Step Brothers Tagged Articles at Cinematical

I thought it would be an easy task to write about this year's best examples of on-screen chemistry. It's my favorite part of the cinematic experience, and one of the most important pieces of the puzzle. Without chemistry, any film is destined to fall quickly and be forgotten. Remember The Mexican? Brad and Julia might have been stars, but it takes a lot more than a big name to make a movie.

But who to choose? While I loathed the big-screen adaptation of Sex and the City, Carrie and Big have always held that certain something. Happy-Go-Lucky contained a wonderful romance, but it wasn't the thing of legend. I could certainly cite Maggie Gyllenhaal in The Dark Knight, and how she was a refreshing breath of charismatic air after the bland coupling of Christian Bale and Katie Holmes. (Heck, I can't even add in female ensembles, because the ladies from Sex and the City were too busy with romantic drama, and the Sisterhood of the Traveling Pants 2 could have been called Sisterhood of the We're too Old for This Crap.)

But none of these, nor the many other couples that graced our screens in 2008, came close to the halls of bromance. The only duos that contained palpable, memorable chemistry over the last year have been men. (Funny for a nation where Proposition 8 can get passed, but I digress...) Bromance isn't usually the theme to lead chemistry lists, but when a year brings us awesome blockbusters, but barely a whiff of spine-tingling sexual tension, we have to take what we can get.

When we were kicking around ideas for year-end superlative Cinematical Sevens, I was proudly tasked with chronicling the year's finest in big-screen mayhem, violence, destruction and other such shenanigans. When I was kicking around ideas for said feature between me, myself, and I, there were too many titles to leave off the list, so instead of highlighting only a mere couple of movies, I've opted to sort these puppies out by specific manner of cinematic excess.

So there.

1. Most pervasive destruction - The Joker may have terrorized Gotham to the tune of a destroyed hospital, a wrecked helicopter, a sunken SWAT truck, a toasty fire engine, and a golden district attorney, but even he can't top the Cloverfield monster's swath of destruction across the real-life Gotham. Statue of Liberty? Gone. Brooklyn Bridge? History. Central Park? Adios. And that's not including all the Hollister stores that our protagonists might've fled to. (On a smaller scale, though, Inside's lady in black terrorizes a pregnant woman on Christmas Eve to the point of all but painting every last wall in her house with the blood of her victims. Gotta love the French!)

I couldn't even begin to guess how many trailers came out in 2008, but whittling that number down to seven is no easy task. Looking down at my list of the top seven trailers of 2008, I'm noticing that most of these previews are for films I haven't seen yet -- in fact, the majority haven't even been released. It wasn't a conscious decision, mind you, but maybe it has something to do with the fact that once you've seen a film, its trailer tends to lose its mystique. After release date the magic begins to fade, like in the case of Jumper, which was a cool trailer but it gave away most of the good scenes. It's all about the anticipation, and the seven trailers I've picked have done an exemplary job of piquing my interest. So, in reverse order, here are my top seven trailers of 2008.

7. Step Brothers
Will Ferrell does a variation on his innocent man-child act from 2003's Elf with the emphasis shifting from innocent to idiot with hilarious results. Ferrell and John C. Reilly play grown men still living at home who find they are about to become step-brothers when their respective single parents wed. I love the long scene that opens the trailer with the two staring each other down across the lawn, and we see their relationship getting off to a rocky start with one step brother trying to bury the other alive. Soon, though, they're sharing secrets, karate kicking pumpkins and building bunk beds that are just not up to code.

At some point this past summer, between all but consecutive viewings of The Dark Knight, I slipped into a screening of Step Brothers with the same tempered expectations with which I had greeted Blades of Glory and Semi-Pro -- and found myself equally surprised in the coming days and weeks and months by just how admittedly tickled I was by any of them (quoting lines was moderate on all counts). Mind you, I'm saying this as the guy who chuckled during Anchorman, sure, but not really enough to keep it on my shelf or call myself thankful for it.

