It's a seemingly standard-issue career track for the modern actor: Indie success, mainstream notice ... and then the clout and cachet to move behind the camera. And word came from Empire this week that Paddy Considine, who you may recognize from films big (Hot Fuzz, The Bourne Ultimatum) and small (Dead Man's Shoes, In America) is on that track now himself.

Speaking with the mag at its own awards celebration, Considine announced he's getting ready to direct his first feature, Tyrannosaur. Please note that the title's a metaphor; no dinosaurs for Paddy. Instead, as he explains, Tyrannosaur will be " ... about a woman leaving an abusive relationship. But it's not your run-of-the-mill, kitchen-sink drama, there are bits and pieces in there that hopefully make it a little bit different. Hopefully, we start shooting it at the end of the year."

There's no word if Considine will take a role in the film; the only casting note he shared on the red carpet was that "I've got Olivia Coleman in the lead role -- as we get further into the production we'll start casting the other roles." (I can't help but think of Tim Roth and Gary Oldman, whose own directorial debuts The War Zone and Nil by Mouth explored similar dramatic terrain.) Considine also gave a few hints about his next collaboration with director Shane Meadows, King of the Gypsies; the full Empire story has more.

Frankly I'm amazed that the announcement for a fourth Bourne movie wouldn't get a little more fanfare than buried half way down an article. In a press release in Variety, Universal announced that Matt Damon and director Paul Greengrass will be returning for a new installment of the Bourne franchise. Originally, when the two were peppered with questions about a fourth film, they had the stock answer that Damon would only reprise his role if Greengrass returned to direct, and Greengrass would only return to direct if Damon was willing to star. Confused? Don't be, it was basically the PR equivalent of keeping the idea of a film on the back-burner without promising anything too specific.

Universal released the info in a release about their upcoming slate of films, and according to them both Damon and Greengrass are definitely returning to work together on the spy franchise. There are two books left in the Bourne series, so at least there would be some source material to start with. The two are currently working on the Iraq drama, The Green Zone, and Damon has already signed to star in The Informant for Steven Soderberg and is also in talks to star in The Human Factor for Clint Eastwood. Greengrass is also going to be busy with his upcoming Vietnam drama, They Marched into Sunlight. So it could be as late as 2010, before the two can even get started on making another Bourne flick, let alone get one into the theaters. However, with Bourne Ultimatum taking home three Oscars last night (three!), I imagine the fourth flick might be made a priority. For Universal's sake, I hope this one is a done deal. I can't help but think how embarrassing it must have been for MGM's Harry Sloan when his studio got a little overzealous about a certain spy franchise.

[via Empire]

Finally Josh Brolin received an award for his excellent performance in No Country for Old Men. He and the rest of the film's actors won the Screen Actors Guild Award for best ensemble cast Sunday night, giving No Country its second big win of the weekend (Joel and Ethan Coen received the top Directors Guild of America award Saturday). Along with Brolin, trophies went to cast-mates Tommy Lee Jones, Woody Harrelson, Garret Dilahunt, Tess Harper and Javier Bardem, who also won the SAG award for best supporting actor. While I'm not sure how many of No Country's performers actually received their own trophy, I'm hoping that both Kelly Macdonald and Barry Corbin were also included. No Country is one of those movies that wouldn't be the same without all of its main and supporting actors, and it is certainly fitting for it to have picked up this honor.

Other film winners from Sunday night include Daniel Day-Lewis, who surprised no one by being honored with the leading actor trophy. Even I'm getting a little bored with all of his awards, despite my agreement that his is the best performance of the year. I didn't even notice if any of the other nominees (George, Emile, Viggo and Ryan) showed up to the ceremony, which was one of the first red carpet awards events of the season. Picking up the award for leading actress was Julie Christie, further cementing the fact that I really need to see Away From Her already. The supporting actress honor went to Ruby Dee, who deserves it just for being the cutest old lady on screen last year, let alone for going up strong against both Denzel and Brolin in American Gangster. Finally, The Bourne Ultimatum won the new SAG award for best stunt ensemble and Charles Durning -- one of Cinematical's favorite character actors ever -- received a lifetime achievement award. Be sure to check out Moviefone's coverage of the awards for plenty of red carpet and ceremony photos.

