Simon Pegg and Nick Frost aren't the only ones getting to take a road trip with Seth Rogen. He's gotta move, gotta get out, gotta leave this place, gotta find some place. Some other place, some brand new place ... with Barbra Streisand. (I know, I can't believe I know those lyrics either.)

HitFix has the scoop that Rogen is developing a comedy called Mother's Curse, and while it's one of an estimated 300,000 projects the unlikely A-Lister is working on, this one has Streisand. Mind you, she's not even officially attached, and the movie doesn't even truly exist. Curse's storyline is under tight development wraps, and the script is still in the process of being written. As Drew McWeeny notes, "When I asked Seth about the film, he referred to it as 'one of the many projects I may or may not do in the next fifteen years,' which is a fair description. So keep in mind... I'm not saying this will or won't happen ... just that it could." It's a pet project of Paramount's new head of production Adam Goodman, so that alone could get it made under that fifteen year mark.

Just the names of Rogen and Streisand together is pretty delightful though, isn't it? I like this new trend of mature, Oscar-loaded actors being game for just about anything. It's like we went back to the Golden Age of screwball comedies when it was ok for everyone to cut loose onscreen, and comedy wasn't just Meet the Spartans schlock.

Hey, did you know that Jason Schwartzman was starring in a new NBC show called Yo Teach, about a teacher with a big heart who goes all Stand and Deliver/Dangerous Minds-like on the inner-city troublemakers in his class? I'm lying, of course -- Schwartzman isn't starring in any real TV show; instead, this is just a taste of the first piece of viral marketing for Judd Apatow's Funny People, which, because it stars actors playing popular actors, is filled with all sorts of fake movies and TV shows, like Yo Teach. (Read about some of the fake movies within the movie.)



Funny People stars Adam Sandler as a comedian-turned-crappy high concept actor who mentors a younger up-and-coming comedian (Seth Rogen), all while struggling to beat cancer and win back the girl (Leslie Mann) that got away. Jason Schwartzman stars as one of Rogen's pals, an egocentric TV actor. So far two clips from Yo Teach have arrived online, with one being a behind-the-scenes look and the other a straight-up scene that features YouTube comedian/songwriter Bo Burnham, who Apatow is a fan of. One expects tons more viral stuff to hit prior to the release of Funny People on July 31 (which is currently sporting a two and a half hour runtime, apparently), so stay tuned.

And you know what? I think I'd actually watch this show if it was real. It's lame, sure, but I dig it for some reason. What say you?




[via The Playlist]

He was a monster; now he'll play an alien. Seth Rogen, who voiced the part of a translucent blue Jello-thing in Monsters vs. Aliens, will take on the challenge of voicing the titular character in Greg Mottola's Paul, starring Simon Pegg and Nick Frost. According to Variety, Paul is an escaped alien that science fiction fanatics Pegg and Frost discover in the legendary Area 51.

The article specifies that Rogen will only provide the voice, so I imagine the alien will be a CGI creature, but wouldn't it be fun if Roger played the part in person, and then the special effects people alienated his face and body, converting him into a bizarre, weird alien? (Just a thought.) Also joining the cast are some familiar -- perhaps too familiar -- comic personalities: Jason Bateman, Kristen Wiig, Bill Hader, and Jane Lynch.

Paul is a road trip movie, so it's likely that Bateman and friends will be playing cameos. I am excited that Pegg and Frost will be teaming up for the first time since Hot Fuzz, in a movie based on a script they wrote together. And Superbad proved that Mottola could spin comedy gold out of a very good script. I'm just hoping that the end result fully reflects the deft, fresh, satiric vision of Pegg and Frost, and that Paul will be a fitting counterpart to the brilliance that was Spaced, their British TV series. Maybe Rogen will be the cherry on top.

Not many movie-going summers have had the good sense or fortune to formally kick themselves off with the likes of Hugh Jackman and his razor-sharp jazz hands, but as these are the times in which we live in, it's a clear indication that we're in for about eighteen weeks of spectacular spectaculars worth gulping down popcorn and guzzling down pop* with.

