The Proposition Tagged Articles at Cinematical
Buy This: Nick Cave & Warren Ellis Soundtrack Collection
Filed under: Fandom », Home Entertainment »
The best movie scores don't just add extra depth to a movie, but they take on lives on their own; they sneak into your subconscious so that the next time you hear Nino Rota you feel like downing some espressos and dancing in the Trevi Fountain.Post-punk/death rocker turned mustachioed Southern Gothic philosopher Nick Cave and his fellow Bad Seed bandmate Warren Ellis* have become standout film composers in the past few years, beginning with their collaboration on The Proposition, a Western from the land Down Under directed by The Road's John Hillcoat and written by Nick Cave. They also created the soundscape for the sadly underseen and somewhat overlong The Assassination of Jesse James by the Coward Robert Ford. Their most recent collaboration on the score for The Road is worthy of an Oscar nomination -- subtle, appropriately dark but not overbearing, and elegant.
However, the two have also written scores for other, lesser-known movies like the documentary The Girls of Phnom Penh, about young Cambodian sex workers, and The English Surgeon, a doc about a brain doc who regularly travels to the Ukraine to perform surgery on the poor, sick, and often desperate.
White Lunar is an upcoming 2-disc compilation of these scores, along with a few extra bits from the vaults:
Scenes We Love: The Proposition
Filed under: Drama », Fandom », Western », Trailers and Clips », Scenes We Love »
There are many reasons to love The Proposition. It's written and scored by the irreplaceable Nick Cave. It's perfectly directed by John Hillcoat. It's both thrilling and strenuous on the heart. And above all else -- it's wonderfully cast, from the monologue-delivering John Hurt to the sadistic charm of Danny Huston's Arthur Burns.
While I appreciated Huston's work well before he headed for the dry grime of the Outback in the 1880s, his stint as the violent sociopath jettisoned him to a whole new level. What was so great about his performance is that while he maintained some of the exuberant charm he's known for, Huston used it as a way to balance the truly sadistic aspects of his character. Without a doubt, Arthur Burns is a dangerous man who does terrible things -- and Huston plays it perfectly -- but that little edge of charm gives the character more depth than is usually awarded to the character we're set up to hate.
When Do You Side with the Bad Guy?
Filed under: Fandom »
Oh, the wiley and elusive bad guy. The masses might wonder why guys and gals always fall for the bad boy or bad girl, but let's face it -- evil looks irresistibly good on the big screen, and it's hard to settle for the vanilla world of reality when evildoers make life look fun. We're supposed to follow the good guys -- cheer for the hero -- but then the nemesis sweeps in and steals all the thunder.Sometimes, they steal it before the film even begins. The Hollywood Reporter posts that Justin Theroux has joined Your Highness. David Gordon Green's comedy follows Danny McBride's lazy prince as he sets out to save his father's kingdom. Theroux will be "Leezar, an evil wizard with a bejeweled magical staff" who kidnaps the virginal princess (Zooey Deschanel) -- bride of James Franco. Luckily, he doesn't steal Natalie Portman's character, because there is no way that a princess would be fighting her way out of Theroux confinement to be with McBride. Heck, even with Franco, I'm already rooting for Leezar.
I Reckon Westerns Are Coming Back ...
Filed under: Fandom », Newsstand », Quentin Tarantino », Western »
Sorry, Hugh Jackman ... I don't think its musicals that are back. I think it's the clink of spurs, and the fast draw that's enjoying a renaissance. I know, they say William Munny killed it along with Little Bill Daggett (and if so, it certainly went out with one hell of a last line), but then came The Missing, The Proposition, Open Range, 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and Appaloosa. There's also been a few that stretched the definition beyond the classic, pistols-at-sunset sort and tackled a more modern definition and locale, such as All the Pretty Horses, Brokeback Mountain, No Country for Old Men, and Australia. Asia has gotten in on the fun with Sukiyaki Western Django and the upcoming The Warrior's Way.
