The Changeling Tagged Articles at Cinematical

Pictured: The real Christine Collins (circa 1928) and Angelina Jolie as Collins in the 2008 film Changeling. [photo via Lapl]

Films based on true stories are my big vice. If I avoid the project, I can save myself some energy, but as soon as I start reading into it, or actually go and see it, I begin to get the research itch. Soon my browser has a million windows open as I research what's true, what's unknown, and what's complete Hollywood fabrication. If you're at all like that, you'll appreciate the comprehensive research into Changeling conducted by Larry Harnisch for the LA Times.

This collection of posts has got everything -- we're talking maps that point out where Christine Collins lived over the years and background info like census responses and voter registration, photos from the twenties as well as current shots, an absolute ton of news clippings, and people involved in the incident who were not in the film. You can see what Christine Collins really looked like (which could fuel more "too attractive to be believable?" discussion, although I don't think there's a terrible difference), see the faux son, and the real Walter Collins (it's amazing that they would even try to pass one off as the other...). What's particularly nice about this is that it's not a written piece -- but rather all the different aged relics, so you can read the articles published during the drama and sift through the memories on your own. If you're the least bit interested in this strange story, check it out.

What do you think? Based on that image of the real Christine Collins, was Jolie too attractive for the role?

The sequels were king this past weekend with High School Musical 3 and Saw V pulling in large groups from wildly different demographics (or at least one hopes so). Last week's other new release Pride and Glory came in with a less than stellar fifth place. Here's the top five:

1. High School Musical 3: Senior Year: $42 million
2. Saw V: $30 million
3. Max Payne: $7.6 million
4. Beverly Hills Chihuahua: $6.8 million
5. Pride & Glory: $6.2 million

We've got two new releases this week hoping to pull in both laughs and shrieks. We've also got a couple expanding into wider release.

The Haunting of Molly Hartley
What's It All About: After surviving a murder attempt committed by her psychotic mother, Molly Hartley tries for a new lease on life at a new private school, but she learns that something truly evil is in store for her on her 18th birthday.
Why It Might Do Well: Hellooo! Halloween?
Why It Might Not Do Well: Star power is limited to veterans of teen fair like 90210 and Gossip Girl which doesn't give the film broad appeal.
Number of Theaters: 2,250
Prediction: $12 million

Zack and Miri Make a Porno
What's It All About: Kevin Smith wrote and directed this comedy about two down on their luck platonic friends (Seth Rogen and Elizabeth Banks) who decide the answer to their money problems is to make a porn film together.
Why It Might Do Well: Smith is the guy behind the Clerks movies, Chasing Amy and Dogma, and Rogen has Knocked Up, Superbad and The 40 Year Old Virgin on his resume.
Why It Might Not Do Well: The last time Smith did a film without Jay and Silent Bob we got Jersey Girl.
Number of Theaters: 3,000
Prediction: $22 million

And Expanding into Wider Release:
Changeling
What's It All About: Clint Eastwood directs and Angelina Jolie stars in this story based on true events. Jolie plays a mother in 1928 Los Angeles who confronts corrupt police after her son is kidnapped and another child is returned in his place.
Why It Might Do Well: High powered people on both sides of the camera and a plot that will tug at the heart strings. Also, when it went into limited release last week it had the highest per screen average of the week.
Why It Might Not Do Well: 52% at Rottentomatoes.com is nothing to brag about.
Number of Theaters: 1,800
Prediction: $9 million

RockNRolla
What's It All About: Guy Ritchie directs this comedy/crime drama about a London real estate scam and the various felons mixed up in it.
Why It Might Do Well: The trailer pleases and 60% at Rottentomatoes.com is within the Fresh range.
Why It Might Not Do Well: Still a pretty small release.
Number of Theaters: 800
Prediction: $6 million

As a Kevin Smith fan I was hoping Zack and Miri would get a number one release, but I think High School Musical 3 has got the legs to hold the top spot for another week. Also, this being Halloween weekend, we can probably expect the horror flicks to have an edge. Here's my prediction.

1. High School Musical 3
2. Zack and Miri Make a Porno
3. Saw V
4. The Haunting of Molly Hartley
5. Changeling

For the first time in awhile we've got not one but TWO perfect scores, so congrats to Pat Campbell and cough. This week was a bit easier to call so overall the scores were higher. Here's the rundown:
1. Pat Campbell: 16
1. cough: 16
2. NP: 13
2. dtzamaras: 13
2. lostinafog: 13
2. Ray: 13
2. VP: 13
2. Gregory Rubinstein: 13
3. Matt: 12
3. hitesh choudhary: 12
3. AJ Wiley: 12
4. Bradford Oman: 11
4. Alex Farquharson: 11
4. Herff: 11
4. Harless?: 11
4. I Eat Robots: 11
5. Vera: 9
5. Tristan: 9
6. Chris: 6
6. DarkAgair: 6
7. jeff romagnuolo: 4

Post your predictions for the top five movies in the comments section below before 5:00PM Eastern Time on Friday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

Clint Eastwood's Changeling (which may or may not be now known as The Exchange), is a riveting drama about a missing boy and the undying constancy of a mother's love. Angelina Jolie excels in a powerful performance as Christine Collins, whose nine-year-old son, Walter, disappeared in 1928. Five months later, police returned to her a boy they said was Walter; Christine alleged that the boy was not her son.

