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Posts with tag Strand Releasing

Review: Irina Palm



There are films (mostly independent films) that, by their very nature, come across in their boiled-down form as tough films to endure: "A man falls in love with a sex doll." "A Colombian immigrant serves as a drug mule to New York." "A school is terrorized by two youths on a killing rampage." These pitches feel cold, clammy, ruinous and grim. And yet, those films -- Lars and the Real Girl, Maria Full of Grace and Elephant, in the examples given above -- are so much more than those simplistic summaries, and reward those bold enough to seek them out despite their off-putting one-line plot capsules. Irina Palm, opening today in limited release, is another example of the above phenomenon. If I tell you that Irina Palm revolves around a woman in her mid-50's who becomes a sex worker, you will most probably recoil from the very thought of the film. And yet, Irina Palm -- anchored by a sincere, wrenching performance by Marianne Faithfull in the lead role -- is so much more than that, and those with the courage to seek it out will benefit from their boldness.

Continue reading Review: Irina Palm

Review: The Witnesses



Like many of his colleagues, André Téchiné reviewed films for Cahiers du cinema, championing the work of auteur filmmakers the world over, before becoming a director. But unlike his colleagues, he never really became an auteur himself. He has his supporters, and actresses love working with him, but he has yet to define his cinematic personality, or create a real, enduring masterpiece. Just a few months ago, Kino Video (under its Kimstim wing) released an older Téchiné film, Scene of the Crime (1986), starring Catherine Deneuve. I happened to see it just before watching Téchiné's new film, The Witnesses. There was no real stylistic connection between the films; the former played like a Claude Chabrol thriller and the latter was more like an Eric Rohmer character study. But the most notable difference is that Scene of the Crime was made in the 1980s, and The Witnesses is set in the 1980s, but they actually have no visual similarity. Téchiné's new film uses lots of handheld cinematography, whereas Scene of the Crime was far more patient and steady.

It might help to know who Téchiné is before attempting to decipher The Witnesses. The picture goes in as many different directions as its maker's filmography. It begins as a Rohmer-like comedy of errors, albeit a stiff and half-baked one, starring five characters. Sarah (Emmanuelle Béart, gorgeous, even with a ridiculous haircut) is a writer and new mom who finds that she doesn't like motherhood; ironic, given that she has published several children's books. Her husband, Mehdi (Sami Bouajila) is a cop who likes flying planes in his off hours. Sarah's best friend is Adrien (the extraordinary Michel Blanc), a gay, middle-aged doctor who goes cruising in the parks for sex. He picks up Manu (Johan Libereau), and lets the young, carefree fellow stay with him, although Manu isn't interested in sex with his benefactor. Manu's sister is Julie (Julie Depardieu), a rising opera star who lives in a sleazy hotel mainly populated by hookers. It also looks as if there might have been a sixth character; Sarah's editor is mentioned more than just in passing, but he is only seen once. (For some reason, French movies, such as Va Savoir and Private Fears in Public Places, prefer the number six.)


Continue reading Review: The Witnesses

TIFF Watch: Strand Gets French Drama 'Before I Forget'

Boutique distributor Strand Releasing may be small, but they have exquisite taste when it comes to the films they acquire. They're willing to take on films that others might feel have limited commercial appeal. Yet they're still going strong after nearly 20 years in the business, which means they know what they're doing. Recent releases include Aki Kaurismäki's Lights in the Dusk and Eytan Fox's The Bubble. Brian Brooks of indieWIRE reports that their latest acquisition, announced in Toronto on Saturday night, is Jacques Nolot's Before I Forget.

Strand has picked up all North American rights to the French drama. Jacques Nolot both directed and plays the lead role, "a former gigolo who has been HIV-positive for 24 years," according to a review by Lisa Nesselson in Variety when it played at Cannes. He "navigates a slew of physical and emotional obstacles with mordant aplomb. ... Proceedings would be risible and sordid in less-refined hands, but Nolot has a knack, often via nicely handled incongruity, for finding the human comedy in awkward situations."

Before I Forget is the third in a trilogy by Nolot that includes 1998's L' Arrière Pays and 2002's La Chatte à Deux Têtes. Nolot's film acting career covers more than 60 roles essayed over a period of more than three decades. Before I Forget screens for the public in Toronto on September 13 and 15. It's due to be released in its native France on October 17. Strand has not yet announced their distribution plans.

Strand to Distribute Anthony Hopkins' 'Slipstream'

When I got my Entertainment Weekly Fall Movie Preview in the mail the other day, I was excited to see that Anthony Hopkins' Slipstream was to be released October 26. But the film, which is Hopkins' debut as a screenwriter (he has directed before), didn't seem to have a distributor. Well, now it has one, but it's a bit smaller than I would have expected or hoped. Strand Releasing picked up domestic rights and will give the film a limited release on the date given by EW. The real exposure will apparently come with video, as Sony will put out the DVD sometime (probably early) next year. Hopkins recently won directing and acting honors for Slipstream at the Locarno International Film Festival, but the film is supposedly not even worthy of theatrical distribution. Variety's review from Sundance says, "without the name of Hopkins and those of cast members mixing usually reliable stars and actors, project would be commercially DOA; only a minuscule theatrical window seems possible, with most curiosity seekers wading through the undoubtedly extras-filled DVD."

Well, call me one of the curiosity seekers. Slipstream, which co-stars Christian Slater, John Turturro, Michael Clarke Duncan, Jeffrey Tambor and Camryn Manheim, is described by Hopkins as "a comedy of the absurd," and that is actually good enough for me. Of course, mainstream audiences don't share the same interest in weird stuff, so I guess the small release is fair. Another thing that doesn't really appeal to normal moviegoers is films about filmmaking, and Slipstream is set in the movie biz. It follows a screenwriter (Hopkins) working on a murder-mystery who has trouble discerning the difference between the real world and the one he's written. According to the Hollywood Reporter synopsis, "his brain begins to implode, captured in the film through a nonlinear, hallucinogenic narrative." I can't wait, even if it is as bad as they say.

Strand has Poison Friends

Getting the jump on other American distributors, Strand Releasing snatched up US rights to Cannes award-winner Poison Friends prior to its stateside debut at next month's New York Film Festival. The second feature from Emmanuel Bourdieu, the movie follows "a circle of college intellectuals who are duped by a seductive and charming pathological liar," exploring "the pretentiousness of the Paris-centric literary scene without pretension." And, if you're still not sure if this one is up your alley or not, this gem from Variety's review of the film should solve any indecisiveness: Bourdieu's film is "so unrepentantly French that viewers who enjoy truly Gallic pics can start (tastefully) salivating now." Ha! And yes, please.

If you can't get to NYFF to see the film, Strand is tentatively planning to have it in theaters next spring.

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