I defended the Saw franchise long past the point where most self-respecting cinephiles and even genre geeks abandoned it. It was only after the moronic, baffling Saw IV that I got off the bandwagon. But as someone who thinks the franchise has (had?) something to offer beyond the admittedly questionable thrills of what smug know-nothings call "torture porn," I'm anticipating this month's annual installment with an ever-so-slight glimmer of hope. The first three films took a gimmicky serial killer concept and expanded it to something big and increasingly baroque, piling on twist after twist that, to me, consistently seemed bold rather than (merely) ludicrous. They were gruesome, yes, but they were also moody and visually exciting; Darren Lynn Bousman, in particular, seemed to take painstaking care in the second and third films to construct a cruel, self-contained universe around the crazy-ass story.

So here, briefly, are three things Saw V -- which sees the franchise's production designer David Hackl take over directing duties from Bousman -- could do to avoid the pitfalls of its immediate predecessor and restore my faith in the series.

As someone who's only grown decreasingly fond of the Saw franchise (at least since the second one) and still marvels at the fact that we as a world find ourselves facing the prospect of a fifth (and possibly sixth!) one this coming Halloween and the next, I must attest to being weirdly admirable of how creatively macabre the series' marketing campaigns have been.

Case in point: the first revealed poster for Saw V, included in full after the jump and courtesy of IMP Awards. Following up the magically MPAA-approved acts of amputated limbs, dislodged teeth, and bent fingernails is the face of actor Tobin Bell acting as a mask on another body entirely, in spirit with the films' perpetual acknowledgement that Bell's character, John Kramer/Jigsaw, kinda died at the end of Saw III and sorta went through an autopsy at the beginning of Saw IV.

As Bell remains flaunted and credited in equal measure - as does the similarly deceased Shawnee Smith - I think it's safe to expect A) more flashbacks, a la #4, and B) more exceedingly gruesome demises, a la #1-4. However, at a combined worldwide gross of $553 million to date, it's also safe to say that there are many who'd hope -- who'd pay -- for nothing less.

I just wanted you to know that I tried really hard to work in a crack about Denise Richards being thrilled about this particular headline ... but I've never really enjoyed cheap shots all that much, so I'll just leave it at that. Bloody Disgusting is now reporting that Charlie Sheen has been hired by Twisted Pictures to star in their new untitled horror flick. It was last April when the news first hit that the duo behind the Saw franchise were hard at work on a new story to gross out audiences with.

This one will center on a happy couple whose child is kidnapped and then killed by a pedophile. Unsatisfied with the results of the court system, the two decide to kidnap their son's killer and exact a little revenge of their own. The film had originally been titled Tortured, which is pretty self-explanatory, but it looks like Mark Burg and Oren Koules might have dropped the title to avoid confusion with an upcoming crime thriller starring Laurence Fishburne.

Rob Lieberman has already been hired to direct Marek Posival's script. Liberman has mainly worked in TV but he has directed a few features, including Fire in The Sky back in 1993. Posival is a relative newcomer and this will officially be his first feature film. Now that Saw is hopefully wrapping up for good, it will be nice to see Twisted Pictures try something a little different -- with maybe the exception of the odd musical.

One of the most ferociously entertaining horror flicks of the past several years is Alexandre Bustillo and Julien Maury's Inside (aka A l'interieur), which will be hitting DVD a little later this year. We already knew that the Frenchmen had been tapped to direct the Hellraiser remake for Dimension, but the project recently got bumped back to 2009.

Now that the strike is over, the producers can take some steps towards getting the flick moving. To that end, horror-lovin' screenwriters Marcus Dunstan and Patrick Melton have been hired to help get the new (Barker-approved) Hellraiser ... raised. Genre fans will remember Marc and Pat from their debut flick Feast, plus they also joined the Twisted team last year when they provided the screenplay for Saw 4. (And yes, they also worked on Feast 2. And Saw 5. Oh, and Feast 3.)

According to Shock, the duo also have The Midnight Man in production with Dimension, so obviously the studio likes these guys. More word on Hellraiser, Inside, Saw 5, The Midnight Man, and the new Feasts as it becomes available.