At the time, the Los Angeles police department was under considerable pressure due to the efforts of a Presbyterian minister, Reverend Gustav Briegleb (John Malcovich), to expose corruption within the police force. Captain Jones (Jeffrey Donovan), who heads up the investigation, doesn't particularly care whether the boy is or isn't Walter Collins; he has a publicity campaign to manage that's all about making himself look good, so he tries to convince Christine to accept the found boy as her son. When she fights back by going to the press, Jones has her committed to the psycho ward.

For the first time in Cinematical history we'll have two (count 'em TWO) writers on the ground at this year's Cannes Film Festival: James Rocchi and Kim Voynar. Rocchi's been covering Cannes for us for a few years, and this will be Kim's first time. (Shhh ... she's super nervous, but don't tell anyone.) Anyway, this year's Cannes lineup was just announced, and among the larger, more talked-about films we find Steven Soderbergh's two Che biopics, The Argentine and Guerilla, and Clint Eastwood's Changeling, starring Angelina Jolie (in a role that doesn't find her hanging out the side of a red sports car). According to Variety, the Soderbergh move seems to come last minute, as word had it he wasn't going to finish the films in time for the festival.

Also on the agenda are the premiere of the animated Kung Fu Panda, Woody Allen's new hot, threesome flick, Vicky Christina Barcelona and Charlie Kaufman's directorial debut, Synecdoche, New York. A few foreign titles making their way to Cannes include Jia Zhangke's 24 City (only Chinese film at the fest), Walter Salles' Linha de passe, Wim Wenders' The Palermo Shooting and Waltz with Bashir, an animated film about Israel's 1982 invasion of Lebanon. Of course, enjoying its world premiere on May 18 will be Indiana Jones and the Kingdom of the Crystal Skull. I don't think I have to tell you that a) I'm extremely jealous of James and Kim, and b) we'll be bringing all of this from France to your computer monitor in just a couple weeks. So keep it tuned in here, folks.

Full Cannes lineup after the jump.

I get very excited about the upturns some actors and actresses' careers take following awards season, especially when those performers end up Oscar winners. I always enjoyed reading the post-Oscar write-ups on "What's Next for ____?", though it's less of a thrill nowadays because I typically already know what is in their pipeline. For example, thanks to Variety, I now know that Amy Ryan will be co-starring in Paul Greengrass' "untitled Iraq war thriller". She joins the movie, along with Greg Kinnear, which already starred Matt Damon (who has worked with Greengrass on two Bourne films) and which reportedly began filming in Spain yesterday. While Kinnear and Damon will both play CIA agents involved in the search for Weapons of Mass Destruction, Ryan has been cast as a New York Times correspondent investigating the WMD investigation.

A front-runner for the Academy Award for Best Supporting Actress (for Gone Baby Gone), Ryan has already had one heck of a year (she also appeared in Before the Devil Knows You're Dead and Dan in Real Life). In fact, I'm sure I'm not the only one to admit I'd never heard of her until 2007. But she may still not be a household name, and that should surely change following her expected win (she's also the best bet for the Golden Globe this Sunday). The supporting actress category is sometimes a bit of a joke, as it was throughout most of the 1990s (starting with Whoopi and ending with Angelina, with a Mira in the middle), but Ryan is hopefully going to be one of the few actresses that shows us how much she deserves the accolades by continuing to take respectable roles. In addition to Greengrass' film, Ryan will be co-starring in Clint Eastwood's The Changeling, which also stars Angelina (whose "What's Next ... " in 1999 included Gone in 60 Seconds and Lara Croft: Tomb Raider). By the way, for those not keeping track, after making The Changeling, Ryan will have worked with four of the ten 1990s supporting actress Oscar winners (Marisa Tomei is in Before the Devil; Juliette Binoche and Dianne Wiest are both in Dan). Perhaps Greengrass can find a part in his new film for Anna Paquin?

Pictured Above: Augie (CHRISTOPHER MINTZ-PLASSE), Danny (PAUL RUDD), Wheeler (SEANN WILLIAM SCOTT) and Ronnie (BOBB'E THOMPSON) in a comedy about two likable losers forced to do community service-Untitled Mentor Project.

As we told you earlier, Universal Pictures has released their upcoming 2008 film slate, including a ton of photos to go along with what looks to be a pretty solid list. Above you can check out the first image from the Untitled Mentor Project (aka Little Big Men on IMDb), starring Paul Rudd, Seann William Scott and Christopher Mintz-Plasse, following up his superb debut as McLovin' in Superbad. Below, check out an image of Angelina Jolie from Clint Eastwood's The Changeling, which comes with the caption: "Christine Collins (ANGELINA JOLIE) is introduced to a boy claiming to be hers by Captain J.J. Jones (JEFFREY DONOVAN) in a provocative thriller that tells the shocking tale of a mother's quest to find her son, and those who won't stop until they silence her-Changeling, from director Clint Eastwood.