Of course I'm leaving a few of them out (apologies to the Texas Rangers fans out there), and it's also worth noting that not all of them were successful or popular. Some of them were downright disastrous. But they were made when Unforgiven supposedly shot them down, and they were clearly popular or interesting enough to warrant a few more remakes and revivals. The Lone Ranger is set to call on Silver, the Coen Bros are re-hiring Rooster Cogburn, and Gerard Butler will reportedly try to duck the noose in The Hanging Tale. On the graphic novel end, you'll have Jonah Hex wrecking bloody havoc, and Preacher may finally go to Texas. Today, Variety is reporting that Roy Rogers may rise from the dead for a new film trilogy. It won't be a biopic, nor a traditional Western, but be some kind of "family-fantasy adventure" that will use the characters of Rogers, Dale Evans, and Trigger, capitalizing (their words, not mine) on their iconic status, and introducing them to a new generation.
Of course I'm leaving a few of them out (apologies to the Texas Rangers fans out there), and it's also worth noting that not all of them were successful or popular. Some of them were downright disastrous. But they were made when Unforgiven supposedly shot them down, and they were clearly popular or interesting enough to warrant a few more remakes and revivals. The Lone Ranger is set to call on Silver, the Coen Bros are re-hiring Rooster Cogburn, and Gerard Butler will reportedly try to duck the noose in The Hanging Tale. On the graphic novel end, you'll have Jonah Hex wrecking bloody havoc, and Preacher may finally go to Texas. Today, Variety is reporting that Roy Rogers may rise from the dead for a new film trilogy. It won't be a biopic, nor a traditional Western, but be some kind of "family-fantasy adventure" that will use the characters of Rogers, Dale Evans, and Trigger, capitalizing (their words, not mine) on their iconic status, and introducing them to a new generation.
From Page to Screen: 'The Road'
Filed under: Drama », Sci-Fi & Fantasy », Columns », From Page to Screen »
One of my concerns when I started doing this column was that each forthcoming adaptation I covered would equate to a new movie losing the ability to surprise me. What more effective way to strip oneself of the thrill of cinematic discovery, I thought, than to pore over the source material before watching? Ultimately I decided that the prospect of literary discovery along with the chance to write the column more than compensated for that risk, but here's some evidence that maybe I shouldn't have worried at all: having read Cormac McCarthy's The Road, I'm more excited to see John Hillcoat's adaptation – coming this November -- than I ever would have been otherwise.
Details from 'The Road' Revealed
Filed under: Drama », Fandom », DIY/Filmmaking », Newsstand »
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Just when it was looking like No Country for Old Men had a monopoly on successful interpretations of Cormac McCarthy's drearily minimalistic prose, production on an adaptation of The Road suggests the possibility of healthy competition. The movie, which recently finished shooting in Pennsylvania and hits theaters in November, remains a wild card until post-production wraps. Nevertheless, if this colorful report from the set in The New York Times offers any indication, The Road appears poised to capture McCarthy's original gloomy lyricism. Reporter Charles McGrath points out the difficulties the filmmakers endured when the weather got too nice and the grass looked too green. In other words, they're working really hard to keep things bleak. The story, about a father and son wandering through desolate landscapes after a cataclysmic event destroys civilization, demands that the dark aura remain intact. However, it wouldn't work without two strong leads, and McGrath implies that with Viggo Mortensen and eleven-year-old Kodi Smit-Mcphee (the next Haley Joel Osment?), that need has been fulfilled.
The best match for The Road, however, is its director, John Hillcoat, whose work on The Proposition proves he's the man for the job. That woefully undervalued western had the intensity of a Sam Peckinpah movie in overdrive, and The Road screams for the same raw, stripped-down approach. It's nice to hear that Hillcoat sees the movie as an antithesis to Mad Max, meaning he wants to eschew cartoony violence in order to create a scarily realistic depiction of post-apocalyptic duress. Bring it on.
[Photo above: Kodi Smit-Mcphee on the set of The Road, courtesy of the New York Times]
First Photo from 'The Road'!
Filed under: Drama », Fandom », Movie Marketing », Images »
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I'm about 50 pages away from finishing The Road, and all I think about when I'm reading it (apart from praying the two stumble across another can of peaches -- just one more can of peaches, please!) is what director John Hillcoat is going to do with this sucker. It has the potential to be absolutely amazing, from a visual standpoint, and should make for an interesting comparison to Hillcoat's last film, The Proposition -- which, like The Road, was full of empty land and empty people. Needless to say, I cannot friggin' wait for this film to arrive in the fall.Which brings us to this first image from The Road, courtesy of Row Three. The photo shows Viggo Mortensen and Kodi Smit-McPhee as the father and son who attempt to head south across a post-apocalyptic United States, toward the coast. Along the way, they'll hide from cannibals, search for more food, clothing -- anything to keep them alive, really. The film, which is due out November 26, is based on the book by Cormac McCarthy (No Country for Old Men) and also stars Guy Pearce and Charlize Theron.