If I had to think of one moment that summed 2007 up for me as a critic and moviegoer, then that moment came before an early-morning press screening at Cannes. Two film writers were speaking about a film from the day before -- excited, animated, engaged. One of them said "Le Scaphandre et le Papillion?" She then made a hand gesture worth a thousand words, and then exclaimed "Cinema!" And I felt the same way about The Diving Bell and the Butterfly as she did -- that it was a work of pure cinema, using every possible element of film to make a powerful piece of art, one that was engaged with the real world we live in while also existing as a strong, expressive creative work in and of itself. That's worth looking for, at the movies -- and, this year, it was easier than you might think to find it. These, then, are the films that made me exclaim 'Cinema!" in 2007, in no particular order after #1.

1. No Country for Old Men

The best film of the year -- wildly engaging, supremely confident, completely thrilling. Lesser filmmakers would have turned Cormac McCarthy's book into a tedious shoot-'em-up; thanks to Joel and Ethan Coen, we get a pulse-pounding, thought-provoking existential action flick -- a Greek tragedy with shotguns, a story of the American West whose true themes and concerns are eternal. I've seen No Country for Old Men five times now, and I get something new out of it every time -- it's a rich and dense work that also has sugar-rush surface-level pleasures. With three of the best male performances of the year (Josh Brolin, Tommy Lee Jones and Javier Bardem) and a tone that somehow both fulfills and thwarts what we expect from the movies, No Country for Old Men may be the Coen's masterpiece.

There's a continuing debate about whether or not computer-animated films should be eligible for visual effects awards. But despite the fine line seen by some, others are quick to point out that many effects artists have the same function on Surf's Up as they do on Spider-Man. To them, it should come as quite a triumph that the Oscar shortlist for the visual effects category includes two animated films, Ratatouille and Beowulf. According to the Hollywood Reporter, they join 13 other effects-heavy movies, including definite front-runners Transformers, Pirates of the Caribbean: At World's End and Spider-Man 3. The trade points out, however, that this is not the first time animated films have joined the effects race. Back in 1994, The Nightmare Before Christmas was one of the three nominees (against Cliffhanger and obvious winner Jurassic Park).

The animated effect issue is different now, though, then it was 14 years ago. Animated films now have their own Oscar category, and it's fair to say that is the place to recognize Ratatouille and Beowulf (actually Beowulf shouldn't be recognized at all). Typically movies nominated in the visual effects category are popular blockbusters that wouldn't otherwise receive notice from the Academy. Until there's an Oscar for best sci-fi/fantasy or action movie, this is one of the best ways for a little movie like Transformers to be put in the spotlight. Sure, I'm being sarcastic, but nonetheless I like the category being the place for those movies actually seen by the majority of Oscar telecast viewers.

Unlike the film critics in American cities, who this week have been naming their year-end award winners, the folks across the pond are waiting until February 8 to reveal their favorites. But they have at least announced the nominees for their awards, many of which distinguish the importance of British filmmaking. See, the London Film Critics' Circle gives two separate awards each for the categories of best film, best director, actor and actress, so that one award is given to the best British film, director, actor and actress. Sometimes this leads to an overlap, as in the case of last year, when both Helen Mirren and Judi Dench were nominated for best actress and best British actress and The Queen was nominated for best film and best British film.

This year's nominees don't appear to have that overlap problem (see the full list here), which could very well mean the Circle has changed its rules since last year. Either that or there really is no clear enough front-runner this year in any of those categories. Or maybe the Circle just felt there were too many non-British films, directors and performers worthy of notice and didn't need to exclude any of them just to spotlight their own movies more than necessary. The one interesting thing is that while Daniel Day Lewis could be considered a British actor, he is only nominated in the more general Best Actor category. Also, it is interesting that Paul Greengrass is nominated as best British director for The Bourne Ultimatum, a movie nominated only in the more general Best Film category.

The best thing about having the British-only categories is the recognition the LFCC gives to terrific films like Control and This is England, which aren't on the radar enough in America to be given notice here. Also, the British-only directing category allows for the general best director nominees to include other foreign (non-American) directors like Cristian Mungiu (4 Months, 3 weeks, 2 days) and Florian Henckel von Donnersmarck (The Lives of Others).