That's nothing against our Eric D. Snider, and nothing against the star of each film mentioned, Will Ferrell (yes, he was actually Batman). In fact, with Step Brothers hitting shelves today (with reports of a wholly sung commentary track), it only seemed fitting that we go over his most amusing roles as overgrown man-children (Ferrell's, not Snider's). Because they're there, and they always will be, and the sooner that I admit to being vulnerable to his shtick, a better world this very well may be.

White Dog
Samuel Fuller's follow-up to The Big Red One was shelved by Paramount Pictures before its scheduled release in 1982 because of fears that its premise -- a white dog has been trained to attack black people -- would stir up more controversy than box office. Fuller was understandably outraged; in his autobiography, A Third Face, he wrote: "The studio has used me as a scapegoat for their lack of determination and courage." The film, co-written by Curtis Hanson (LA Confidential), with a score by the legendary Ennio Morricone, later received acclaim when it was released in Europe but never received a home video release in the US and has rarely been seen here. Kristy McNichol plays an actress who adopts the dog; Paul Winfield is as an anthropologist who tries to reverse the training. The Criterion Collection DVD includes a featurette with Hanson, producer Jon Davison, and Fuller's widow, plus a print interview with the dog trainer and essays by J. Hoberman and Armond White. I'm buying, but even if you're not a huge fan of Samuel Fuller, you'd want to check it out. Rent it.

Step Brothers
Combining Will Farrell, John C. Reilly, Richard Jenkins, and Mary Steenburgen under one roof, Step Brothers mines familiar territory with sharp timing and plenty of belly laughs. Mine is, admittedly, a distinctly minority opinion. Available on DVD (single-disc rated, single-disc unrated, two-disc unrated) and Blu-ray, with an audio commentary by Farrell, Reilly, director Adam McKay, and a score by Jon Brion. Other features include deleted scenes and alternate takes, a gag reel, 'making of,' and a couple of gag featurettes. Rent it.

Much more on Wanted, The X-Files: I Want to Believe, and The Chronicles of Narnia: Prince Caspian after the jump, plus Indies on DVD, Blu-ray Picks, and Collector's Corner.

Above: Rainn Wilson lets his hair down for The Rocker.

Fans of Rainn Wilson's offbeat, hilarious and strangely endearing performance as Dwight Schrute on NBC's The Office might expect him to transition into film work with straightforward comedy, and The Rocker confirms that suspicion. However, they might not realize the serious professional motives behind his choice. In the movie, directed by Peter Cattaneo (The Full Grown Monty), Wilson plays a grown-up dolt named Fish with a scary fixation on classic rock. Abandoned by the band Vesuvius in his teens -- before they became a commercial phenomenon -- Fish spends the next twenty years working deadbeat jobs and wishing things happened differently. Naturally, he gets a second chance: When the opportunity rolls around to drum for his nephew's high school, Fish goes for it. Ageism and slapstick humor ensue.

While not exactly a classic, The Rocker proves Wilson has the charisma to carry a movie. The script could use some polishing, but Wilson manages to play a completely dysfunctional human being without ever becoming an annoyance. It's a testament to his skill as an actor with calculated timing. The humor emerges from the naturalism of his performances, which make you believe in the outlandish characters he portrays. In a conversation with Cinematical recently, Wilson elaborated on his particular strategies as his career advances, reminisced about his days as a New York theater actor, and shed some light on a few upcoming projects.

Though he won't be appearing in the latest installment of the Terminator franchise, Arnold Schwarzenegger can still be considered involved, at least as an authority on the series. Unfortunately, as such an authority, he's apparently confused and underwhelmed by the early footage he's seen of Terminator Salvation. According to the Los Angeles Times, the "Governator" was recently given a private screening of scenes from the sequel -- either the same as or similar to the stuff shown at Comic-Con. In response, Schwarzenegger reportedly said: "They showed me some footage, but I don't have a feel for the movie. I didn't see enough. I wasn't sure who the Terminator was. I don't know if there is one or if he's the star or the hero. These are the things that determine the success and how strong the movie will be."