Eugene's already shone the spotlight on a fair amount of smaller titles worth your while, so our staff tried to keep the focus on that which we haven't seen, those spectacles for which we're most excited and least likely to text during. Ladies and gentlemen, boys and girls: sit down and shut up, because these are the seven movies that we're fairly f**kin' pumped for.

(*Okay, I pretty much never call soda that, but you get the idea.)

So maybe I was a little late to the party, but over the weekend I finally caught a screening of Observe and Report and as I wandered from the theater in a misanthropic haze, I began to wonder: Just how funny is Seth Rogen? Being hailed "the new hero of comedy" is a lot of pressure for anyone -- and don't get me wrong, I'm not saying I don't like the guy; I know he's a great writer and a whiz at improv, but after getting a load of the darker side of Rogen's range as Ronnie Barnhardt I was kind of happy to see that maybe he wasn't the soft and fuzzy stoner (not to mention one-note wonder) that Hollywood would like us to believe.

Think back to 1999 when Rogen made his acting debut in Judd Apatow's Freaks and Geeks as the acid tongued 'freak', Ken Miller; it was a role that was perfect for Rogen's sarcastic laid back style, and he's been doing a variation of it ever since. Whether it was Cal from 40 Year Old Virgin, Ben in Knocked Up, or Zack Brown in Zack and Miri Make a Porno, each character wasn't necessarily someone you wanted to bring home to Mom, but they charmed audiences nonetheless. Sure they were all kind of jerks, but they were all loveable jerks, and more importantly they were relatively 'toothless' when it came to their bad behavior -- compared to Ronnie, Officer Michaels was practically a choirboy.

Forbes has released its Most Valuable Comedians list, and through some intricate calculations I stopped studying after high school, came up with Adam Sandler as Hollywood's most powerful laugh riot, both in front of the camera and behind the scenes.

Sandler is gaining traction not only because of his starring roles in such critic-proof movies as You Don't Mess with the Zohan and I Now Pronounce You Chuck & Larry, but because he can also occasionally show off some real acting chops as in 2007's Reign Over Me and Punch-Drunk Love. The number of movies he's producing and has in development under Happy Madison Productions are growing in number. And despite its premise, this summer's Funny People, which stars Sandler as a comedian dying of cancer who mentors a younger comedian, has quite a number of big names attached. Judd Apatow wrote, directed, and produced the film; Seth Rogen and Jonah Hill costar. Oscar-winning cinematographer Janusz Kaminski is behind the lens. So even though at first glance, I thought, "Adam Sandler, WTF?" it's clear that even though Sandler doesn't tickle my funny bone, he does have all the criteria for Forbes's list firmly in place.

Will Ferrell, who's #2, is getting more and more into production along with writing and acting, and launching FunnyorDie.com with director and writer Adam McKay was a watershed moment for viral video. HBO's investment in the website led to a deal with Ferrell and his FoD cohorts for a TV show - 10 episodes to be exact - which turned out to be the hit Eastbound and Down.

By Scott Weinberg (original publication date: 3/17/09 -- SXSW Film Festival)

I know it may seem sort of strange to get two "mall cop" comedies within two months of each other, but really: Aside from only the most tangential of plot connections, these movies couldn't possibly be more different. Paul Blart: Mall Cop is a flat, generic farce that feels like every studio comedy from the last 15 years. Observe and Report ... is a freaking revelation. Sick, dark, halfway twisted, and drop-dead hilarious, Jody Hill's Observe and Report is a dark comedy full of shocking moments and brave material, plus it's anchored by a lead performance that could change a whole lot of minds regarding Seth Rogen.