I used to think Julia Stiles was the next big thing. That was back when she seemed to star in every Shakespeare update around (10 Things I Hate About You; Almereyda's Hamlet; O). Then she somehow became better remembered as "Nicky", the deer-in-headlights character from The Bourne Identity and its sequels. Sure her part increased through the series, but all I can think of is that line, "I can send Nicky to do that, for Chrissakes." Now, I associate her with any role that's so easy even she could do it. Which certainly seems to apply with a movie in which she's just been cast, Cry of the Owl. According to The Hollywood Reporter, Stiles is replacing Sara Polley in the thriller, which makes me wonder if maybe the part is too simple for the now-very-respected Polley. "They can send 'Nicky' to do that, for Chrissakes," the actress must have thought.

Cry of the Owl is based on a novel by Patricia Highsmith (author of The Talented Mr. Ripley, which starred Bourne co-star Matt Damon) and was previously adapted by Claude Chabrol. This version will be helmed by Jamie Thraves, who directed my favorite Radiohead video, "Just", as well as videos for Blur ("Charmless Man") and Coldplay ("Scientist"; "God Put a Smile Upon Your Face"). The movie co-stars Paddy Considine (The Bourne Ultimatum) as a new guy in town who Stiles' character falls for. Problem is, he's also stalking her. Scott Speedman (who was probably looking forward to working again with Polley, his My Life Without Me co-star) plays her ex, who plots revenge for being dumped. The movie begins shooting in Toronto next week.

To be fair to Stiles, I have to admit that coming from Highsmith, Cry of the Owl may not be just another stalker thriller. Also, she has been delivering fine performances in little-seen movies like A Little Trip to Heaven and Edmond -- never mind that she also starred in The Omen remake. She's also just made her directorial debut with the short Raving and she's set to star in an adaptation of The Bell Jar. Perhaps one of these days I'll have something new, and more favorable, to associate her with.

Halloween came a little early this year, although for Rob Zombie and the folks at Dimension Films it's more like Christmas. Their reimagining of John Carpenter's classic horror flick set a record for a film opening on Labor Day weekend. After two weeks at the top, Superbad finally slipped into the number 2 spot, just above newcomer Balls of Fury. Here are the final numbers:

1. Halloween: $26.3 million
2. Superbad: $12.4 million
3. Balls of Fury: $11.3 million
4. The Bourne Ultimatum: $10.4 million
5. Rush Hour 3: $8.5 million

What's coming out this week? Glad you asked. It's a subtle melding of idiocy and firearms, the same combination that made Elmer Fudd a star. Here's what we've got:

3:10 to Yuma
What's It All About: In this remake of a 1957 film of the same name, a rancher and Civil War veteran played by Christian Bale takes on the responsibility of delivering a vicious felon (Russell Crowe) to the 3:10 train to Yuma so he can face trial.
Why It Might Do Well: The film has two strong, charismatic leads and the director of Walk the Line at the helm.
Why It Might Not Do Well: Needless to say, westerns are a tough sell.
Number of Theaters: 2,500
Prediction: $18 million

The Brothers Solomon
What's It All About: A pair of socially challenged brothers who were home schooled in the arctic race to find a woman so they can provide their dying father with a grandchild. SNL's Will Forte and Arrested Development's Will Arnett star.
Why It Might Do Well: Humor and conception mixed well for the highly successful Knocked Up, so it may work here as well.
Why It Might Not Do Well: The relatively small number of theaters is going to keep this one out of the top five (probably even the top 10). The trailer looks promising, but this is also the type of film that walks the fine line between funny and dopey.
Number of Theaters: 650
Prediction: $2.5 million

Shoot 'Em Up
What's It All About: Clive Owen stars as a gun-toting badass fighting to protect a newborn infant from an evil crime lord played by Paul Giamatti. Monica Belluci also stars as a hooker with a heart of gold who specializes in clients with a mommy fixation. Freaky.
Why It Might Do Well: Owen's character sounds like a combination of the ones he played in Sin City and Children of Men, so we know he can pull it off. Paul Giamatti as a thug? I'm dying to see this.
Why It Might Not Do Well: Don't see that happening.
Number of Theaters: Number not available, though it is a wide release.
Prediction: $14 million

Come monday morning, I'm betting the box office top five will look something like this.
1. 3:10 to Yuma
2. Shoot 'em Up
3. Halloween
4. Superbad
5. The Bourne Ultimatum

