Has anyone kept track of all the remakes of Asian horror films? It fairly numbs the mind to even begin counting, as soulless and derivative as they are. I know I've had to slog out to the Cineplex many an opening Friday to catch the latest one that was withheld from press screenings. Even the originals begin to blur together, following the same formula of a wronged spirit -- usually a ghostly girl with stringy black hair and hollow eyes -- entering into the lives of unsuspecting people, often through technology. Usually the heroes think they've solved the riddle at some point, but there's always one more overlooked step at the climax. Very often in the middle the heroes find themselves someplace like a library or an office building that's supposed to be brightly lit, but instead is illuminated only by a few buzzing gray lights. The original Shutter (2004) is different only because it originated in Thailand -- and is set in Bangkok -- rather than Japan. The new American remake squashes even that one unique factor by turning right around and setting the story among Americans in Tokyo.

Ben Shaw (Joshua Jackson) is a professional photographer newly married to blonde hottie Jane (Rachael Taylor), who apparently works as a 6th grade teacher and not a photographer's model. (Um... yeah. How did they meet again?) Just after their honeymoon, they land in Tokyo so that Ben can start his amazing new job, shooting colorful layouts of geisha girls. On the road, their car strikes a girl, though no evidence of her body is ever found. More strange things begin happening. White streaks appear in Ben's photos and Jane begins seeing the girl all over the place. With a little detective work, Jane discovers that Ben actually knew her. She was Megumi Tanaka (Megumi Okina), a shy, uncertain translator. Ben may have been her first love, but he didn't love her quite the same and things ended badly. So why, then, are Ben's buddies Bruno (David Denman) and Adam (John Hensley) suddenly dying?

The ability to sustain a sense of Seuss in a CGI scenario (I can't rhyme like the good doctor, but I can alliterate with the best of them) worked in the favor of Horton Hears a Who, last week's number one flick by a country mile, giving it the biggest opening weekend of 2008 so far. Like many of the folks taking part in our weekly box office competition (see the bottom of this post for details) I underestimated the tale of teen angst and kickboxing that is Never Back Down while overestimating the drawing power of the apocalypse with Doomsday, which finished seventh for the week with a mere $4.9 million. 10,000 B.C. dropped only as far as second place for its second week, though its total so far of $61.5 million has a ways to go before exceeding the film's $105 million budget. Here are the numbers for last weekend:

1. Horton Hears a Who: $45 million
2. 10,000 B.C.: $16.7 million
3. Never Back Down: $8.6 million
4. College Road Trip: $7.8 million
5. Vantage Point: $5.5 million

If you're determined to see something new this week, you have your choice of laughs, screams, and family drama. Here are this week's newbies:

Drillbit Taylor
What's It All About: A comedy in which a group of high school nerds search the ads in Soldier of Fortune magazine for a body guard to protect them from the school bully. They hire a homeless guy named Drillbit Taylor (it never pays to go with the lowest bidder) played by Owen Wilson.
Why It Might Do Well: Wilson, of course, has many comedic credits to his name, including Wedding Crashers which pulled in $209 million domestically. Also, Seth Rogen seems to have the midas touch and he co-wrote the screenplay.
Why It Might Not Do Well: Based on the TV spots I keep seeing, people who aren't comfortable with nerd on nerd violence may stay away.
Number of Theaters: 2,700
Prediction: $12 million

Some of the best times at the movies are spent either laughing or screaming, sometimes both at the same time. This week's collection of trailers are for films designed to frighten and/or amuse.

Son of Rambow
The MPAA tag says the film has earned its PG-13 rating in part because of "reckless" behavior," and some of the funniest bits in this trailer come from the stunts performed for a home made Rambo sequel. Set in the 1980s, two British school boys set out to make their own homegrown sequel to First Blood, the first of the Rambo films. One of the boys is from a strict religious family, and participating in the project conflicts with his faith. This looks like a hoot, and I was especially pleased to see Jessica Hynes (a.k.a. Jessica Stevenson) from the Simon Pegg TV series Spaced. Here's Monika's take on the trailer and James' review of the film. Check out the trailer right here:



Shutter
This remake of a Thai film deals with spirit photography, the process of photographing ghosts. There's a shot in this one of someone flipping through a series of photos, and the images act like a flip book, showing a translucent figure crawling across the floor. Yeah, that gave me the willies. There are some shots of Dawson's Creek's Joshua Jackson gettin' busy with some kind of other worldly entity that creeped me out, but I'm still feeling lukewarm about this one. I get the feeling this is yet another de-fanged PG-13 horror movie. Here's Patrick's take on the trailer.

Ladies and gentlemen, Pacey is back! I don't care how far Joshua Jackson goes with his career, he'll always be Pacey -- lovable bad boy of Dawson's Creek -- to me. Pacey is starring in the new horror film Shutter with Rachael Taylor (the impossibly hot blonde computer expert in Transformers). They play newlyweds who start to see ghosts in their photographs. Spoooooooky! Rounding out the cast are a few more television stars -- John Hensley from Nip/Tuck, James Kyson Lee from Heroes, and David Denman from The Office. The film is a remake of the 2004 Thai film of the same name. It comes from the producers of The Grudge, and is directed by Masayuki Ochiai (Infection). The script was written by first-timer Luke Dawson.