Lots more after the jump ...

Variety reports that Paramount has secured the life rights to Kathi Lynn Austin for an action flick starring Angelina Jolie. Austin is an intelligence operative who has worked with the UN Security Council and whose career has been spent tracking down some of the world's most dangerous arms dealers and terrorists. Jolie's manager, Geyer Kosinski, will produce the film that "was pitched to Paramount as a story that was similar in spirit to The Bourne Identity". The story centers on a fictional arms dealer who was based on an infamous Russian dealer named Victor Bout. Bout was a former KGB major and earned the catchy nickname, "The Merchant of Death" (Nicolas Cage's character in Lord of War was said to be loosely based on Bout).

Jolie is still shooting the period drama The Changeling with Clint Eastwood for Universal and it has been announced that she will finally get to play the iconic tough girl, Dagny Taggart in the adaptation of Ayn Rand's Atlas Shrugged. According to Variety, Kosinski has been looking long and hard for a property with some serious franchise potential for Jolie. It makes sense, since both Tomb Raider and Mr. and Mrs. Smith failed to ignite long term franchises. Jolie is a natural when it comes to action films, so the exploits of a globe-trotting super-spy just might do the trick. Paramount is already lining up a short list of writers to kick start the film into production as soon as possible. But, like so many other films, this one is going to have to wait until the strike finally comes to an end.

More folks have joined Angelina Jolie in Clint Eastwood's The Changeling, and pics of a 1920s Jolie have arrived online. (You can begin your happy dance ... now.) The Hollywood Reporter tells us that Jeffrey Donovan, Colm Feore and John Malkovich will join Jolie in this drama based on a real-life tale for Universal and Imagine. In the flick, Jolie plays a woman whose son goes missing in 1920s Los Angeles. When the wrong child is returned to her, she naturally freaks on law enforcement who then throw the gal into an insane asylum for disagreeing with them. And you think Britney Spears has it rough! Eventually, the kid admits to fraud, and the woman goes after the cops, the mayor and the city seeking changes in the insanity legislation. I'm sorry, but shouldn't a mother know who her child is? Weird.

Donovan will play the police captain, with Feore as the chief of police and Makovich as a reverend. Additionally, the first pics of Jolie on set in 1920s garb have arrived online, courtesy of Just Jared (who have roughly 15 shots of the gal). I'd say she looks pretty damn authentic (love the red lipstick), but that's me. The role seems like a perfect fit for Jolie, who won a best supporting actress Oscar for her role as a girl in a mental hospital in 1999's Girl, Interrupted. So we know she can play nutty. It also looks like they're prepping this one for a late Oscar run (it has Clint Eastwood's name on it -- why the heck not?), as it's currently set to be released on November 7, 2008.

Yes, Nelson Mandela is still alive, despite what President Bush said (I know it was taken out of context). And now the previously announced Mandela biopic is also very much alive, and may even get a multiple Oscar-winner as its director. According to Variety, Clint Eastwood is interested in helming The Human Factor, an adaptation of the same-titled book by John Carlin (with subtitle: Nelson Mandela and the Game that Changed the World). The film won't actually be a full biopic, though; instead, it focuses on the former President of South Africa post-imprisonment, on the eve of apartheid's end. It also deals with the 1995 Rugby World Cup and how it aided in the post-apartheid healing of South Africa. The adaptation has been scripted by South African screenwriter Anthony Peckham (Don't Say a Word).

We've already learned that Mandela will be portrayed by Morgan Freeman (perfect choice), who will also be producing with his company Revelations Entertainment (10 Items or Less). Now possibly joining Freeman on screen is Matt Damon, who is in talks to play the captain of rugby team the Springboks. Although both Freeman and Damon contributed to the 3D IMAX documentary Magnificent Desolation, the two have never acted together. Freeman and Eastwood, though, have collaborated a few times, and it was due to working with the actor-director on Unforgiven and Million Dollar Baby that Freeman reportedly requested Eastwood's filmmaking talents for this project. My guess is that Eastwood appreciates the opportunity, as it sounds like something that will garner him yet another Oscar nomination. However, it won't be the director's next film; that has already been announced as The Changeling, with Angelina Jolie.

For those looking for a Mandela movie in the meantime, perhaps someone will finally pick up U.S. distribution rights to Bille August's new film, Goodbye Bafana, which features Dennis Haysbert as the iconic prisoner-turned-leader. Erik caught the pic in Berlin earlier this year and called it, "a perfect movie -- one that gets it all right," and it is very surprising that there's no plans yet to release the film here. Perhaps someone is waiting until they can pit it against The Human Factor, in order to fulfill the new Hollywood law that all biopics must have a dueling competitor.