After I mentioned last week how hard it was becoming to get a perfect score on our weekly predictions, four of last week's entrants proved equal to the challenge. Way to go, gang. Here's the rundown of how everyone did:

1. Gregory Rubinstein: 16
1. Bubba8193: 16
1. Skyler: 16
1. Chris: 16
2. Lee: 13
3. Matt: 12
3. Mario: 12
3. Porcalina: 12
3. Opp-Neg: 12
4. Jasonsmusicpage: 11
5. Jaimovich: 9
5. Amano Jyaku: 9
6. JBob: 8
6. Anna07: 8
7. Ray: 7
7. Josh: 7
7. Rich Diamond: 7
7. Tek: 7

Here's how the competition works:
Please post your prediction in the comments section below before 5:00PM on Saturday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

Matt Damon recently gave an interview to The Guardian -- a paper that actually figures prominently in his latest film, The Bourne Ultimatum -- and had a few interesting things to say. The actor talks in detail about the problems that plagued the first Bourne film -- there were four rounds of re-shoots and no one thought it had a chance of doing well. "The writer, Tony Gilroy, was the first writer in the history of Hollywood to arbitrate against himself so that he didn't have sole credit," Damon says. "These are strong signals to everybody in the industry that a turkey was coming." Damon also seems to soften a little when the reporter asks him if he's open to a fourth Bourne film: "It wouldn't be the worst thing," Damon says. "But it's tough to sustain."

Damon is also asked about his relationship with Ben Affleck, and actually commented on what he thinks sent Affleck's career into a tailspin. He says Affleck committed to roles that "in hindsight weren't good choices" and allowed himself to become a fixture in the tabloids, to his detriment. "If you end up on the cover of Us magazine, you're f**ked," Damon says. "Monday, here's so and so buying a cup of coffee ... Tuesday, here he is again at the bookstore ... By the time it gets to Friday, no one is going to see your movie. There's no mystery to you." Damon also says that he and Affleck aren't currently working on a script, but that they still plan to collaborate on something in the future.

It took me a little while to recognize the talent in Matt Damon. For a while, I just couldn't stand the guy -- but then I realized something -- I couldn't stand him because of his performance in School Ties. It wasn't that I didn't like the actor, but that his character, Charlie Dillon, had turned me off so much that I had projected the role onto him. It never happened before or since. Now, while he isn't one of the actors I would drop everything to go see in a film, he's very high on my respect list. He's currently kicking arse with the final part of his action series, The Bourne Ultimatum, which has gotten great reviews, and now he's talked to The Associated Press about the role and the film's violence.

The twist in this story is that Damon is the offspring of a college prof who specializes in non-violent conflict resolution. But he explains: "The reason I'm allowed to do this movie and still have a relationship with my mother is because the character bears the responsibility for his actions in a way, and you see the price that he pays for the life that he's chosen to lead." Unlike many other action heroes, Bourne doesn't leave wakes of dead bodies without a blink. Damon also states: "Every role I took, there's always a special eye toward the violence."

This might seem weird coming from a drama-heavy actor who has been in a number of films with violent actions, but he makes a distinction: "There are so many movies that drive my mom just totally crazy, because there are these thousands of acts of violence. The movies are rated PG-13, but the toys are marketed to ages 4 and up. So you get these kids who are just getting pounded by this imagery from a very young age. I don't want to be a part of that." So, no violence marketed towards children for the Bourne star, but we will get to see him put up his dukes in Darren Aronofsky's The Fighter. Bourne might not be the last action role for Damon, but we probably won't see him take over for Bruce Willis on Die Hard.

James Bond -- when played by Sean Connery, Pierce Brosnan and now Daniel Craig (and a bit less so when played by Roger Moore, Timothy Dalton and George Lazenby) -- has long been the gold stanard by which all other cinematic spies have been judged. He's smooth, aloof, quick-witted and charming. Guys want to be like him and women with names like Pussy Galore want to sleep with him. But these days, 007 has some serious competition from a more reserved, grittier and -- dare we say -- more likeable amnesiac spy named Jason Bourne (Matt Damon).

When The Bourne Identity came along in 2002, it pretty much reinvented the action-spy genre, placing its hero, Jason Bourne, squarely in the real world (where things like Bond's invisible car do not exist) and dealing with the unheard of (in the Bond world, at least) issues of moral accountability, character metamorphosis and even vulnerability. Clearly influenced by his neophyte rival, a new Bond was born in 2006's Casino Royale, with Daniel Craig stepping into the tux of a more down-to-earth, relatable and gadget-free 007. Even so, the gap between these two men remains enormous.

