TalladegaNights Tagged Articles at Cinematical

Before The Slammin' Salmon, I wouldn't have called myself a fan of the boys from the Broken Lizard comedy troupe, though I have some mild, slightly embarrassed affection for Super Troopers and Club Dread. But Salmon is 90 minutes of truly inspired comic mayhem. With valuable assists from the rest of their cast, Broken Lizard has crafted the funniest film of SXSW – and they had some fine competition. I know I said that you can't trust me, but trust me: this is great stuff.

Broken Lizard is Jay Chandrasekhar, Steve Lemme, Paul Soter, Erik Stolhanske and Kevin Heffernan. Heffernan directed and the entire troupe is credited for the screenplay. But in a shrewd move, The Slammin' Salmon revolves around an outsider: Michael Clarke Duncan, who plays a boxer-turned-restaurant owner named Cleon Salmon, a.k.a. "The Champ." In the best comedy tradition, the Champ combines dim-witted cluelessness with peerless confidence. That, combined with his enormous size, puts his employees in mortal fear of his wrath. So when, one evening, he announces that the waiter with the most sales gets $10,000 while the loser gets a "broken rib sandwich," the waitstaff – led by their officious manager (Heffernan) – step to.

At some point this past summer, between all but consecutive viewings of The Dark Knight, I slipped into a screening of Step Brothers with the same tempered expectations with which I had greeted Blades of Glory and Semi-Pro -- and found myself equally surprised in the coming days and weeks and months by just how admittedly tickled I was by any of them (quoting lines was moderate on all counts). Mind you, I'm saying this as the guy who chuckled during Anchorman, sure, but not really enough to keep it on my shelf or call myself thankful for it.

That's nothing against our Eric D. Snider, and nothing against the star of each film mentioned, Will Ferrell (yes, he was actually Batman). In fact, with Step Brothers hitting shelves today (with reports of a wholly sung commentary track), it only seemed fitting that we go over his most amusing roles as overgrown man-children (Ferrell's, not Snider's). Because they're there, and they always will be, and the sooner that I admit to being vulnerable to his shtick, a better world this very well may be.

Wow, it's been almost nine whole months since a Will Ferrell movie was released. Fortunately, Access Hollywood has just given us the first look (not counting this one) at his next comedy, Semi-Pro, and the trailer should be enough to tide us over until the movie actually hits theaters at the end of February (just in time to get some kind of promotion at the Oscars, I'm sure). Semi-Pro is another sports comedy, completing a nice quartet following Kicking & Screaming (soccer) Talladega Nights: The Ballad of Ricky Bobby (NASCAR) and this year's Blades of Glory (figure skating). This one is about a basketball player named Jackie Moon, who also coaches and owns the Flint Tropics, an American Basketball Association team hoping to be brought into the NBA. Like way too many comedies, it takes place in the '70s, giving it a sort of recycled feel if you've ever seen Ferrell's Anchorman: The Legend of Ron Burgandy or enjoyed an afro-ed Chevy Chase in Fletch (which I know was from the '80s).

But some of the trailer shows promise, and there's no doubt that Ferrell will make you laugh with this movie, at least if you typically find him funny. Many of the lines uttered in the promo even sound made up on the spot, rather than scripted by the movie's writer, Scot Armstrong (Old School). So, if you like that weird, random humor stuff, you'll probably enjoy this. Oh, and fans of bear wrestling, parodies of Evel Knievel (r.i.p.) stunts, jokes about using your child as a shield, long-tired disco gags and funny hairdos -- in addition to Ferrell's afro, Woody Harrelson has a 'do that gives his No Country for Old Men co-star Javier Bardem a run for his money -- will certainly enjoy the movie, too.

[via Slashfilm]

It's been quite awhile since we first and last heard about Adam McKay's Step Brothers, an R-rated comedy that will reunite the director's Talladega Nights duo, Will Ferrell and John C. Reilly (cementing Reilly's placement in the "Frat Pack") and will be overseen by that film's producers, Judd Apatow and Jimmy Miller. Joining the leads, according to The Hollywood Reporter, is Adam Scott, who recently played the male nurse in Apatow's Knocked Up and Oscar-winner Mary Steenburgen, who co-starred with Ferrell in Elf.

In Step Brothers, Ferrell and Reilly play -- what a shocker -- immature guys who become stepbrothers and best friends when their parents marry. Scott has been cast as Ferrell's younger, more successful brother and Steenburgen is their mom. Still no word on who plays Reilly's father, who I assume will be marrying Steenburgen's character. Other cast members reportedly include Andrea Savage (Comedy Central's Dog Bites Man) as Ferrell's therapist, and someone named Katherine Hahn (could it be Knocked Up costumer Catherine Hahn?) as Adam Scott's character's wife.

