SingleWhiteFemale Tagged Articles at Cinematical

We've all been there, that incredibly awkward, deeply painful moment when your beloved looks into your eyes and says: "We need to talk." That translates into: "It's over." / "I've found somebody else." / "I love you, but I'm not in love with you." / "I'm getting married. No, not to you." / "Actually, I'm straight."

No one likes to be spurned, and with Valentine's Day arriving this year the day after the new Friday the 13th will be released, the deadly combo of horror and romance made me think about movies in which someone goes nutty after being dropped or dismissed, or is left feeling unloved. Should we count our blessings that Jason Voorhees never got dumped by his girlfriend?

1. Fatal Attraction

"I'm not going to be ignored, Dan!" The movie that was single-handedly responsible for scaring all married men away from cheating on their wives in 1987 features my top pick for a spurned psycho. Alex Forrest (Glenn Close) looks like a perfectly responsible, attractively mature lady, but she has a naughty side that flares up when Dan (Michael Douglas) dares to treat their one-night stand as, well, a one-night stand. Rabbit, anyone?

2. Carrie

Poor Carrie (Sissy Spacek). She might have been fine if everyone had just left her alone. But, no, her mother berates her and the kids at school tease and ridicule her. Then Tommy (William Katt) insists on taking her to the prom and even kisses her! Maybe everything will be OK! Nope. When she's bathed in blood and everyone laughs, she knows she's been set up -- Tommy must be in on it too! -- and takes care of business as only a spurned telekinetic psycho can do.

While Adrian Lyne's Fatal Attraction is certainly a very popular and influential film, I wonder how many of its fans remember a little Clint Eastwood movie called Play Misty for Me. The 1971 chiller was about a disc jockey (Eastwood) who turns a fling (Jessica Walter -- yes, the hilariously hateful matriarch from Arrested Development) into a freak-o when he passes her by for another girl. (Sound familiar?) But after the overwhelming success of 1987's Fatal Attraction, the multiplexes seemed over-loaded with all sorts of "domestic thrillers" in which "a normally generic nobody, albeit one belonging to a distinct domestic stereotype" goes ape-doody and starts stabbing people left and right. Gathered here are seven of the most memorable. Not the best, necessarily, but the seven I can remember right now. Hence "memorable."

If Fatal Attraction = Crazy Psycho Jilted Mistress, then...

Unlawful Entry = Crazy Psycho Dirty Cop -- Kurt Russell and Madeleine Stowe are thrilled to meet up with cop Ray Liotta when their home is invaded -- but when the guy keeps snooping around and using his badge as a license to ... peep, things take a turn for the worse. Fun stuff that only periodically gets campy, thanks mainly to a brisk pace and three strong leads. Plus Liotta's just so wonderfully evil in this one. (Jonathan Kaplan, 1992)

The Crush = Crazy Psycho Sexy Jailbait -- Underage temptress Alicia Silverstone doesn't take it well when dreamboat Cary Elwes rebuffs her amorous advances, and she's not afraid to kill people to show it. Low-rent cable fodder that's only worth watching if (absolutely) nothing else is on. But you might need a shower once it's over. But if you're a fan of "death by bees in a locked darkroom," here's a flick you'll love. (Alan Shapiro, 1993)

The Temp = Crazy Psycho Freckled Secretary -- It probably doesn't take much imagining to picture Lara Flynn Boyle as a raving psycho bitch, but this pulpy little horror comedy is a lot more entertaining than the "temp gone crazy" premise might sound. (OK, not "a lot," but still kinda fun.) Timothy Hutton plays the cookie company suit who finds that he's getting a whole lot of unexpected help from his new temp. And by "help" I mean she ruins and/or kills anyone who might stand in his way. (Tom Holland, 1993)

According to the trailer for the documentary Stephen Tobolowsky's Birthday Party, the scene-stealing actor Stephen Tobolowsky, "has been in more movies than Tom Cruise," and, "is linked to more movie stars than Kevin Bacon." His name isn't all that familiar, but his face and voice are both distinctly recognizable. Not so much for being the lead singer in an early band featuring Stevie Ray Vaughn or for co-writing True Stories, but for his stand out appearances in a number of films, most of which he hardly features in more than one scene. Most people would probably place him first in Groundhog Day or Single White Female, where he played the similar-sounding characters Ned Ryerson and Mitch Myerson, respectively. He also features prominently in Memento, Memoirs of an Invisible Man, Thelma and Louise, and many other films.

His best part, though, has to be Dr. Werner Brandes in Sneakers. In the film, which stars heavyweights Robert Redford, Sidney Poitier, Dan Aykroyd, David Strathairn, River Phoenix, Mary McDonnell and Ben Kingsley, his character is not only significant to the story, but the actor's voice is even more vital to the plot; in my opinion, it's one of the best purely vocal pieces of scene-stealing in the history of cinema. In an attempt to enter a high-security office, which requires voice-identification, Robert Redford's crew sends in McDonnell on a date with Tobolowsky, where she must get the man to say the following words: "Hi, my name is Werner Brandes. My voice is my passport. Verify me." Only she has to get the words through casual conversation, so he doesn't catch on to her reason for needing them -- Redford's crew can stitch the out-of-order individual words into the pass-phrase; the way McConnell gets Toblowsky to say "passport" is the best part. Later, when the edited recording of these words are played to gain entry into an office, Tobolowsky's voice is immortalized forever. More than any other scene in the film -- and there are some great ones in there -- I always remember Tobolowsky's and McConnell's scene together the best.