This week's Sex and the City movie is hardly the first cinematic continuation of a TV show, but there really haven't been that many. Usually when we think of film adaptations of TV series, we're thinking of remakes. But there are a few movies that pick up where their respective show ends, whether as a resuming story, a prequel or something totally random and barely connected.

And of course, we keep hearing about other possible series-to-film resumptions: Lost, 24 and Arrested Development movies have all been discussed, and they may indeed happen. So, while there isn't a long list of predecessors to model their transitions on, I've compiled seven titles that did it right in some way or another. Hopefully, for the sake of the fans of Carrie and co., Sex and the City will be enough of a success to make number eight.


Star Trek: The Motion Picture (1979)

People may enjoy the second installment best, but this is the one that started the film franchise, officially reigniting a series that had been canceled ten years prior. Though the original show had its share of fans, enough to eventually get this film produced, it wasn't initially considered a success. And interestingly enough, neither was the movie thought of as a complete hit, despite its $80 million gross and the fact that it spawned another ten film installments (and additional series).

In the event that an Arrested Development movie gets made, it could be seen as similar to Star Trek, since the TV show was initially a failure yet it has gained a larger following since its cancellation, enough to call for production of a feature follow-up. However, there's also a good chance that it will also be a failure on the big screen, like was Serenity, the cinematic continuation of the TV series Firefly.
tion more than simply an adaptation.

Those of you anxious to see Samuel L. Jackson and Bernie Mac singing and dancing (without the aid of performance doubles) will be happy to know that Soul Men has not been affected by the strike. According to Variety, the musical road trip comedy is set to begin production January 21 with Undercover Brother director Malcolm D. Lee at the helm. Not to be confused with that beloved 1986 classic Soul Man starring C. Thomas Howell and Rae Dawn Chong, Soul MEN sounds more like a loose mix of The Blues Brothers and It Happened One Night (which one is Claudette Colbert, I wonder?). Written by Robert Ramsey and Matthew Stone (Man of the House), the movie will follow two estranged backup singers who are reunited after 20 years to pay homage to their recently deceased band leader.

It's pretty cool right now to get traditionally non-singing actors to perform their own vocals in musicals. Of course, it's a bit more exciting to think about Johnny Depp in Sweeney Todd than Jackson and Mac in Soul Men. Chances are, the most interesting thing about this movie will be the few moments we get to actually see the duo performing, while the rest of the road trip banter will be uninspired and tedious. Maybe it's just easy to be skeptical because of Jackson's last antagonistic team up, with Eugene Levy, or Mac's team up with any one (rather than any eleven, or twelve, or thirteen). Considering not even the Coen Brothers with George Clooney were able to salvage a movie scripted by Ramsey and stone, there simply can't be much hope for Lee, Jackson and Mac.

His main legacy is his music, sure, and few will be remembering him today for his contributions to cinema, but James Brown was a big part of the movies. And he will continue to be a big part of the movies for years to come despite his death from pneumonia early Christmas morning.

Aside from the two blaxploitation films he scored (Black Caesar and Slaughter's Big Rip-Off), there are over 100 movies that Brown's music has been heard in. Many of the songs used for these soundtracks seem in retrospect to have been created solely for the benefit of being licensed to Hollywood. How many movies can you think of that featured "I Got You (I Feel Good)" or "It's a Man's Man's Man's World"? I think one of the first CDs I ever owned as a kid was the soundtrack to Rocky IV, which featured "Living in America", so Brown's film legacy is something that I'm always conscious of.

The "Godfather of Soul" didn't only lend a song to Rocky IV, he even appeared in the movie, as himself. He also showed up in Doctor Detroit, The Tuxedo, The Hire: Beat the Devil (one of those BMW shorts/ads), Undercover Brother, Holy Man and Ski Party. And that isn't even including documentaries. As far as getting to play roles that aren't technically himself, there is of course his character Reverend Cleophus James in The Blues Brothers, which he reprised for Blues Brothers 2000.

A new documentary called Life on the Road with Mr. and Mrs. Brown, which is about James Brown and his fourth wife, singer Tommy Rae Brown, is currently in post-production and set for release next year.