If it's Halloween, it must be Saw. And it is. So it must be. Cinematical attended a press junket this week for Saw IV. It consisted of three interviews, with reporters from various outlets throwing out questions. The first was with Jigsaw himself, Tobin Bell (phoning in because he lives in Malibu, so wish him and his family well). The second was with Lyriq Bent (Rigg), Scott Patterson (Agent Strahm), and franchise producer Mark Burg. The third was with Costas Mandylor (Hoffman), Betsy Russell (Jill -- Mrs. Jigsaw), and franchise producer Oren Koules. Lionsgate hadn't screened the movie for critics (or even the actors!) as of this junket, as the representatives are extremely secretive about its plot, particularly a final twist. All we know is, despite having seemingly died at the end of Saw III, Jigsaw is back. Oh yes, and we know that there will be blood. Lotsa blood. We discussed what makes the franchise so popular, the phrase "torture porn," and the future of the Saw series.

Can you tell us what attracted you to the role yet again?

Tobin Bell: He's a big character. There could be nothing better for an actor than to have an opportunity to play a role where the character is sort of a multi-faceted guy. I mean, he is a scientist and a very well read guy and a man of conviction and passionate about what he does. There is something Shakespearean about him in a way. And there is a lot more story to be told. I feel like the Saw story doesn't play out in a linear way. It doesn't happen in sequence, necessarily. Whenever you have the opportunity to develop a guy like this, it's a blessing. It's what actors become actors for.

It's interesting to hear you talk about the thought process that goes into creating his back-story. Because if you ask an audience after they see a Saw film, they were there for the gore. They want to see someone's guts spill out on the floor. Are you rationalizing the character for yourself? Or do you really care about the characters in these films?

TB: I think that anybody who goes to one of these films wants to care about the characters. I think you can accomplish the same thing in the horror genre that you can accomplish in any other genre, whether it's a period piece, or a romantic comedy. I think there is an opportunity in a drama of any kind for the viewer to get involved with the characters. If you sell out completely on that, and I think that is what the horror genre has done for many years, people will not think of it very highly as a genre. Many genre films of the fifties and sixties were interested in the special effects, or interested in the scare factor, or the sci-fi factor. Jacob's Ladder is a very smart, well-crafted script. It is very scary. The Dead Zone with Christopher Walken. On its face, you have a man that looks at things and lights them on fire with his eyes. Look at the film. Christopher Walken draws you in. He makes you care about him. That's what makes the film work.

Outside of the Baby Geniuses pictures, I can't think of a more joyless, humorless, lifeless movie series than the Saw films. I watched the previous three alone at home, and each just sucked the life right out of me. But since I'd be seeing Saw IV with an audience, I expected to finally understand why people love these grisly flicks so much. I thought I'd hear yelling, cheering, people shouting "Gross!". I thought it would be fun. But the crowd remained completely silent until the credits rolled. Then everyone quietly got up, quietly walked to the doors, and quietly headed for their cars. How has this become the most successful horror franchise of all time?

Jigsaw is dead, and the film opens with his naked corpse laid out on a slab. Yes folks, I don't know why this hasn't been mentioned more in the marketing, but you do get to see 65 year-old Tobin Bell's genitals. That oughta sell some more tickets! What follows is an autopsy scene so astonishingly graphic that I removed the organ donor sticker from my driver's license. Seriously, if you had trouble with the brain surgery sequence in Saw III, get to Saw IV 15 minutes late. A new cassette recording is found in Jigsaw's stomach, and the games begin all over again. Two FBI profilers (played by Scott Patterson and Athena Karkanis) join Detective Hoffman (Costas Mandylor) to put together the Jigsaw puzzle (nice little play on words there, if I don't say so myself). SWAT Commander Rigg (Lyriq Bent) is abducted and has 90 minutes to overcome the usual series of traps and save an ex-New Kid on the Block (Donnie Wahlberg). In other words, it's exactly like the other Saw flicks.

I don't think I'm alone in feeling that the Saw franchise should probably call it a day after the release of the latest installment on October 26th. What could possibly be next? For now, Saw producer Mark Burg is still looking to branch out with a loose remake of the film that gives women's studies majors everywhere the chills; Adrian Lyne's Fatal Attraction. Burg tells Shock Til You Drop that it will not be a straight remake and instead will be the "Twisted Pictures take on Fatal Attraction." Titled Kept, the script is based on the novella by Jason Rothwell.

Burg tells Shock Til You Drop that the story focuses on a married man who sets out for a night of infidelity and ends up in life or death situation. Since this is a film from Twisted Pictures, you can only assume that this guy is going to have one heck of a bad night. Shock claims they managed to score a few extra tidbits about the twists in the plot, but they were sworn to secrecy.

The last time Burg and company were looking into remakes, they had committed to redoing some classic horror films. Beyond those, he is also producing Repo! The Genetic Opera and the thriller Silence, about a man searching for his wife's murderer. The latter is the second script from Saw creators James Wan and Leigh Whannell. These projects are not exactly groundbreaking, but definitely a step up from the other two projects he has listed on his IMDb page -- both of which sound like made-for-TV crime flicks that you catch on the USA network at three in the morning. Compared to those movies, a Fatal Attraction rip-off sounds downright delightful.

