The Bank Job Tagged Articles at Cinematical

The Bank Job
It sounds like your run of the mill caper movie. It stars Jason Statham, which means that it could go either way. Yet this flick fell safely on the positive scale -- nabbing itself a 78% fresh rating. Our Jeffrey M. Anderson said of the film: "The Bank Job doesn't add anything new to the genre, but it delivers everything we loved about it in the first place."

Statham plays a hustler in debt named Terry who is trying to even the playing field and go on with life in 1971. One day, an old friend and model (Saffron Burrows) pops by with a tasty, albeit illegal, proposition -- there's a bank that is getting its alarms changed, leaving it open for a nice case of robbery. However, instead of taking the monetary goods, they'll hit the safe deposit boxes. Terry does it, but ends up coming across a lot of dirty secrets that reach from the mob to the British government. Oh yes, and it's a true-ish story.

On the 2-disc DVD, you can sift through a commentary with director Roger Donaldson, Saffron Burrows, and composer J. Peter Robinson, plus deleted/extended scenes, and a few featurettes -- "Inside The Bank Job" and "The Baker Street Bank Raid." The first tackles details about the film, while the other tackles the real crime for those curiosu about historical particulars.

Check out Jeffrey's Review | Buy the DVD

I had a friend once who claimed that there was no point in listening to a record or seeing a movie that was merely good, that to invest the money and time, it should be great. I later caught him listening to -- and enjoying almost to the point of tears -- a CD that would never be described by anyone as great. The point is that sometimes a good movie does wonders for the soul that a great movie could never hope to replicate. Take a look at Iron Man, still on nearly 4000 screens and still raking in the returns. It's well on its way to earning $300 million and shows no signs of stopping there. It's currently the #1 highest grossing film of the year, as well as one of the top rated films at Rotten Tomatoes, with a whopping 93%. I'm one of the movie's fans, but it seems to me that this response is based more on sheer gratitude than anything else. Everyone seems to be simultaneously chiming in: thanks for the good movie!

2008 has been a lousy year for great movies, but I have seen quite a few good ones. The documentary Young@Heart (212 screens), for example, has continued to live in my memory long after I saw it, and long after any of the award-winning Iraq documentaries I've had to sit through. I suspect that it's one of those rare, word-of-mouth docs like March of the Penguins or Grizzly Man that people actually tell their friends about. I don't want to give anything away, but before I saw the movie I didn't care much for the band Coldplay, and now I can't listen to "Fix You" without getting a lump in my throat. The key to this movie is that it looked terrible before I went in, and it turned out to be a huge and happy surprise.

How many heist movies have been made in the past 100 years? Probably not as many as hit man movies or serial killer movies, but nevertheless quite a few. Happily, there's always room for one more, if it's a good one, and Roger Donaldson's The Bank Job is indeed a good one. Moreover, I'd venture to say that it deserves to be called a crackerjack heist movie. Donaldson is about as far from a cinematic auteur as a director can get -- his disparate credits include The Bounty (1984), Cocktail (1988), Species (1995), Thirteen Days (2000), The Recruit (2003) and The World's Fastest Indian (2005) -- but that's where thirty years of experience and skill come in. The Bank Job takes a fairly complex story with multiple players on multiple sides, and presents it cleanly, briskly and excitingly.

Jason Statham leads the huge cast as Terry, a small time London hustler deep in debt, married with kids, and running a crooked auto shop -- just till he gets back on his feet. It's 1971 and an old friend, Martine Love (Saffron Burrows), who has been working as a model, shows up with a proposition. She is dating a secret agent who told her about a bank; the nearby tube trains have been setting off the alarms, so they're being replaced, and the bank will be without alarms for a time. Plus, if they hit the safe deposit boxes, there will be no way to trace the crime, based on the theory that most people won't want to disclose what it was they wanted to keep safe. Terry rounds up a couple of his mates and launches his scheme. They rent a storefront a couple of doors down from the bank, tunnel underground and re-surface inside the vault.

Australian-born Roger Donaldson, 62, may be the perfect example of a journeyman filmmaker, or a craftsman, the exact opposite of an auteur. You could watch back-to-back, for example, Cocktail (1988), Species (1995) and Thirteen Days (2000) and never guess that the same man made all three. His filmography is a perfect cross-section of Hollywood films, good and bad. He may be the only director nominated for both the Palme d'Or (for The Bounty in 1984) and a Razzie (for Cocktail).