[via JoBlo]
'Proposition' Director Picks Follow-Up to 'The Road'
Filed under: Action », Drama », Deals », Sony », Distribution », Western »
Everyone and their (his?) mother loves The Proposition, the Nick Cave-penned Australian western starring Danny Huston as a villain who could give Chigurh a run for his money in sheer badassery. It's hard to blame them, since movies that gritty and tough don't come along very often. (As modern westerns go, I think 3:10 to Yuma is better, but it certainly isn't as awesomely brutal.) Two years after that film became a critical darling and a sleeper hit of sorts, director John Hillcoat -- who is currently in production on Cormac McCarthy's The Road -- has signed with Columbia to direct an adaptation of a not-yet-released novel by Matt Bondurant called The Wettest Country in the World. The book is about a trio of gangsters -- the author's grandfather and grand-uncles -- who ran the moonshine trade at the peak of the Prohibition Era, and the writer who tracked them in search of a scoop.Cinematical Seven: Men We Shouldn't Love
Filed under: Fandom », Cinematical Seven »
I have a problem. As a moviegoer, I'm always attracted to charisma over deed. More times than I can count, I find myself rooting for the bad guy and hoping that they bring the bland hero down. Of course, sometimes it's a fight between hero and villain for who has the most charisma, and sometimes the film wants us to love the villain, but whatever the case, the thorn is usually a lot more fun than the hero he's stuck onto. And this means that I'm often disappointed at the end, because the bad guy almost always dies.
Still, this is what's so great about film -- you can love the baddies without the real-world consequences. We've all heard about bad-guy lust, but this way, the baddie can do his bad thing for us to enjoy, without us getting all of the negative repercussions. We get the wild eye without the body count, the ripped muscles without the steroid set-up, and the twisted humor without the reality.
However, seeing that bad guys are my kryptonite, it's hard to pick just seven. While the following is, by no means, all-encompassing, it's a list of some of my favorite baddies. Some we're told to love, and others, well, they just steal the show.
Jason Dean -- Heathers
This is probably what started it all. When my friends and I gathered around the television to watch Christian Slater's new movie, we were immediately smitten. We didn't care that J.D. had a thing for doling out his own deadly justice. By the time he said: "Alright, so maybe I am killing everyone in the school... because nobody loves me!" We were exclaiming: "We love you!" J.D. had the drawling, Jack Nicholson voice, the sexy trench, and the need to row out to the middle of a lake somewhere with a bottle of tequila, his sax, and some Bach. He was very. Very very.
Is Guy Pearce Going on 'The Road'?
Filed under: Drama », Sci-Fi & Fantasy », Casting », RumorMonger »
What a difference a month can make. Back in September, Viggo Mortensen seemed pretty confident when he told MTV Movies Blog that he was in talks to star in a big-screen version of Cormac McCarthy's, The Road. Now, Shock Till You Drop is reporting that Guy Pearce could be replacing Mortensen in the film. Mortensen was never officially confirmed, so Pearce as a replacement would seem to be the most likely scenario -- especially since the story isn't exactly teeming with characters. The novel focuses on a father and son who are survivors of an apocalyptic event and are trying to make it to 'the coast' while surrounded by fellow survivors who have reverted to cannibalism. If you haven't read the book, I really recommend picking it up, although be warned: don't let that Oprah Book Club selection sticker lull you into thinking this is a feel-good story. Nothing could be further from the truth. John Hillcoat is already set to direct the Joe Penhall adaptation and since Hillcoat worked with Pearce on the revisionist western, The Proposition, back in 2006, that could tip the scales in Pearce's favor. The film could be a bit of a hard-sell with audiences to begin with. There is some truly disturbing stuff going on in the story, and for those of you who have read the book, you probably know what I mean. Luckily, no matter which actor they go with, I think either would be more than capable of handling the role, don't you? The Road is tentatively scheduled for release in 2009.
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Exclusive: Title Track for 'The Road' Soundtrack
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