Lionsgate has been nice enough to provide Cinematical with the second poster for the Saw IV blood drive (click on the photo for a larger image) -- an event held annually since the first Saw was released. We previously brought word of the first poster in the series (I believe there will be a total of 4 or 5 of these) which showed a side-profile of the mannequin-like nurse. This time she's sitting in a padded chair, gently pulling up her nurse's skirt to seductively reveal a little sumthin' sumthin' ... if you know what I mean.

Unfortunately, we cannot promise that the nurse pictured (or someone who looks like her) will indeed be the one drawing your blood, but we can promise that your donations can (and most likely will) save lives. Since 2004, 38,000 pints of blood have been donated (a figure that's doubled each year), all of which have helped to save the lives of as many as 112,500 people. Partnering once again with the American Red Cross, Lionsgate's Saw IV blood drive will run through the first week of the film's release, and folks can give blood at a number of locations across the country. For more info on the blood drive and the film, head on over to the official website of the American Red Cross. Saw IV opens nationwide on October 26.

For the record, I'm not a huge fan of the recent crop of "horror" films such as House of a Thousand Corpses, Hostel or Captivity. I prefer my horror with more brains and a little less seemingly senseless over-the-top gore. As Alfred Hitchcock once said: "There is no terror in the bang, only in the anticipation of it." I tend to agree with him. After all, he did make a few pretty good films. That said, I did actually like the first Saw film and found it to be the most clever and intelligent of the franchise so far.

Of course, my opinion didn't stop the Saw franchise from becoming hugely successful, and it shouldn't have. Many people obviously love this kind of film and that's great for them to feel that way. To each his (or her) own. Naturally, as the films were so successful, we were treated to a Saw II, III and the soon-to-be-released Saw IV. Which brings us to today and the fact that, via IESB, you are now able to watch the supposed first five minutes of the new Saw IV right now online.

After watching the footage, however, I don't know for sure if it is, in fact, the first five minutes of the film. What I can tell you for sure is that this is the same footage shown during the Comic-Con presentation given by Lionsgate. At the time, it wasn't identified as the first minutes of the film, but it's definitely the same footage. Given the quality of the video, I would bet that it was probably recorded during the Comic-Con panel even though that is a strict no-no and it was repeatedly announced that anyone caught video taping during the panels would be ejected. I guess maybe someone was able to make a recording after all. Then again, judging by the amount of time it's been up on IESB, perhaps it was "leaked" on purpose.

While Kevin Bacon was absent from the Death Sentence breakfast, we did manage to corral Garrett Hedlund over eggs and ... bacon. He talked to us about starring in the movie, his relationships with co-stars Kevin Bacon and John Goodman, how he grew up with guns, and shooting very long action sequences with a lit cigarette in his mouth.

Garrett Hedlund isn't a household name just yet, but you've probably seen him on the big screen at Patrocles in Troy. He played the brash, young cousin of Achilles (Brad Pitt), and is somewhat of a chameleon. He's also been in Friday Night Lights, Eragon, and Four Brothers. With a shaved head and tribal neck tattoos in Death Sentence, he's looking to extend that streak. Click on his picture for the audio interview and read the highlights below.

• He plays Billy Darly, the son of Bones Darly (John Goodman) and is the older brother of Joe Darly (Matt O'Leary).
• He leads a gang of thugs who run a meth lab in an abandoned insane asylum. Sounds like a nice place.
• There is a great scene between John Goodman and Kevin Bacon in the movie, where John realizes that Kevin Bacon is after his son ... who in turn had killed Kevin's son.
• He's worked with everyone from Brad Pitt, to Terrence Howard, to Billy Bob Thornton, but his dad was most impressed when he told him he was working with John Goodman. "He finally feels proud of me."
• "I don't care for working with actors that just come in and read the lines and pretend that the character is them, instead of them the character. A lot of people think that they're the one to bank off of, as their personality as a celebrity. They feel that people just want to see them. Where I like trying to do something different with each role."
• They did extensive research for the role by gathering as a "gang" at strip clubs and bars, and calling each other by their gang names.
• "I had my rifle permit when I was eleven, kids couldn't wait to deer hunt ... even girls. I grew up with an environment of guns. I've always used them, and always learned how to be safe with them. If I did something like pointing the gun at the sun or did anything stupid with it, I'd get slapped in the back of the head."