The best thing about these types of filmmakers is that they're level-headed and tend to learn from their mistakes, picking up new skills and bringing fresh ideas to each new film. Likewise, he has worked with an impressive roster of actors and actresses, including many future stars and Oscar winners. He began as a still photographer and a documentary filmmaker before helping to organize the New Zealand Film Commission. His first films, Sleeping Dogs (1977) and Smash Palace (1981) helped put him on the map and brought him to Hollywood, where he has worked steadily for three decades. His previous film, The World's Fastest Indian (2005), was something of a personal film for him. He revisited a subject from a documentary he made in the 1970s, wrote the script and raised the money, shot partly in New Zealand where his roots are, and even reunited with Anthony Hopkins, the co-star of The Bounty.

Will Ferrell's 70s basketball comedy came in first for the weekend, but pulled in a lot less loot than most people had expected. The Other Boleyn Girl's modest success pushed the flick to fourth place, with the rest of the top five filling out with holdovers from previous weeks. Last week's other new release, Penelope, took in only $3.8 million which earned it the ninth place spot. Here's the rundown:

1. Semi Pro: $15 million
2. Vantage Point: $12.8 million
3. The Spiderwick Chronicles: $8.7 million
4. The Other Boleyn Girl: $8.2 million
5. Jumper: $7.5 million

More after the jump ...

I'll admit that for some silly reason seeing the poster for The Bank Job made me think that this flick might be a step above the usual Lock, Stock rip-off. Unfortunately, a new TV spot over at Coming Soon has me rethinking that position. CS is now hosting the new commercial for the crime caper and by the looks of things, this film is just going to be another paint-by-numbers British crime caper -- the legacy of Guy Ritchie lives on.

The Bank Job is based on the true story of the famous Baker Street Robbery. In 1971, over $900,000 was stolen from Lloyds Bank in London. The thieves were never caught and even stranger was the fact that a gag order was placed on the investigation. Well, 27 years later and director Roger Donaldson is claiming that finally the real story can be told. According to the film's writers and their "Deep Throat" source, the real reason for the heist was to cover up a scandal involving the Royal Family. The conspiracy theory also manages to incriminate high-ranking police officers, the secret service, politicians and a prominent member of the royal family.

So you can maybe understand why I'm a little disappointed that a fascinating story like this might be reduced to nothing but choppy editing and glib dialog. Screenwriters Dick Clement and Ian La Frenais (Flushed Away) have been trying to get the story of the Baker Street Robbery to the screen for years, so hopefully they wanted to do it right. I guess I will have to wait and see when The Bank Job hits theaters later this month.

Check out the theatrical trailer for The Bank Job after the jump ...

Cinematical has just received this exclusive poster for The Bank Job (click on the image for a larger version), starring Jason Statham and the beautiful Saffron Burrows (whose name always makes me hungry for some odd reason). Love the premise for this one; check it out (from the synopsis): "In September 1971, thieves tunneled into the vault of a bank in London's Baker Street and looted safe deposit boxes of cash and jewelry worth millions and millions of pounds. None of it was recovered. Nobody was ever arrested. The robbery made headlines for a few days and then suddenly disappeared - the result of a UK Government 'D' Notice, gagging the press. This film reveals what was hidden in those boxes, involving murder, corruption and a sex scandal with links to the Royal Family - a story in which the thieves were the most innocent people involved."

Statham plays a car dealer with a shady past who gets roped into the whole ordeal. And we all know what happens when Statham gets behind the wheels of a car. I've heard this story before, and I'm definitely hungry for an old school cool heist flick with a British twist. Hopefully The Bank Job will prove to be both satisfying and compelling when it arrives in theaters on March 7.

How many times has a film come out and you found yourself saying, "what were they thinking?" This week we're looking at trailers where Hollywood's logic is fairly apparent.

Hancock
As of January 2, I Am Legend has pulled in $209.5 million, so the decision to release this teaser trailer now for Will Smith's Hancock shows some pretty sound reasoning. Smith plays a superhero whose hard living ways have caused the public to lose faith in him. The bit were he drunkenly attempts to save a beached whale is definitely a highlight, and the presence of Jason Bateman as Hancock's PR guy shows promise. Always hard to tell from just a teaser, but I'm looking forward to this one. Jessica mentioned the poster for this one a few days ago.

The Bank Job
While it wasn't my cup of tea, you can't deny the earning power of Ocean's 11 through 13, so you can see why the caper film would seem like a good idea. Jason Statham stars in this bank heist tale based on an actual robbery that took place in England in the early 1970s. The heist goes off successfully, but along with the loot the thieves make off with some incriminating photos linking the royal family to a sex scandal. The trailer moves at a break neck pace and the film looks like it should have box office appeal, although personally I've never been a fan of Statham's work.