From the cars they drive to the villains they battle to the way they fight to the women they bed, Moviefone compares the two most badass spies ever to grace a movie screen in a Jason Bourne vs. James Bond gallery. Check it out and then tell us: Who do you think is the more super spy?

As expected, The Simpsons Movie ruled the box office with a yellow-tinted iron fist, taking in more than the rest of the top five combined, outdoing second place film I Now Pronounce You Chuck and Larry by $55 million and exceeding my personal prediction by almost $7 million. I hadn't expected any of the other new movies to break the top five, but No Reservations pulled in a modestly surprising $11.7 million to grab the number five spot. Here's the final tally:

1. The Simpsons Movie: $71,850,000
2. I Now Pronounce You Chuck and Larry: $19,063,000
3. Harry Potter and the Order of the Phoenix: $17,065,000
4. Hairspray: $15,550,000
5. No Reservations: $11,755,000

This week's new movies involve a flying dog, talking dolls, a klutzy stunt man, a salsa king and Matt Damon. Here's what we've got:

The Bourne Ultimatum
What's It All About: Matt Damon returns in his third outing as rogue agent and amnesiac Jason Bourne, trying to learn his true identity once and for all.
Why It Might Do Well: The first two films in the franchise pulled in $27 million and $52 million respectively on their opening weekends, and since the Bourne Ultimatum is the obvious big gun this week, I suspect the trend will continue.
Why It Might Not Do Well: Could Jason Bourne's luck have finally run out? No, I didn't think so either.
Number of Theaters: 3,500
Prediction: $65 million.

Bratz
What's It All About: In this live action film based on a line of fashion dolls, four girls enter high school and discover the meaning of peer pressure and loyalty.
Why It Might Do Well: Teenage girls looking for more of what Mean Girls had to offer may like this one.
Why It Might Not Do Well: Target demo seems awfully small.
Number of Theaters: 1,700
Prediction: $5.5 million

El Cantante
What's It All About: Biopic of Hector Lavoe, the salsa king. Not a snack food magnate, but a singer of salsa music. Marc Anthony and Jennifer Lopez star.
Why It Might Do Well: Based as it is on true events, El Cantante offers a genuine alternative to what's out there.
Why It Might Not Do Well: The relatively small release combined with the 18% rating over at rottentomatoes.com suggests that this one will not be raking it in.
Number of Theaters: 600
Prediction: $3 million

Hot Rod
What's It All About: Comedy about a motorcycle stunt man wannabe played by Andy Samberg who plans to jump fifteen buses to raise money for an operation that will save the life of his abusive stepfather.
Why It Might Do Well: The adorable Isla Fisher (the crazy one from Wedding Crashers) for one thing, plus there are some genuine laughs in the trailer for those into broad physical comedy.
Why It Might Not Do Well: I believe there was a motorcycle stunt in The Simpsons Movie, so that quota may be filled for this year.
Number of Theaters: 2,500
Prediction: $11 million

Underdog
What's It All About: In this reinvention of the classic cartoon, a dog receives super powers and the ability to talk in a lab accident.
Why It Might Do Well: Jason Lee is the voice of Underdog and a funny guy. Nostalgia appeal will also work in the film's favor.
Why It Might Not Do Well: The aforementioned nostalgia may be tempered by the fact that this new version is pretty far removed from the cartoon's original concept.
Number of Theaters: 2,800
Prediction: $16 million

This week I'm piercing the veil of time by reading tea leaves, or at least that was the original plan. I tossed back several bottles of Snapple before I realized that kind of tea doesn't have leaves, so I just asked my cousin Frank how he thought this weekend's box office might go:
1. The Bourne Ultimatum
2. The Simpsons Movie
3. Underdog
4. Hot Rod
5. I Now Pronounce You Chuck and Larry

Last Week's Prediction Rankings
1. Matt: 13
1. Evan: 13
1. Marc: 13
1. Gian1414: 13
1. Opp-Neg: 13
1. Anna07: 13
2. Bubba8193: 12
3. Jason: 10
4. Ness265: 9
4. ElBoracho: 9
4. Ray: 9
4. Josh: 9
4. JimRM: 9
4. Chris: 9
4. Mario: 9
5. Dustin: 7
5. Rufus: 7
5. Curt: 7
5. Lostpicks: 7
6. Gordy: 6