Set in a completely familiar shopping mall, Observe and Report is about a maladjusted security guard who finds himself with a new mission in life: Find the pervert who's been flashing women in the mall parking lot, and do it well before the cocky detective (played quite amusingly by Ray Liotta) has a chance to crack the case. Also to contend with: A bubble-headed blondie, as played by the funniest woman since Madeline Kahn (aka Anna Faris), an untrustworthy sidekick (a powerfully funny Michael Pena), and a perpetually inebriated mother who isn't all that good at the "nurturing" thing.

I'd heard Observe and Report once described as a "slightly lighter take on Taxi Driver-ish material," and while I don't really agree with that assessment, it's worth repeating because (and this should be made clear) Observe and Report is not a mainstream movie, a product of assembly-line filmmaking, or a churn-it-out contractual obligation. This is an aggressively unpredictable dark comedy that doles out violence, absurdity, and a strange sense of sincerity at (seemingly) random points -- and virtually all of Jody Hill's darts hit their intended target. As a tale of one schlub's (basic but legitimate) redemption, Observe and Report works more than well enough -- but if you opt to look a little deeper, and you will, you'll notice that Hill, Rogen and company are also mocking the most basic of Hollywood conventions at the same time.

So here's the $64,000 question: Are rape jokes funny? Jody Hill's Observe and Report has just gotten its first dose of bad publicity (not counting the Paul Blart: Mall Cop connection) thanks to a post in the NY Magazine's Vulture blog. They've posed the question: "Does Seth Rogen Rape Anna Faris in Observe and Report?" ... and, as you can imagine, this has sparked a debate among feminists and film critics alike.

Now if you've seen the Red-Band trailer for the comedy about a Travis Bickle-style security guard, you probably know what scene has caught the eye of critics. If not, here's a quick description: After a night of drinking and drugging, Rogen escorts a half-unconscious Faris (Brandi) to his home and the trailer later cuts to a scene in which Rogen is having sex with the incapacitated Brandi. Nice. When he hesitates, however, we hear a slurred voice pipe up with "Why are you stopping, motherf*****?" Guilt assuaged, right? I mean he's not raping her -- she's totally into it ... right? Well, I'll leave my opinion for a little later, but it seems like the answer at large has been a big fat whopping 'No'.

Over at Jezebel, fans have decided that Rogen and Hill have just gone too far, and that this is another in a long line of examples of the anti-woman stance today's successful comedies seem to be taking. But go for a stroll over past the New York Times and in their review of the scene, they acknowledge the rape, but also go on to say, "Before the scene is over she indicates that she had given her consent." Now Farris and Rogen have also participated in a little damage control regarding the scene in question, but unfortunately most of their answers have only managed to make it worse for those offended.

While I still try to process the fact that Fast and Furious took home over $70 freakin' million at the box office this weekend (really? You all still dig Vin Diesel that much?), Saturday Night Live came through with a pretty funny sketch featuring Seth Rogen and Andy Samberg doing their best fast and furious imitations for a new film called The Fast and Bi-Curious. Their angle, in case you haven't figured it out yet, was to go the bromance route ... and then some ... and then some more. As one commenter on the SNL site pointed out, this ain't Fast and Furious ... it's more like Hot and Hilarious. Zing! Oh, and am I the only one who wonders whether these guys overdose on breath mints before performing this scene? Check it out below ...

Damned if you have a mic, damned if you don't... Coming to you loudly (at least in my case) is the latest episode of The Cinematical Roundtable, and this time, we don't even dare leave the lobby before offering up our thoughts on the rock-'em-sock-'em likes of 12 Rounds, in addition to the week's other wide releases, The Haunting in Connecticut and Monsters vs. Aliens.

Rounding out the proverbial 'we' this week is Brian Orndorf, he of multiple outlets, not the least of which are eFilmCritic and DVD Talk. Also, my good friend Tyler serves as a last-minute substitute for a colleague fallen ill (that, or he just really didn't want to sit through a John Cena flick). He knows his stuff, which I can't say for all in our field, and he happened to be co-anchor of our college movie talk show, "Matinee Idle," which was pretty much a podcast before podcasts were podcasts.

So... yeah. He's good people. Enjoy!




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