Seann William Scott Tagged Articles at Cinematical

As voiced by Dwayne "the artist formerly known as The Rock" Johnson, astronaut Chuck Baker is the paragon of all-American achievement -- that is, until he conquers a far off world with an unexpected population, one inexplicably steeped in our '50s-era culture and terrified by the prospect of an alien invader in human form. More unfortunately for us, Chuck has landed smack-dab in the middle of Planet 51, a short-sighted assembly of sci-fi references and scatalogical humor that should nonetheless placate undemanding tots and, by extension, their undiscerning parents for ninety minutes or so.

Like most of the moviegoing world, we here at Cinematical are pretty excited for Kevin Smith's new comedy, A Couple of Dicks, particularly since Smith is promising it'll be the next Roadhouse. The world needs another Roadhouse, just like this generation needs a new buddy cop comedy.

We won't have too long to wait, as The Hollywood Reporter says that the film begins shooting on Monday in New York -- but before it goes before cameras, Smith has added Seann William Scott and Adam Brody to the cast. Scott will play a thief known as "The Sh*t Bandit" due to his trademark of leaving a scatological gift for his robbery victims. (Remember, Smith didn't write this script, Robb and Mark Cullen did. But now we know one reason he liked it!) Brody will play "an abrasive detective" who is less than thrilled to be working with Bruce Willis and Tracy Morgan's maverick cops. He seems so young to be the abrasive, badass type ... but hey, it's New York. You grow up fast there.

Still missing from the cast is one Mexican beauty, who Willis and Morgan rescue in the course of their adventure, and who holds the key to millions of laundered drug money. I bet we'll meet her next week, but you could throw out a few casting guesses or recommendations just to pass the time, as Dicks isn't due in theaters until February 26, 2010.

The Women Film Critics Circle have handed out their 2008 awards (with top honors -- Best Movie About Women -- going to Clint Eastwood's Changeling), and one of the more fascinating categories on their list is Most Offensive Male Characters. And ... who do the women film critics of 2008 find to be the most offensive male characters of the year? Aaron Eckhart (Towelhead), Sam Rockwell (Choke), Larry Bishop (Hell Ride), Paul Rudd, Seann William Scott (Role Models) and Jason Mewes (Zack and Miri Make a Porno). I'm actually surprised that Robert Downey Jr.'s Tony Stark (aka Iron Man) didn't make this list, what with his fairly obnoxious (but comedic) womanizing ways, and I'm sure there are several other offensive male characters spread across the films of 2008 that coulda shoulda been mentioned, but weren't.

This, however, brings up an interesting topic: Who were the most offensive movie characters of 2008? Could be male, female, talking animal (or robot) -- were there any characters that just rubbed you the wrong way? Any characters who deserved to be sent straight to human resources? Furthermore, were there any films in general that were so offensive, you either considered leaving halfway through or did, in fact, bolt out the door before the end credits rolled? Sound off below ...

A week ago, I finally tore through Alan Moore and Dave Gibbons' acclaimed graphic novel, Watchmen, which I'd only recently prompted myself to make the time for after years of recommendations (the recurring threat of ending spoilers for a movie that I'd inevitably see was a catalyst unto itself).

It really is a tremendous work, and I'm as curious as anyone else to see how Zack Snyder's film turns out, but the one comparison that I kept coming back to was how much Watchmen reminded me of Richard Kelly's much-maligned Southland Tales, with each being a sprawling tale of an alternate reality in which several narrative threads are building towards the threat of a looming apocalypse.

Between that and the news of Kelly's latest being pushed back, I find myself tempted to give it another look-see -- especially since my first viewing wasn't exactly held in the most proper of environments. I'm sure that there's a method to Kelly's madness, but it's an indulgent, unpredictable film whose very story density I enjoyed more in and of itself. I doubt that I'd share those sentiments if instead first subjected to the three-hour Cannes cut, but if that version were ever released, I wouldn't be against giving it a spin. (My overall sentiments fall closer to Jette's.)

So, what say you, the readers? Did you see it? Did you finish it? Love it? Hate it? Or maybe, just maybe, did some of you land somewhere in between? (And for bonus points, what don't pimps do?)

By William Goss (reprinted from 10/06/2008 -- Fantastic Fest)

Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

Welcome back to another edition of Insert Caption -- the online game that goes out of its way not to be a role model for your kids. Last week we asked you to look into the magic mirror and give us your best haunted, angsty Catholic school girl for a photo from the new flick The Haunting of Molly Hartley. And while I appreciate the dude who gave a shout out to yours truly in his caption, as well as the person who shared that hilariously random South Park reference (you know who you are), it was the following three captions that somehow scraped their way to the top.

1. "Okay, now to just carve the "B" ..." -- Paul K.

