The Road Tagged Articles at Cinematical

The best movie scores don't just add extra depth to a movie, but they take on lives on their own; they sneak into your subconscious so that the next time you hear Nino Rota you feel like downing some espressos and dancing in the Trevi Fountain.

Post-punk/death rocker turned mustachioed Southern Gothic philosopher Nick Cave and his fellow Bad Seed bandmate Warren Ellis* have become standout film composers in the past few years, beginning with their collaboration on The Proposition, a Western from the land Down Under directed by The Road's John Hillcoat and written by Nick Cave. They also created the soundscape for the sadly underseen and somewhat overlong The Assassination of Jesse James by the Coward Robert Ford. Their most recent collaboration on the score for The Road is worthy of an Oscar nomination -- subtle, appropriately dark but not overbearing, and elegant.

However, the two have also written scores for other, lesser-known movies like the documentary The Girls of Phnom Penh, about young Cambodian sex workers, and The English Surgeon, a doc about a brain doc who regularly travels to the Ukraine to perform surgery on the poor, sick, and often desperate.

White Lunar is an upcoming 2-disc compilation of these scores, along with a few extra bits from the vaults:

Days after Jessica Barnes compiled a nice fall schedule for you, the Weinsteins and Dimension Films had to go and mess it up a little. According to Variety, they've pushed the release date of The Road back from October 16 to November 25 -- almost a year to the day when it was supposed to come out in 2008.

The delay isn't because Dimension has lost faith in the film -- quite the contrary. The film is playing to rave reviews at Telluride (where our Eugene Novikov saw it and loved it) and Venice Film Festival, and the Weinsteins have realized they have an awards contender on their hands. "We've been getting great audience reaction at Venice and Telluride," Dimension topper Bob Weinstein said. "We feel that this is a commercial film that's worthy of a wide release." Considering Cormac McCarthy's book was a bestseller and won a Pulitzer, you'd think that might have tipped them off, but ah well. What's good about this decision is that it not only puts it into Golden Globe contention, it also promises a wide release. One of the big fears lurking around the film was that audiences wouldn't get it, and the film could vanish into limited release hell.

The Road will now be in direct competition with Nine, Old Dogs, and Ninja Assassin. Something tells me John Hillcoat's bleak adaptation won't top the holiday box office, but it'll make a far bigger impact. I've been saying since the first stills came out that this might be a role that nabs Viggo Mortensen an Oscar, and I'll stand by that.

I may be a jaded and cynical movie 'professional', but that doesn't mean I don't like to get in touch with my innocent side every once in awhile -- which is why, after all this time, I still get excited about the fall movie season. Now, traditionally, the fall season is the time to release those serious Oscar-type films (or awards contenders), but this year there's more to offer than just drama, and this year's slate has a little something for everyone.

This season is littered with kids movies, sci-fi and horror, and a little touch of comedy -- basically you're looking at a line-up that's all over the map. But, everyone has their own tastes, and what makes me froth at the bit may leave you cold, and inevitably some films just naturally find their way the top of your must-see list. So today, I've laid out some of my most anticipated fall flicks, and I hope you'll do the same.

September:
Well, we're already a week into the start of the season, and we've gotten Mike Judges' Extract and the action no-brainer Gamer from Mark Neveldine and Brian Taylor, but there are still some pretty tasty selections coming in the following weeks. So let's get started, shall we?



9 (09/09/09)
Shane Acker's tale of a post-apocalyptic world packed with 'stitchpunks' and killer machines may have had the bonus of getting a bit of a boost from the reputations of its producers (Tim Burton and Timur Bekmambetov), but there is still plenty of reasons to recommend the animated sci-fi tale. Judging by the buzz surrounding this flick, it could turn out to be one of the big sleeper hits of the season, but there's still the small matter of whether or not Acker's flick will be more than style over substance.

After the jump: the rest of what September has to offer, and my top picks for October and November...

Just before the kid was born, the world burned. We don't know why, and the characters don't talk about it -- perhaps they don't quite know themselves, or maybe they've decided that it no longer matters. The Boy's universe is grey, full of ash, dust, and the ruins of a civilization he never saw. This is all he knows. His mother, seeing no point in going on, killed herself shortly after his birth. She was not alone. Many of those who didn't take their own lives were soon murdered by the desperate and hungry.

Skip ahead nine or ten years. The kid and his father wander the barren roadways heading south toward the coast for no clear reason other than that it gives them a tangible goal toward which to strive. (And there's always the hope that the ocean will be something other than gray.) Every day is a knock-down, drag-out fight for survival. They run, hide, starve, and fight off attackers who want their food, or their clothes, or, at one point, their flesh.

I set the stage like this not to horrify you or to gross you out, but to give you a sense of the relentless, pervasive grimness of The Road -- and then to turn around and say that The Road may be the most profoundly optimistic and life-affirming film you will see this year. Those who have read Cormac McCarthy's novel of the same name won't be surprised by this. John Hillcoat's faithful, near-perfect adaptation beautifully captures McCarthy's synthesis of all-encompassing darkness and enduring hope.

The Road
This bleak tale of one family trying to survive the apocalypse is based on a Pulitzer Prize winning novel by Cormac McCarthy, author of No Country For Old Men. After some kind of global cataclysm (it's not clear if it's a nuclear war), a man played by Viggo Mortensen must help his son to survive by whatever means necessary. Charlize Theron, Guy Pearce and Robert Duvall also star. This looks darkly fascinating and probably would have gone well with a Cinematical Seven I did not long ago. This one comes out on October 16.