Well, that isn't so negative. Schwarzenegger is merely unsure of what's going on in the movie after seeing scattered sequences. Why nobody told him the basic plot is unclear, and it is strange he'd have no clue if any of the characters he was watching were Terminators or not. Still, that's not his fault nor a specific problem with the footage. However, the way he seemed to shrug it off and wish the filmmakers well is unfortunate. Meanwhile, he's claiming how much he loves Wanted and Will Ferrell movies, including Step Brothers and Semi-Pro and getting excited about this summer's box office numbers. But Terminator Salvation? He just says that if it's good it could break records and hopes it will make a lot of money, acting as if he might not even see it.

Despite the California governor's seemingly less-than-thrilled reaction, I remain excited about the fourth Terminator movie.

[via Rotten Tomatoes]

Welcome back to another edition of Insert Caption -- the game that's great to play while you're traveling ... with pants ... for a second time! Last time we met in this glorious space, we asked you to bring along some funny to compliment an image from the film Step Brothers -- and you gave us spider monkey attacks, Mountain Dew jokes and screaming peas. Right on!

1. "I told you not to tease those spider monkeys, they'll come at you ... well, like spider monkeys." -- Matt H.

2. "That's what happens when you actually try to do the "Dew." -- Kathi F.

3. "You're right, I can hear the little peas screaming as they're thawing out. That's just weird." -- P.J.

See full image and all captions



This week, we're back again with our four favorite friends and the extremely special pair of jeans that works its way from one girl to the next over the course of one busy summer. You know what they say: Some friends just fit together. (And how come my jeans never seem to fit?) Yup, it's The Sisterhood of the Traveling Pants 2 (in theaters August 6), and the authors behind our three favorite captions will travel away with one Sisterhood of the Traveling Pants 2 tank top, one BeDazzler stud-setting tool with assorted studs and crystals, one The Sisterhood of the Traveling Pants 2 soundtrack, one (1) The Sisterhood of the Traveling Pants 2 mini tote, one The Sisterhood of the Traveling Pants 2 charm key chain, one The Sisterhood of the Traveling Pants 2 visor, one The Sisterhood of the Traveling Pants 2 lip balm lanyard, and one The Sisterhood of the Traveling Pants 2 beach ball. Sound off below!



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According to a report conducted by Nielsen PreView published today in The Hollywood Reporter, R-rated comedies don't do so hot at the box office. The timing of these findings seems odd, considering that Step Brothers made a solid $30 million last weekend, while analysts are predicting that another summer comedy slapped with the restricted label, Tropic Thunder, will collect at least that much. Right in the middle of those two releases comes Pineapple Express, which, like Step Brothers and Tropic Thunder, has a built-in core audience interested in raunchy masculine humor. The findings of this report suggest that larger audiences don't want to attend R-rated movies, but it's sort of a pointless observation because R-rated comedies are only made for people who want to see them. Everyone else can check out You Don't Mess with the Zohan.

Of course, there is the occasional R-rated comedy with cross-over appeal, such as Knocked Up, but studios are probably hesitant to make many of those when a safely PG-13 Juno will suffice. Anyway, it's usually not difficult for Hollywood movies to trim a few vulgarities or the fleeting shot of exposed skin in order to knock down the rating a notch and maximize turnout. Horror films are a different story: They usually make bank with the R-rating intact.

Speaking to the 18 and over audience here: Do ratings play any role in the movies you choose to see?

I had a huge red circle thrown around this event the second it was announced: Someone at Entertainment Weekly thought it would be a good idea to put Kevin Smith, Judd Apatow, Zack Snyder, and Frank Miller on the same panel -- for no other reason than to talk about comic books, movies, and the ways in which comic books are turned into movies. The panel was moderated very well by EW's Marc Bernardin, who asked questions both insightful and silly. Then they got to some internet-submitted queries before opening the floor up to the Comic-Con crowd. I tried to record the event (audio only, of course), but since the panel took place in Hall H (which is a room that could easily house two medium-sized airports), that audio turned out to be a garbled mess of static, frequent laughter, and a few phone conversations with Erik Davis.

Good thing I took a few notes!