TheDailyShow Tagged Articles at Cinematical

I understand why actors and actresses go on TV shows and promote their upcoming movies, but at some point prior to their appearance, you might think someone might say, "Hey, by the way, let's not reveal these details because they kinda spoil the entire film." Unfortunately, no one said that to Rachel McAdams yesterday when she appeared on The Daily Show with Jon Stewart, as it only took, like, one or two questions before the girl just opened up and spewed plot points from The Time Traveler's Wife as if someone injected her with a dose of truth juice.

Don't get me wrong, McAdams seems like a sweet girl and all, but c'mon! Even Jon Stewart tried to stop her from ruining everything by doling out his usual shtick, but the girl kept going and going -- it was seriously a complete trainwreck. Recently at Comic-Con, Cameron Diaz did something similar while sitting on a panel for The Box, giving away a major twist in that film, which incited a debate between a bunch of folks on Twitter wondering why these people aren't prepped before these types of appearances. And if they are prepped, shouldn't they be smart enough to know what to say and what not to say?

Which brings us to an interesting topic: How much or how little should an actor, actress or filmmaker be able to talk about their film while promoting it on television? Usually at a press junket they'll open up about everything because everyone there has seen the movie, but what sort of adjustments should these folks make when they go on, say, The Daily Show? Was McAdams wrong for giving away all those plot points, or are we just making a big deal out of nothing?

Watch the video after the jump ...

Above: Rainn Wilson lets his hair down for The Rocker.

Fans of Rainn Wilson's offbeat, hilarious and strangely endearing performance as Dwight Schrute on NBC's The Office might expect him to transition into film work with straightforward comedy, and The Rocker confirms that suspicion. However, they might not realize the serious professional motives behind his choice. In the movie, directed by Peter Cattaneo (The Full Grown Monty), Wilson plays a grown-up dolt named Fish with a scary fixation on classic rock. Abandoned by the band Vesuvius in his teens -- before they became a commercial phenomenon -- Fish spends the next twenty years working deadbeat jobs and wishing things happened differently. Naturally, he gets a second chance: When the opportunity rolls around to drum for his nephew's high school, Fish goes for it. Ageism and slapstick humor ensue.

While not exactly a classic, The Rocker proves Wilson has the charisma to carry a movie. The script could use some polishing, but Wilson manages to play a completely dysfunctional human being without ever becoming an annoyance. It's a testament to his skill as an actor with calculated timing. The humor emerges from the naturalism of his performances, which make you believe in the outlandish characters he portrays. In a conversation with Cinematical recently, Wilson elaborated on his particular strategies as his career advances, reminisced about his days as a New York theater actor, and shed some light on a few upcoming projects.

And you thought Wall-E was political. JibJib, the interactive e-card site founded by brothers Evan and Gregg Spiridellis, have returned to the scene that originally brought them fame. The duo first received national notice during the 2004 presidential campaign, when their riotous spoof This Land presented the two candidates (and a variety of secondary players) as rotund heads on animated bodies spouting rhetoric in rhythmic harmony. Since then, the JibJab site has placed more focus on the e-card business, but now it's back to the good old days with Time for Some Campaignin', a jolly tune to set the stage for the Obama/McCain face-off in the weeks to come.

The new video is similar to This Land in that it opts not to spoof either candidate more than the other, instead focusing on the larger campaigning process. It's hard not to laugh at the goofy visuals and smartly composed lyrics (especially those involving the Clintons), but it seems to me that the Spiridellis' work will never attain the degree of insight offered by the satire on The Daily Show (or The New Yorker, for that matter) because of this resolutely non-partisan approach. What do you think?

Well, there has been another bidding war in Hollywood, and another studio gets to emerge victorious. The Hollywood Reporter announced that Warner Bros. have purchased the film rights to Josh Lieb's young adult novel, I Am a Genius of Unspeakable Evil and I Want to Be Your Class President (and while I'm normally not a huge fan of overly long titles, this one is pretty cute).

The story centers on a chubby and awkward 13-year-old boy with the reputation of being the dumbest student in the seventh grade. What his classmates don't know is that, in fact, the boy is actually an evil genius with one of the largest fortunes on the planet. He's even got an underground lair underneath his suburban split-level. In an attempt to please his do-gooder dad, he comes up with the idea of running for class president.