Pandorum
This new trailer reveals quite a bit more than the teaser we saw awhile back. Two men awaken aboard a space craft wondering what's become of the thousands of other crew members. Other people show up as do some scary monster types who may be the mutated crew. Looks like an intersting take on the Alien formula. Watch for this one on September 4.

Alvin and the Chipmunks: The Squeakuel
I didn't see the first film because it looked pretty awful, although the ridiculous amount of money it made showed that not everybody thought so. This teaser, which involves Alvin, Simon and Theodore doing their rendition of the 20th Century Fox Fanfare is pretty cute and the film should presumably please those who enjoyed the original. This one scurries into theaters on Christmas Day.

The trailer for The Road (which now has a release date of October 16) has hit the net courtesy of Yahoo! Movies but we've got an embed here thanks to Trailer Addict. For those who read the Cormac McCarthy book (and I haven't, but I was told the entire thing by a "helpful" friend), you're going to notice what looks like a lot of changes to the story. The mysterious disaster is made explicit, Charlize Theron is given a lot more screen time than the wife ever had in the book, and the action is upped ten times over.

However, this trailer has caused a lot of controversy already with people who have seen the film. Esquire just published a review this week, and noted that the Weinstein Company was falling prey to the temptation to cut a trailer that looked like a post-apocalyptic action movie. According to Esquire, John Hillcoat's film is (and other reviews have borne this out) as quiet, harrowing, and bleak as the novel is, and may just be "the most important film of the year". Unfortunately, the Weinsteins feel no one will see it unless there's an "explanation" and a hook of kick ass action, even if the film itself lacks the things the trailer sells.

But at least you get a glimpse of the real film underneath, which is enough to cause you to choke up. I think we're promised one hell of a gut-wrenching performance from Viggo Mortensen. Just look at his eyes.

It's been ages since we've heard a peep about the adaptation of Cormac McCarthy's Pulitzer Prize-winning novel The Road. After McCarthy's brutal Texas drama No Country for Old Men won four Oscars at the 80th Academy Awards, rumors of future McCarthy adaptations of The Road and Blood Meridian sprung up immediately, with The Road slated for a November 2008 release. Then McCarthy's post-apocalyptic doom-fest was pushed to December, and then ... silence.

But fans of the book -- which was re-released with one of those "Now being made into a real-life motion picture!!!!" stamps a while ago -- can quit their grumbling, because The Road will be released on October 16th, 2009. Once again, it's just in time for Oscar season.

It seemed like a no-brainer to shuffle this genius McCarthy work out the door, especially judging by the cast (helloooo, Viggo), director John Hillcoat, and the few grimy photo stills released to the public. It also bears mentioning that Mr. McCarthy is a tough road to hoe himself, and is known for his dislike for the press and reluctance to get involved in any more film projects after his rumored dissatisfaction with the 2000 adaptation of All the Pretty Horses. So what happened?

Normally when I find out that a feature film is being made from one of my favorite novels, I immediately prepare myself for disappointment. But, when it comes to The Road, I don't know what to tell you -- for once I'm convinced everything is going to work out just fine. Although that's probably the first time that particular sentence was used in conjunction with anything having to do with Cormac McCarthy's novel. BBC4's arts show Today recently profiled the project, and the highlight of the report was the first audio clip of Nick Cave's original score. It's only a short clip, but from what you can hear it's the perfect musical accompaniment to the tale of a father (Viggo Mortensen) and son (Kodi Smit-McPhee) traveling through an apocalyptic wasteland.

So even though most of us probably never pay that much attention to the orchestral score to most of the films we watch, you can't ignore a bad one. For me, one of the most distracting things about a film is a bad score -- some of my more hated examples include The Perfect Storm and The Last Samurai. I know there are plenty of reasons why a film might fail to connect with audiences, and I also know that this film is already going to be a hard sell. But, as a former Goth who wore way too much eyeliner while listening to Mr Cave's Murder Ballads on repeat, I have every faith that if there is anyone that can pick the perfect mood music for a downer, it's him.

The Road has yet to find a solid release date, but will hopefully arrive in theaters this fall.

Interviews with Viggo Mortensen are a rather rare and wonderful thing -- or at least ones that don't get all coy and snarky over his remarkable intelligence and publishing company. So, when I saw Capone's interview with Mortensen over at Ain't It Cool News, I had to share it with you all.

His thoughts on the upcoming Good are too long and interesting to crop and paste here -- but what I will post is his disappointment over The Road being delayed. Despite starring in the film, he is unsure what's going on with it. "My understanding is that they know that they've got a story that a lot of people want to see, because of the book. And, the people that read the book, which are many, were very moved by it and by this relationship between this boy and this man, in particular, in that setting. And, I think that they are really aware of the fact that they've got one chance to do it, and if there's any little things that they still want to work on a little more, to get it just right, whether it's the music --I don't know what it is -- a variety of things, they want to do it right. And, if you rush it out before you feel in good conscience it's there ... So, I am disappointed. I wanted to see it. I want to see how it is."

He's also concerned that the film might be released at the wrong time of year, and is hoping for a fall release. "What I hope they don't do is then just put it out in February or something. I hope they wait and do it at the right time. I don't know." (Yes, Weinstein Co. Release The Road in the fall, please. No February or March dump!)