Charlie Kaufman is notorious for challenging audiences with his brain-bending screenplays; now, the screenwriter's directorial debut, Synecdoche, NY, faces a challenge even getting to audiences.

The film concerns a playwright (Philip Seymour Hoffman) who uses a grant in order to stage a life-size re-enactment of his life within a massive hangar. Our own James Rocchi referred to the film as "a sprawling, messy work of inspired brilliance and real humanity, a film that enthralls and affects even as it infuriates and confounds"; Kim Voynar put it much more simply: "man, is that film two hours of mental-mindf*ck."

So, as might be the case with another lengthy high-profile Cannes premiere greeted by praise but no distribution, Kaufman is considering trimming the film down from its current 124-minute length to something a bit leaner ... which is saying something about a movie whose first cut, according to the Hollywood Reporter, ran just over four hours.

What say you, readers? Having seen the likes of Adaptation and Eternal Sunshine of the Spotless Mind, would you rather greet Synecdoche in all its full-bore glory, whether in theaters or on DVD, or would you be willing to settle for a tighter version?

[via Hollywood Elsewhere]

New movies often bring anxious fidgeting and the buzz of excitement. But a new movie by Charlie Kaufman, one that he not only wrote, but helmed, brings the anxious, hopeful mania of a kid about to see Mickey Mouse. At least, it does for me. I like Human Nature, but I love Being John Malkovich, Adaptation, Confessions of a Dangerous Mind, and Eternal Sunshine of the Spotless Mind.

Now we're getting his directorial debut with Synecdoche, New York, a film that seems like it should be set in Schenectady rather than the Big Apple, and have huge replicas of Proctors and Rotterdam Square Mall rather than Manhattan skyscrapers, but will probably be awesome anyway. Almost a year after we saw the first poster, Anne Thompson has posted what looks to be the first image of Catherine Keener and Philip Seymour Hoffman, which you can see cropped on the right. It doesn't show much, and isn't nearly as fun as this puppy, which shot up on Slashfilm earlier this year, but it just makes this whole film all the more real.

No matter what casting announcements or vague posters pop up, there is nothing like seeing that this is actually a real film that will get to us soon, with all of its magnifying glass glory. If only I could get to Cannes to see it! Obviously, I'm a big fan, but how about you? Are you as anxious as I am for Mr. Kaufman's directorial debut?