MTV Movies Blog has the exclusive premiere of the trailer for Shutter, and it looks...pretty much like every other PG-13 horror movie to hit multiplexes in the past few years. They kick things off with that ominous camera snap from the trailer for The Texas Chainsaw Massacre remake. Then there's some Discovery Channel-style voiceover about "spirit photography," where images of the dead are caught on film. Some creepy "actual" photos, some whispered dialogue, a girl in a nightgown, Pacey making out with a dead chick, bada-boom-bada-bing. It all looks pretty standard to me. What do you folks think? Will Shutter make you shudder? Find out when it flashes into theaters on March 21st.

How is it possible for a movie nowadays to wring so many unsettling jump scenes from one simple premise? With Alone, directors Banjong Pisanthanakun and Parkpoom Wongpoom prove that their remarkably scary freshman effort, Shutter, was no fluke. This time they push their character-based horror in a different direction, centering the story on a woman named Pim (Masha Wattanapanich). Pim was born as a conjoined twin, but her sister Ploy died after the two were successfully separated. Pim married her sweetheart Vee (Vittaya Wasukraipaisan) and moved to South Korea.

As the film begins, Pim is celebrating her birthday. One of her party guests pulls out a deck of fortune-telling cards and informs Pim of good news: something she has lost will soon return to her. Then Pim receives bad news: her mother in Thailand has suffered a stroke. Pim and Vee rush home to help out. Almost as soon as they arrive, Pim begins seeing frightening apparitions of her dead sister. Pim has always blamed herself for her sister's death because she was the one who insisted upon the separation of the twins. Pim had fallen for Vee and yearned to marry him, while Ploy wanted to remain connected to her sister forever.

Great premise, right? Instead of a long-haired girl or "I see dead people," you see one person, your long-gone sister, over and over again, evidently wanting to be reunited with you in more ways than one. We all know how family members can haunt us long after they're dead and buried, how old arguments and grudges and resentments keep surfacing, trying to claw their way into our present lives. Vee sees this happening to his beloved wife and he does what any reasonable man would do: he gets an old school pal, now a psychiatrist, to pay Pim a visit.

There's some news I am still trying to process before writing it up, so in the interim, I give you news bits:

• It's time for a little more news on Denzel Washington's upcoming The Great Debaters. We've covered the film briefly before, when there were Jackson possibilities and Weinstein money. The period feature is about African American poet, Mel Tolson, and his creation of Wiley College's first debating team, which went on to defeat Harvard in the national championships. Washington has stepped up, not surprisingly, to play Tolson, and Stomp the Yard's Columbus Short is in negotiations to play one of the students. This film should also prove to be a breath of fresh air from the usual hoodlum-turned-scholar fare -- Production Weekly reports that one of the debaters was a 14-year-old freshman whose father was the first Negro Ph.D in Texas.
• In January, Erik reported that Rachael Taylor had signed on for the Shutter remake. Now we've got a veritable poo-poo platter of television testosterone to round out the cast. First there is the Dawson's Creek heartthrob who has been fading into the background since his stint as Pacey ended, Joshua Jackson, who co-stars with Taylor as her new husband. Next comes David Denman who not only plays Roy on The Office, but also played the big, secretive monster Skip on Angel. You can throw a little Nip/Tuck to the mix with John Hensley, who plays Matt McNamara. And finally, there is James Kyson Lee, who plays Hiro's sidekick, Ando, on Heroes.
• The BBC has just released an article about the future of technology, as told from a survey produced by the South Korean government. Sure, there are musings about cell phone batteries that last a month, robot surgeons, and other zany ideas, but they also muse that by 2015, we'll have fragrance catridges in our computer. Sure, it's been talked about before, but just think about it -- John Water's smellovision with everything! Perhaps the director would then add smells to everything, although I think some certain, infamous, Divine scenes should remain smell-free. [via Film Ick]

Some of today's casting tidbits I managed to throw together while watching Breaking Vegas on The History Channel (which immediately depressed me because it made me wish I were smarter):

• Samuel L. Jackson wants to play a bad guy -- either that, or the neighbor from hell. The Snakes on a Plane actor has joined Kerry Washington in Lakeview Terrace, a thriller written by David Loughery in which James Lessiter and Will Smith will produce. Story revolves around a black LAPD officer (Jackson) who isn't too fond of the interracial couple (with Washington as the female half) that just moved in next door. In fact, he's determined to run them off his block in any way he sees fit. Something tells me these folks wouldn't make for great contestants on TLC's Trading Spaces.
• Speaking of The History Channel's Breaking Vegas, Columbia Pictures is currently rounding up a bunch of cool cats to star in the big screen version of the very real-life story explored in Ben Mezrich's Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions. Laurence Fishburne is in negotiations to co-star in 21, while Liza Lapira and Josh Gad have joined Jim Sturgess and Masi Oka in the pic, to be directed by Robert Luketic. Fishburne would play the Vegas security chief placed in charge of tracking down the group of M.I.T. students who, through mastering the art of card counting, raked in tons and tons of cash.
• Rachael Taylor (See No Evil, Transformers) is looking to hop on the horror remake bandwagon -- she's signed on to star in Shutter, a remake of the 2004 Thai film. She'll be playing one half of a recently married couple who are spending their honeymoon in Tokyo when -- holy crap -- images of ghosts begin showing up in all their photos. Hey, it's better than drunken fat guys and middle fingers, right?