We had a pretty decent response to last week's box office prediction contest, but I'm hoping for more this time around. Come on, you know you want to. No prizes, of course, but I think that would sully the whole experience, don't you? Don't forget to post your prediction for the top five films in the comments section below. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

This summer seemed like the end of an era for a lot of the big franchises. Sure, some might be back, but I just don't think they'll be the same. For one of the last big summer releases, The Bourne Ultimatum, Universal has launched an online game, according to The Hollywood Reporter. It was announced that studio has teamed with Google for a promotional game with the somewhat lame title The Ultimate Search for Bourne with Google. Players try to hunt down the elusive rouge agent, and at the same time the game takes you on a tour of You Tube, Google Maps and web searches. Participants will have to answer trivia, and find random clues buried on the net to compete for the grand prize of a 2008 Touareg 2.

So far, the marketing for the movie has been pretty typical; just a few posters and a couple of trailers, and of course the Bourne game is another attempt to fully integrate the web as a way of engineering some buzz. You can't blame the studio for wanting to cash in on a little hype, especially when you consider all the hoopla over those Cloverfield sites. The highly anticipated final film -- and it turns out it will be the final one in the series -- is bringing Matt Damon, Julia Stiles, Brian Cox, Joan Allen, and Chris Cooper back for one last hurrah. Back in June, Jennifer had reported that instead of going back for more Bourne after this one, Damon was going to be working on the film version of Imperial Life in the Emerald City: Inside Iraq's Green Zone by Rajiv Chandrasekaran with Bourne director Paul Greengrass. Bourne doesn't open for a few more weeks, so if you can't wait until August 3rd and you have a way with Google, you could always take a crack at winning that car.

Warner Bros. is developing a new adaptation of David Morrell's novel The Brotherhood of the Rose, which was previously made into a TV miniseries back in 1989. The book tells the story of twin brothers two orphans adopted by the CIA who are raised as perfect assassins and then are themselves hunted by the CIA. I don't remember the NBC version -- if I heard the title back then I probably mistook it for The Name of the Rose -- but I'm now pretty interested. It stars a young David Morse and an old Robert Mitchum, and Morrell is the author of the novel-turned-Rambo-franchise First Blood. Unfortunately, it is only available on VHS, and though I could order it online, I'd rather rent it -- something that isn't an easy option in my neck of the woods anymore. Maybe as the new movie gets closer to arriving in theaters, someone will realize it's a good idea to get the old one onto DVD.

The new project seems to be a hopeful substitute for Universal's similar Bourne movies once that franchise (likely) ends with this summer's The Bourne Ultimatum. It may even try too hard and be an obvious copycat, but if Warners gets a decent duo to play the twins and a quality action director, it shouldn't matter if we feel we've seen it all before. Action thrillers about spies who find out they're being targeted are a very, very old concept, and they never really get tired. Basil Iwanyk, who is producing Brotherhood, is even planning a remake of Spies Like Us, which is in many ways a comedic take on the Bourne/Brotherhood/etc. premise. Once again, it's another unnecessary remake, and it won't have anything as funny as the original's "Doctor, Doctor" scene, but I love any movie involving spies (real or fictional), so I'll probably guiltily see it. That reminds me, when the heck are we going to get the long promised Spy vs. Spy movie?

In a summer laden with big-budget, CGI-heavy action movies, there is only one film whose protagonist can say, "I beat the crap out of a man using a rolled-up magazine." As you may have guessed, that man is Jason Bourne (Matt Damon), the impossible-to-kill hero of this August's The Bourne Ultimatum. We have an exclusive first look at the brand-new poster below (click on the image for a larger version).

Directed by Paul Greengrass (United 93, The Bourne Supremacy), this is likely to be the last chapter in the already legendary Bourne saga. This time around, expect another kickass car chase (the franchise is known for them) and a whole lot more of the visceral, gritty, realistic action that sets the Bourne movies apart from so many other films in the genre. As the poster's tag line suggests, Ultimatum will also see everyone's favorite amnesiac spy experience a little something known as "total recall." And from the looks of the trailer, that is not going to be a good thing for the bad guys.