TheDarkKnight Tagged Articles at Cinematical

While tooling around online I came across a post over at Brobible on the 15 Best Man Caves on the Internet. A Man Cave, for those who do not know, is usually an area somewhere in the house (normally the garage or a spare room) designated for the guys to hang out in and do "guy things" like watch tons of sports or, in the case of one Australian homeowner, tons of The Dark Knight. I'm not exactly sure how much this cost, though Gizmag tells us the screening room won the highly commended prize in the 'above $100,000' category at CEDIA Asia Pacific annual awards, so more than likely this sucker cost a pretty penny to produce.

The room took about 20 days to piece together, while the installation of equipment and acoustic took another 8 days. Apart from very cool-looking and comfortable seats, as well as a big screen, the room also features a full wet bar and a bathroom that can be accessed via a remote-controlled sliding door.

From Gizmag: "Entry to the 'secret location' is via a remote-controlled pneumatic sliding door (unfortunately, not bat poles). A touch of the panel outside and the door opens, the lights turn on to a predetermined level, the projector and scaler come to life, and the processor goes into action. So, by the time you've chosen your movie and had your first mouthful of popcorn, everything is humming along, just like a well-oiled Batmobile."

Check out some images below and more stats on the equipment over at Gizmag. If you had the dough, would you put something like this in your home?

If you've been watching playoff baseball these past few weeks, you've probably come across the Tommy Boy DirecTV commercial about, say, 176,000 times. About a week after it began airing, the satellite television company came under fire for a second time for airing parody commercials featuring actors or actresses who died tragically at a young age. The first was a commercial featuring Poltergeist actress Heather O'Rourke, and now folks are really pissed DirecTV is using Chris Farley in a commercial that stars David Spade (who reprises his character from Tommy Boy in a parody of the "Fat Guy in a Little Coat" scene).

If you want my personal opinion, I think DirecTV does this sort of stuff on purpose -- claiming to be "celebrating" the life of a dead celebrity, though what they're really hoping for is that people like us (and several other sites) will give them a bunch of free publicity by writing attacks on their ads. But back to my original point: The folks over at Landline TV have put together a spoof of the DirecTV dead celebrity spoofs -- this time including folks like Heath Ledger, John F. Kennedy and Jesus Christ. Honestly, I'm surprised Michael Jackson hasn't made an appearance yet ... or, heck, how long before DirecTV butchers a scene from Dirty Dancing and craps all over Patrick Swayze?

What do you think about these commercials? Yes, they're annoying (believe us we know), but are they in the wrong for featuring dead celebrities? Or what about celebrities who died tragic deaths at an early age? Is there a difference? Anyone canceling their DirecTV service because of this?

Chime in below, and watch the video after the jump.

Why recast the relatively small role of a doctor in a thriller? Michael Mann's Manhunter was an excellent thriller, featuring Brian Cox in a small role as the imprisoned, chillingly cold cannibal Dr. Hannibal Lecktor. When the time came to adapt another one of Thomas Harris' bestsellers, Jonathan Demme went in a different direction, casting Anthony Hopkins as the good doctor. The character's family name was restored (Lecter, not Lecktor) and a whole new set of tics and tricks were placed on display. Hopkins may have been the only actor alive who could have hammed it up to such extreme levels and yet, somehow, made Lector creepy rather than campy, unnerving rather than unbelievable. For his memorable efforts in The Silence of the Lambs, Hopkins won an Academy Award.

Recasting villains is a tricky business. Everyone needs to love, identify with, and cheer the hero or heroine, but if the villain doesn't provide the requisite level of opposition, the picture runs the risk of becoming unbalanced, leaving a gaping hole that cannot be filled in with special effects. And if an actor has established the character in the public's mind, it's difficult for anyone else to measure up.

So Dylan Walsh has an advantage in The Stepfather, which opens tomorrow. Terry O'Quinn originated the title role in the 1987 original, and was a truly memorable monster. Yet the film is not steeped in the public consciousness to a high degree, and O'Quinn has become much better known from playing John Locke in Lost. Walsh's fame, such as it is, comes from the lesser-seen TV series Nip/Tuck. Walsh has a shot of creating his own distinct brand of villain.

