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The Exhibitionist: Show ShoWest towards Southwest



I find it kind of interesting -- no, funny, actually -- that while tons of movie fans were down in Austin for SXSW, enjoying the greatest cinema experience available, at the Alamo Drafthouse (Ritz and South Lamar), exhibitors from all over the country were piling into Las Vegas for ShoWest, the annual convention and trade show, where discussion and conversation often turns to the question, "how can we make moviegoing a better experience and, more importantly, a more lucrative business?"

Maybe some of the suits should have made the trip to SXSW instead, had a beer and a burger (ahem, a Royale with Cheese), and started lobbying their districts, if need be, to begin following the business model of the Alamo. I know that in my state of New York, it's not technically legal to serve alcohol in a cinema, but surely it is part of some antiquated law that needs to be adjusted (like how technically you're not allowed to dance at many bars in NYC).

Continue reading The Exhibitionist: Show ShoWest towards Southwest

Robert Redford Is a 'Visionary,' Says ShoWest

If you ask my mom about Robert Redford, she'll cite his dreamy blue eyes and his charismatic performances in Butch Cassidy and the Sundance Kid and The Sting. If you ask someone my age about him, though, I bet the Sundance Film Festival is the first thing that will come to mind. For a lot of us, the Sundance Institute has been so influential and important that it overshadows the earlier days, when Redford was "only" a movie star.

Variety reports that the industry convention ShoWest will honor Redford with the Visionary Award when it convenes next week in Las Vegas, a tribute to the Sundance Kid's extraordinary contributions to the world of independent film. Sundance is the largest, most influential film festival in the United States, and it has launched the careers of dozens of filmmakers, including Quentin Tarantino and Steven Soderbergh. What's more, the Sundance Institute's workshops for screenwriting, documentary filmmaking, and other crafts have helped countless individuals hone their skills.

This will be the first time ShoWest has given out a "Visionary Award," and Redford seems like a mighty fine choice to me. Those dreamy blue eyes have seen a lot of great things happen in the movie world.

Abigail Breslin: ShoWest's Female Star of Tomorrow

Last year, it was Emma Roberts who was tapped as ShoWest's Female Star of Tomorrow. This year, Variety reports that it is Little Miss Sunshine, the super-cutey who is growing up in the blink of an eye, Abigal Breslin. I have to say, I'm completely in agreement over this pick. While she could've been a one-hit wonder with her portrayal of Olive Hooper, she quickly jumped out of that possible fate. She stole the show when she made a guest appearance on Grey's Anatomy, and while she might have taken a role in The Santa Clause 3, she's also got Definitely, Maybe, Nim's Island, and Kit Kittredge on the way.

But this is as much about future possibilities as it is about current success. Considering this, I had to use the same image that Variety used in their news blip. There's just something about the look on Breslin's face that skyrockets me into her future possibilities. Is it just me, or can you also see her playing some sort of tough-ass woman in about 10 years, as a champion of all things good, the professional face of strength, or as the steely face of evil? Something tells me that Breslin is the best Female Star of Tomorrow choice that ShoWest has made in a while.

But what do you think? Are you a fan of Breslin's work? Has her fame come and gone? Will it last for years to come? How do you think her professional future will play out?

The Theater/DVD Release-Window Debate Heats Up

Today was the first day of ShoWest, the annual convention on cinema exhibition and distribution held in Las Vegas, and while I was expecting to see some new strategies regarding the war on piracy, the first order of business focused instead on the European release-window debate. After witnessing the bold threats and actions of cinemas in Germany and in the UK, I should have known this would be a hot topic this year. The concerns with shrinking windows between theatrical release and video release is not solely European, though. Now it has become a main concentration of the International Union of Cinemas (UNIC), which is like the global version of our own National Association of Theatre Owners.

UNIC president Ad Westrate says foreign cinemas are currently pushing for legislation against the shrinking of release windows by Hollywood studios and their international distributors. France already has such a law, where the window is set at six months. The cinemas of other countries are hoping that law will serve as the model for other nations. Hollywood will be fighting hard against such legislation, of course, and it is likely to continue blaming piracy as the motive. Paramount Pictures International president Andrew Cripps insisted today that there can't be such limits because of the changing demands of the marketplace.

Continue reading The Theater/DVD Release-Window Debate Heats Up

ShoWest X3, Superman Footage

All sorts of groovy insider stuff happens at ShoWest. This year, among other things, attendees got to see Cars (Most of the reviews basically say "Hey, better than I expected!", which is faint praise indeed.), hang out with the great Dakota Fanning, and see a big chunk of new Superman Returns footage. While no one has yet helped us out by offered a full, bootlegged version of Cars online (not that we'd ever endorse such a thing), a slightly shaky pirate with a crappy camera (phone?) did record some new X3 footage, as well as the Superman reel that played at a Brandon Routh tribute (Yeah, now they're honoring people who haven't yet done anything. I'm expecting my Oscar any day now.), which offers a glipse at the movie.

While the Routh video consists mostly of a lot of people saying things like "We love Brandon!" and "Oh my God, he's just the bestest Superman ever!", the X3 clip is all footage from the movie - and it's very Wolverine heavy, if you're into that sort of thing. Again, the quality of this stuff is pretty bad, but until we all get to go to neat industry events, it's the best we're going to get.

MPAA Hates Film Piracy: Who Knew?

Because they'd rather deal with piracy than address dwindling audiences and shrinking box office receipts (Really, can you blame them? It's to hard find anyone to arrest because audiences are small, while pirates are everywhere!), the MPAA, the National Association of Theatre Owners, the Canadian Motion Picture Distributors Association and the Motion Picture Theatre Associations of Canada have come together to...create a website! Woo hoo!

Announced yesterday at ShoWest, www.fightfilmtheft.com was designed to train theater employees to spot people with camcorders and stone them with Whoppers stop their piracy mid-stream. In addition to telling employees what to look for and how to proceed when they spot a pirate (just so you know, you should NOT "Grab the recording device out of the suspect's hand"), the site also publicizes a rewards program that was initiated last year by the MPAA and NATO. Under the program, employees who "stop theft" get $500/incident - there's a downloadable form to claim the reward and everything. However, since last year there were 69 incidents and only 30 rewards given out, it sounds like you theater employees need to read the rules damn carefully before trying to do any enforcing. Otherwise, all you'll get for your trouble is a whack with a tripod, which totally isn't worth $8 an hour.

[via THR]

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