I used to be into in the prophesies of Nostradamus, but for some reason I lost interest in the 16th century seer after watching that boring biopic where he's played by Tchéky Karyo. Anyway, I thought most of the prophesy appeal died out with the event-less turn of the millennium. Seven years later, after the devastation of 9/11, Katrina, the tsunami and other disasters, maybe it is time to check back on Nostradamus' quatrains to see if there's any other upcoming tragedies we might be able to avert.

This idea of making sure Nostradamus's' predictions don't come true is already on the way to comic book racks and movie theaters. Boom Studios' comic The Foundation is about a secret organization, originally set up by Nostradamus himself, which deciphers and investigates the quatrains in order to change the future. That would certainly explain why so many of Nostradamus' prophesies seem to be false. Seeing as how The Foundation sounds like a perfect mix of Quantum Leap, Men in Black and (as Boom's website mentions) The X-Files and 24, it makes sense that Hollywood would be interested before the first issue even hits stores. Paramount has locked the rights to the comic and they've got Boom founders Andrew Cosby and Ross Richie producing.

Cosby and Richie had previously sold the movie rights to two of Boom's other titles, both to Universal. Talent is like the television series Lost except that it deals with only one sole plane crash survivor who seems to suddenly possess the talents of the 148 passengers who perished. Tag is described by Boom as, "spine-snapping horror in the tradition of the movie The Ring!" Boom has only been around for about two years now, but if Cosby and Richie keep developing comics they can compare to TV shows and movies, then I predict the company will have a long life and a lasting relationship with Hollywood.

The reason that many film festivals have a "midnight" category is that they need somewhere to throw the horror films, and they're sure not going to include them in the competitive sections. And yet, horror earns a place at most FIlm Festivals. The genre is a big part of independent filmmaking, partially because horror films can cost so little to make, and partially because they are so easy to write. No other kind of film allows for nearly as much suspension of logic and belief, and many errors, inconsistencies and far-fetched twists can be excused by either paranormal subject matter or by just plain pardoning of horror in general.

The annoying thing is that with so many films being made, so few have anything to offer. The horror genre, primarily divided into either the slasher or the haunting variety, basically only has one plot: characters run from something frightening and try to stay alive. As long as there are shocks and scares, there is no need for surprises. As your typical ghost story, The Gravedancers is pretty straightforward and predictable, but it has something that I -- a longtime enthusiast of paranormal true-crime but never a fan of horror fiction -- could appreciate and enjoy. It gives its ghosts their own back stories.