Everybody loves a bad guy. They usually get the best lines, a great entrance, and a hell of a death scene. But our love affair with the dark side is no secret, and as much as we might love the bad boys, we all enjoy a good 'comeuppance', which is usually where our heroes come in. Hell, probably one of the biggest reasons most of us love the world of make-believe is that at least there, the good guys can win. Occasionally, though, you find a villain with qualities that go a little beyond being the 'man/woman you love to hate', and before you know it, that monster has managed to win you over before the credits have rolled -- which isn't always good news for our heroes.

Now this doesn't mean that I think these villains are model citizens, because well, I'm not that psycho. But when these guys are on screen, suddenly the 'hero' of the piece starts to fade away, and when your audience is bummed when the bad guy goes down, you know that you've created a villain who is just too damn charismatic for their own good. These characters can pop up in anything from a comic book flick to a period drama, but the one thing they have in common is their ability to make you think, "Hey, he's nuts, but he might have a point". So that's why for today's installment of our monthly tribute to villains, I've put together a list of my top 5 movie villains with charm to spare.

After the jump; my top five movie villains that will win you over in the end...

I'll admit that when it comes to Batman, I'm a bit of a novice (I'll just take a moment to let you finish yelling at your monitor). Granted, I've been taking steps to remedy that situation over the past couple of years, but I'm still a long way from an expert. The reason I mention this is because I'm not steeped in Batman lore and I never really found The Joker to be all that scary. But because of Christopher Nolan and Heath Ledger, I now understand what was so creepy about that clown thanks to the interrogation scene in The Dark Knight.

It's one thing to hear someone say they have nothing to lose, but it's a hell of a lot more frightening to watch that philosophy in action. What makes this scene so memorable is that in under five minutes the Joker sums up everything about the Batman/Joker relationship that makes it one of the most fascinating in comic book history -- it's an interesting idea that the person who is supposed to save you might not be able to because of his moral code. Batman's adherence to the law is his Achilles' heel, and no matter how many times I have seen this movie, I can't help but crack a smile at Ledger's gleeful maniac turning the knife on our Caped Crusader with "You have nothing, nothing to threaten me with. Nothing to do with all your strength." And the scary thing is ... he's right.

After the jump: "I'm not a monster, I'm just ahead of the curve..."

Earlier today we brought you Rotten Tomatoes' list of the 100 worst reviewed films of the decade. Now, though it might be a little premature (considering that we still have a little while to go before we hit our next decade), the good folks over at I Heart Chaos have decided to get the ball rolling on those end-of-decade lists by shoveling out what they believe are the Top 50 Movies of the 2000's. Usually these kinds of things start to gain in popularity towards the end of the year, but I guess the early bird does get the worm, so let's get right to the chase and find out who made the cut.

When you've got a a list of 50, there is plenty of wiggle room, and it's a pretty comprehensive list that manages to find room for cult faves and foreign flicks. But I'll admit, even though Chaos has put together a solid list, I was a little surprised that the #1 film for this decade is Quentin Tarantino's Samurai/Cowboy epic, Kill Bill -- though that's the beauty of a list, everyone wants to have a little friendly debate, I guess. You can read the entire list over at Chaos, but rounding out the top five are The Dark Knight, No Country for Old Men, and Kinji Fukasaku's adaptation of Battle Royale.

The great thing about a long list like Chaos' is that it makes room for all kinds of movies that sometimes you just don't have room for in streamlined lists of five or ten entries. But I love a challenge, so I decided to put together a list of my top films of the 2000s ... although I've cheated just a little.

After the jump: my nominations for the top films of the 2000s...

Ever since The Dark Knight, we've become obsessed with making things darker. Little Red Riding Hood? Make it darker! The Wizard of Oz? Dorothy should be cutting up the wicked witch with a chainsaw! Alice in Wonderland? Alice should be a meth-addicted stripper who's afraid of big hats! (Note: Don't fret, Alice is not a meth-addicted stripper in Tim Burton's upcoming adaptation, though I bet she exists somewhere in that form.) Thankfully we still have Disney and their arsenal of cute, charming, cuddly princesses. And since Disney would never in their right minds turn one of their beloved princesses into some sort of trashy, blood-thirsty sexpot, those of you who'd like to see what something like that would look like can now check out Jeffrey Thomas' pretty fantastic collection of Twisted Disney Princesses.

