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SpanishCinema Tagged Articles at Cinematical

Spanish Cinemas Close in Quota Protest

Filed under: Foreign Language », Distribution », Exhibition », Politics », Cinematical Indie »

People all over the world are unhappy with Hollywood's domination of foreign box office. It gives audiences worse movies, which must appeal to all of the world. It influences a number of cultures to be more like American. And, most devastatingly, it ruins the production and the identity of national cinemas. Last year we saw a major protest in South Korea because the government was eliminating a quota that mandated theaters to show a certain amount of domestic product per year. This week there was another protest, this one in Spain, but it had an opposite demand. The Federation of Spanish Cinemas (like our own National Association of Theatre Owners) is upset with a proposed "Cinema Law", which is currently moving through the Spanish parliament, mandating that theaters must show one Spanish film for every three imports they show. As a sign of protest and criticism of the law, the Federation shut down 93% of the nation's cinemas Monday, though just for the one day.

Because there are about 230 theaters that aren't a part of the Federation, some people in Spain were able to find a movie if they really tried, but with around 3770 cinemas closed, I feel bad for anybody doing the trying. It wouldn't be surprising if representatives from Hollywood head over to Spain to support the protest, and maybe even bully convince the government, as they have a lot to lose from the law. The Federation apparently has a lot to lose, too, because Spanish films don't perform nearly as well at the box office as Hollywood fare. But last year the nation's top15 highest grossing films included three titles that were at least Spanish co-productions, with Alatriste being all the way up at number 4 (it does star Viggo Mortensen). In 2005, the same position held a Spanish film, Torrente 3: El Protector. Of course, this isn't that great considering most of the other titles are from Hollywood, and so Hollywood is where most of moviegoer's money is going. Plus, so far this year, the highest grossing Spanish film of 2007 (El Ekipo Ja) is all the way down at number 40.

Brokeback mounts small markets: Variety in 60 Seconds

Filed under: Gay & Lesbian », Executive shifts », Warner Brothers », Box Office », Focus Features », Home Entertainment »

  • Brokeback Mountain continues to expand into small markets, gaining slowly but surely in suburban and rural areas whilst its big-city box office starts to lose its lustre. Focus' strategy on this one seems to be working beautifully: Oscar buzz keeps getting louder as the picture, slowly but surely, rolls out wider, making for non-existant overall drop-offs even as the film runs out of first-time viewers in urban markets. In other specialty box office news: Cache is doing surprisingly well for a foreign offering, and Match Point is in line to break Woody Allen's previous box office records.
  • Warner Home Video is jumping into the Latino home entertainment market in a big way. They've created a new venture that will market Spanish language titles to US consumers,meaning only good things for the new wave of independent, South American filmmakers. It's an incredibly low-overhead gambit with tons of potential – the Spanish-language home video market has grown 83% in the past two years.
  • Elizabeth Guider looks into the bubbling controversy over studio exec paychecks, which, she writes, "like that of their confreres across all U.S. business sectors ... is rising disproportionately to that of their employees." The SEC's big problem in pursuing this, she says, is that the Hollywood's tendency to ascribe value to nebulous qualities such as star power make improprieties hard to guage. "Who's going to say Leslie Moonves, Peter Cherninand others of their stature aren't as valuable properties as Tom Cruise or Tom Hanks?"
 
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