Steenburgen seems way too young to play mother to Will Ferrell, who is only 14 years her junior, but this won't be the first time such close-age parental casting has occurred (the craziest was Angela Lansbury and Laurence Harvey -- two years apart -- in The Manchurian Candidate). Still, the actress is one of my favorite motherly actresses, mainly thanks to Parenthood and even Back to the Future III -- her schoolmarm character seems like a mom even if she isn't, at least not until the animated series. Now if Apatow could just get her Parenthood husband, Steve Martin, to play Ferrell's step-dad, I could really get behind this movie. Apatow could be just the guy to re-boost Martin's once-funny career.

Barnyard: The Original Party Animals -- Only worth renting if your kids have already seen The Ant Bully, Flushed Away, Happy Feet, Ice Age 2, Open Season, Over the Hedge and The Wild. (At least three times apiece.) Plot: A bunch of cows do silly things in a barnyard. Extras include filmmaker commentary, four featurettes, seven deleted scenes, two music videos, etc.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe -- You know how New Line released those really nifty "extended edition" DVDs for The Lord of the Rings? Yeah, well Disney liked that idea so here comes the mega-huge Narnia release, complete with seven additional minutes of in-movie footage, three lengthy audio commentaries, and two full discs over-stuffed with lions and witches and wardrobes, oh my.

The Devil Wears Prada -- The chick-flick version of Hostel. Anne Hathaway plays a "fat girl" who allows herself to be abused by the evil boss Meryl Streep just long enough to earn an oh-so-important life lesson. Extras include a filmmaker commentary, four featurettes, a bunch of deleted scenes and other random trinkets.

Material Girls -- One of the worst studio releases of the past 15 years. Stunningly bad. Highly recommended, however, if you happen to be a member of the Duff family. Anyone who can make it more than 15 minutes into Martha Coolidge's audio commentary has the fortitude of an Egyptian pyramid-builder. Featurettes and music videos are also included.

Talladega Nights: The Ballad of Ricky Bobby -- Will Ferrell brings his patented brand of stream-of-consciousness goofiness to the easy-target world of NASCAR, and the result is a movie just as funny as we expected it to be. OK, so it's not Anchorman, but it's still packed with laughs. (Plus John C.Reilly, Sacha Baron Cohen and Amy Adams are actually allowed to steal a few scenes, with makes me think even more of Ferrell as a comedian.) Snag the unrated edition for extra footage and a truckload of commentaries, featurettes, deleted scenes, bloopers, promos and more assorted silliness.

World Trade Center -- The year's second 9/11 movie takes a decidedly different approach than its predecessor (United 93) and turns out to be one of Oliver Stone's more accessible projects. The horrible date is re-captured in chillingly realistic fashion, the performances are pretty great across the board, and the extra features (in the 2-disc commemorative edition) are as informative as they are entertaining. Fans of the film can pick through two separate audio commentaries and a second disc filled with mini-documentaries on the film, the survivors and the event itself.

Sony Pictures announced Thursday that for the first time, they will exceed $3 billion in worldwide ticket sales this year. This isn't any kind of record, though; other studios have surpassed the $3 billion mark before (three times before, in fact), but it's still good news for Sony -- and it is only one aspect of their amazing year at the box office. Their domestic take for 2006 is expected to pass the industry record of $1.573 million, an amount and record they reached back in 2002, for any studio in a single year. Another industry record they've already broken this year is for the number of releases to open at #1. So far, this number is 12, but Sony still has two more titles (The Holiday and The Pursuit of Happyness) to release before the year ends.

For the third time in the past five years, Sony will likely finish out the year with the greatest domestic market share for box office gross. The major contributor to Sony's success in 2006 was The Da Vinci Code, which had an international gross of more than $750 million. Other titles that helped out include Talladega Nights: The Ballad of Ricky Bobby, Casino Royale and, surprisingly, The Pink Panther (hey, that's two remakes that originally starred Peter Sellers!).

Overall 2006 has been a seemingly good year for the motion picture industry, especially considering all the commotion last year over the "Great 'Slump' of '05". And yet, according to Box Office Mojo the total domestic gross for all movies in 2006 is right now $500 million less than the total of 2005 -- though some reports say that this year is up 4% over last year (not a big deal since '05 was down 6% from '04). Thankfully, B.O.M. has a handy YTD comparison, so we can actually see how 2006 stands so far against the same point in years '02 thru '05, and comparatively we're experiencing maybe only the third best year in five. We still have a few weeks left until the year closes, and a lot of movies are coming out in those few weeks, so the final tally could possibly outdo 2004's or 2003's grosses, but I wouldn't bet on it.

Some movies are full of deep, intellectual insights, subtle nuances and brain-gravy subtext that just yearn for discussion, dissection and analysis. These films often prove difficult to review, because there's so much there that demands attention.

And then there's a movie like Talladega Nights: The Ballad of Ricky Bobby, which is just a big, fat mindless exercise in out-there humor, colorful lampoonery and downright silliness. Plus it's got that absurdist bent that comes part and parcel with Will Ferrell's best experiments.

I'll make it even simpler: If you've laughed your freakin' head off during the whole of Ferrell's Anchorman: The Legend of Ron Burgundy, then there's a very good chance you'll dig the guy's new flick. Only probably not quite as much...