consummated in some way. The way the script apparently shows it, as far as Guardian Unlimited relays it, is Dalí wants to have sex with Lorca but can't and then ends up merely acting as a voyeur, watching while Lorca sleeps with a woman.

Little Ashes is apparently done shooting, having been filmed primarily in Barcelona on a low budget of £1.4 million (roughly $2.9 million -- I think). Paul Morrison (Solomon and Gaenor) directed the film, with Robert Pattinson, best known as "Cedric Diggory" in the Harry Potter movies, playing Dalí. Spanish newcomer Javier Beltran is Lorca and Matthew McNulty (Control) portrays a young Luis Buñuel. On a related yet personal note, I must address to all my friends that this news will have no impact on my long-decided plan to go as Dalí for Halloween this year (I'm broke, and it's cheap -- you only need a long mustache and a suit!).

If you grew up in or around New York and spent any time in the city's Museum of Natural History, you were probably baffled by Night at the Museum, which portrayed the landmark so loosely that it was totally unrecognizable. If you had to choose whether to bet that the museum was storing mermaids in a secret room (as in Splash) or resembled much of the interiors of the Shawn Levy-directed, Ben Stiller-starred comedy, you might have better odds with the former (it could be storing mermaids, but it definitely does not look like it does in NATM). Fortunately for us in the Big Apple, Night at the Museum 2 will take place in another location. In an interview with IGN, screenwriters Ben Garant and Thomas Lennon revealed this bit of info, though they couldn't divulge the actual museum we'll be seeing in the sequel (like Erik, I'd love to see a Salvador Dalí exhibit -- please put Stiller in Figueres' Teatre-Museu Dalí). Aside from this tiny leak, the duo, who wrote this next week's release Balls of Fury, could only share that it will be funnier than the original, which they also wrote, and that it would have "big new characters."

Of course, Robin Williams is reportedly signed on for the sequel, so the new museum will have to have its own Teddy Roosevelt statue -- unless Stiller's character takes the other one with him, which I doubt could happen. Despite the all the historical inaccuracies -- Attila the Hun obviously confused with Genghis Khan -- and the fact that it was obviously not shot inside the real Museum of Natural History, I didn't despise the first Night at the Museum. It sure was stupid, but I kinda enjoyed the miniature Owen Wilson and Steve Coogan, and I love a geriatric villain, especially when one of them is played by Mickey Rooney. Most of all, though, I appreciate the fact that it got kids more interested in the real museum, which saw a huge boost in ticket sales following the movie's success. It almost makes up for the inaccuracies that kids likely found out the real history and science by visiting the real place. Hopefully Garant and Lennon do better research for whatever museum they're tackling for part 2.

Check out IGN's video after the jump.

When we first told you about a Salvador Dalí biopic in the works, the project was to be helmed by Simon West (Con Air). Ten months later, we got more news on the film, which had seemingly replaced West with Andrew Niccol (Gattaca). But now it seems we may have been discussing two different pictures. According to producer Peter Rawley (1975's Ransom), there was once nine projects in the works based on the surrealist's life. Now there are only four (known about), including Rawley's Dalí, which so far has a script by Philippe Mora (Howling III) and for which Rawley is trying to woo Johnny Depp to play the title role. According to the producer, Dalí will also be about the artist's whole life -- unlike the other films, which he claims are more about Dalí's wife and art-dealers -- and will be shot in Barcelona and Prague as soon as a cast is in place.

The latest Hollywood actor to play a famous painter is Jared Padalecki, who has been cast as still-living artist Thomas Kinkade (aka "Painter of Light"). Though he probably won't go down in cinematic history like Kirk Douglas as Van Gogh, Jeffrey Wright as Basquiat or (yet to be seen) Al Pacino as Dalí, Padalecki will be supported by a possibly memorable performance from the great Peter O'Toole, who will play the artist Glen Wessler, a mentor to the young Kinkade. He will also have the benefit of playing the artist in a trilogy. After the first movie, The Christmas Cottage, which follows Kinkade as a teen on the verge of deciding to become an artist, there will be two more pics portraying the artist as a young man (unless Lionsgate plans to wait years between movies and use Padalecki a la Jean-Pierre Léaud -- which I doubt).

When the news was out that Lionsgate would make a movie based on Thomas Kinkade's painting The Christmas Cottage, I had thought the artwork was simply serving as inspiration for a fictional holiday movie set in the depicted wintry home (Yawn). Now that I know the movie actually focuses on the life of Kinkade I am no more interested, but it at least makes more sense to me. Living commercial artists, especially those as commercial as Kinkade, aren't very worthy of biopic treatment, but Kinkade is so popular that it could attract a lot of his fans. I must point out, though, that as popular as Gustav Klimt is these days (ever been in a female art student's dorm/apartment?), his recent biopic has not been a big success. So, Lionsgate has to do a good job of getting people in seats for Cottage, particularly if they hope for there to be audiences for its two sequels (which paintings will be used for those titles?).