2. "Okay, Dank bathroom: Check. Hint of blood: Check. Schoolgirl outfit: Check. Now, if I can just look depressed enough, maybe Linkin Park will appear and start playing." -- Mark H.

3. "Just keep it together Haley and repeat after me: Alyson Hannigan is knocked up. This. Is. Your. Chance." -- Christie H.
.

See full image and all captions

This week we're shifting away from creepy girls who stare at themselves in the mirror and moving toward creepy guys who stare at kids while they draw. That's because we're celebrating the upcoming comedy Role Models (in theaters November 7), starring Seann William Scott and Paul Rudd as a couple of screw-ups who get arrested and subsequently sentenced to 150 hours with a mentorship program. Hilarity ensues. The three folks behind our favorite captions will each snag one Role Models hat, one Role Models t-shirt and one Role Models poster. Go for it ...



Read the official rules for this contest

Remember Broken Lizard's Beerfest? Whatever you thought of that 2006 comedy, it's difficult to dispute how incredibly astute the filmmakers were with rattling genre expectations in just a single scene. See, the American team's greatest beer guzzler, "Landfill", has passed away under shady circumstances, and right when everyone's ready to throw in the towel, in walks Landfill's identical twin brother, who they knew nothing about but who happens to have been told everything about each of them. Better yet, he's more than willing to even adopt Landfill's name, in an effort to bypass that whole awkward 'getting-to-know-you' stage.

It's every end-of-second-act "what do we do now, coach?" dilemma from an inspirational sports movie mercifully condensed to a couple of rapid-fire beats, and even if the rest of the film otherwise adheres to said sports movie formula, it's nice knowing that audience and actors alike were not going through the paces entirely unaware of how clichéd the entire narrative was.

It's taken a few years and a few name changes, but Role Models -aka- Big Brothers -aka- Little Big Men is on its way, and MTV has posted the first series of shots (one of which you can see above), as well as the brand new trailer (see below). The film, which has slowly come together over the last few years, focuses on two partiers who get court-appointed community service which they have to complete as, fittingly, Big Brothers. You know, being a role model can help them get back on track themselves.

Paul Rudd and Seann William Scott are the men, while McLovin/Christopher Mintz-Plasse and Bobb'e J. Thompson are the lucky recipients of Rudd and Scott's efforts. Is it just me, or does McLovin look ridiculsouly young in the other images? Maybe it's the cape... I've little doubt that Rudd will be awesome, and this movie could be great. But what about Scott? Will this help refocus and fire up his career?

The tag line underneath Lou Lumenick's name should read, "Will provide sh*tty film reviews for fifty cents because that's about as much as my opinion is worth." Lumenick, who writes film reviews for the New York Post, is easily the worst critic of 2008 so far -- and, unlike his reviews, I'm actually going to back up that statement.

Lou reviewed The Promotion on Friday and gave it Zero stars. Look, I'll be the first to tell you The Promotion is in no way the greatest film of all time, but it's charming, humorous, human and has a lot of heart. But this has nothing to do with The Promotion, and everything to do with performing the job assigned to you.

Fine. Zero stars. We'll go with that; perhaps Lou spotted enough flaws to warrant the rating. But then I actually read Lumenick's "review" of The Promotion, which starts out saying the film's tagline should change to read, "No Laughs." Really? Because I've watched this film with two different audiences in two different states, and each time the audience was laughing ... a lot. Did you watch it with an audience, Lou? Probably not. But let's move on ...

(Note: We're re-posting our review of The Promotion from SXSW to coincide with the film's theatrical release this weekend.)

A few years ago, we were treated subjected to a retail farce known as Employee of the Month, a near-witless comedy that pitted Dane Cook and Dax Shepard against each other as moronic clerks who vie for the title of (you guessed it) Employee of the Month. I knew there was a lot of room for successful comedy in this sort of premise, but aside from a stray chuckle or two, EOTM was an entirely stale and completely sitcom-level effort.

Now comes a very small, very funny, and oddly warm-hearted flick in sort of the same vein. It's called The Promotion; it stars Sean William Scott and John C. Reilly; it was written and directed by first-timer Steve Conrad ... and if it comes out in 2008, then it will definitely end up in my top ten of the year. (Conrad is a first-time director; his previous screenplays include Wrestling Ernest Hemingway, The Weather Man, and The Pursuit of Happyness.) This is a fantastic little comedy, filled with all sorts of weird little moments and strange diversions, but at its core, The Promotion is a profanely sweet-natured dual character study that doles out a LOT of laughs while actually celebrating ... small doses of actual humanity! It's a great comedy with an excellent message delivered by a bunch of actors who are clearly savoring the material. (My normal m.o. is to "champion" smaller horror flicks, but a good movie is a good movie, period. If I can turn a dozen people onto The Promotion, then I'm doing my job.)