Out of all his images, I think Snow White is my favorite -- but only because she comes equipped with seven nasty looking dwarf-trolls, all of whom would probably make up the greatest horror-comedy in history if anyone was ever a allowed to throw something like that together. I can picture it now: There's Sleepy passing out just as he's munching down on the severed head of his latest victim. Oh, and there's Dopey getting blood all over Snow White's brand new white leather sofa ... again!

Check out some of our favorites below, and the rest over at Jeffrey's page.



[via Neatorama, via ScarletScribe's Twitter]

Let's be real here: every 11-year-old boy lives to one-up the kids he's friends with. When I was a young lad, the kid next door to me was always buying the newest toys and then conveniently playing with them out in front of his house constantly so that everyone in the neighborhood would know who the cool kid was. Well boys (and girls), here's something that will forever make you the most popular kid at your school: the Batman Tumbler Go-Kart.

A dude by the name of T-Man created this go-kart (which he calls the T-kart) from scratch and filmed his every step so that you, too, can build a Batman Tumbler in your very own garage. The only downside is that it doesn't go in reverse or come with a host of different weapons, but one of those is an easy fix. You can follow T-Man's entire journey over on YouTube, but we posted video of the final product after the jump. Check it out.

From Pacman to Public Enemies, he's had more ups and downs than most other actors of his generation. Christian Bale has careened between extreme highs and deep lows, in the view of the folks at MovieFill, and they decided that a rollercoaster was the most apt visual metaphor for his career. A reduced-size version can be seen above.

They squeeze most of his films into the chart, though they left out a few. Before his sensational role in Mary Harron's American Psycho, he was very appealing in Metroland and got good notices in Todd Haynes' Velvet Goldmine; pre-Batman Begins / The Dark Knight, he was fun to watch as a frisky villain in John Singleton's Shaft and an uptight, would-be psychiatrist in Laurel Canyon. I don't agree with every notation in the chart. Harsh Times, for example, is cited as one of his "lows," but Bale was riveting. Two notorious off-screen incidents are included, which both affected his public perception, though it seems somewhat unfair to lump those in with his films.

Still, the rollercoaster graphic provides an easy way to look back and consider the range and daring of what he's done, especially earlier in his career. Recently he's been in more big-budget productions than anything else, and next up is David O. Russell's boxing biopic The Fighter. I'd love to see him in a couple of smaller indie flicks. What are your thoughts on Christian Bale's career so far? More ups than downs?

While the world mourns the loss of Michael Jackson, Vanity Fair has cooked up a somewhat controversial (and fairly random) look back at Heath Ledger's final days, with quotes from his agent, his vocal coach, director Terry Gilliam and Doctor Parnassus cinematographer Nicola Pecorini. The article, published in part on Vanity Fair's website, is broken into different paragraphs with titles like "How chronic insomnia may have led to his death" and "How his relationship failed." Did the world -- not to mention Ledger's fans, friends and family -- really need all these old wounds dug up and scraped for a little extra attention? Probably not.

Of all the quotes, the most fascinating seem to be the ones which talk about The Dark Knight, and how Ledger's pay-or-play deal allowed him to do whatever he wanted with the role of Joker seeing as he was to still receive a paycheck regardless of whether he remained in the movie. According to Pecorini, Ledger was actually hoping his performance was way too out there and that he'd get fired, allowing him to take a nice, long paid vacation. Ledger's agent, Steven Alexander, sort of backs up the statement with this one about the actor's attitude toward big summer movies, saying he "was always hesitant to be in a summer blockbuster, with the dolls and action figures and everything else that comes with one of those movies. He was afraid it would define him and limit his choices."

The article also delves into Ledger's rampant drug use, eventual sobriety and just how rough his break-up with Michelle Williams was. It also links off to a 2000 photo spread featuring the actor in some, um, interesting poses. Definitely an odd piece, and I'm sure some will be critical of Vanity Fair for running it. Check it out over here and let us know what you think.

[via The Playlist]