TheDarkKnightMovi... Tagged Articles at Cinematical

Look, I thought The Dark Knight had a lot of strong selling points: Combine a deft pace with thoughtful characterizations and a whopping IMAX design that turns the entire experience into a plot-driven theme park ride, and you've got one hefty dose of Batman adrenaline.

Still, comparisons to The Godfather Part II notwithstanding, The Dark Knight isn't foolproof -- in fact, no single movie in history is foolproof. The subjective experience of movie watching ensures that nothing can be universally liked by everyone, and rules of civility insist that humanity respect that truism. It's acceptable to feel passionately about a great work of art, and defend that perspective with rigorous argumentation, but much of the outrage over the minority perspective that The Dark Knight isn't any good has made such practical thinking impossible.

Deemed the first critic to pan the movie, New York's David Edelstein went out of his way to list the allegations against him sent along by various Batman fans. The House Next Door editor Keith Uhlich, meanwhile, fielded over a hundred rants in the comments section following his astute critique of director Christopher Nolan's questionable portrayals of violence. What's particularly shocking about this frightful deluge of negative responses is that many of these people began posting their disapproval before they even saw the movie.

It's one thing to disagree with somebody. It's another to censor them. That's the central problem with the United Kingdom's decision to condemn The Great Global Warming Swindle, a documentary by Martin Durkin arguing exactly what its title implies.

A response to the global warming awareness popularized by An Inconvenient Truth, Durkin's film was considered disingenuous from the perspective of British broadcast regulator Ofek, which ruled that Channel 4 violated the country's boundaries of impartiality when it broadcast the movie last year. Apparently, Durkin manipulated his subjects in order make them verify his questionable stance that global warming was a conspiracy.

Now, I find it hard to buy into any movie that puts its ugly one-sided argument right in the title, but there's something to be said for freedom of speech in this case. What's the U.K. doing with these nonsensical impartiality laws? Since when do documentaries have to remain objective and avoid agendas? Even your average PBS program takes a side. The ruling suggests a totalitarian mindset where art is subjected to a group think mentality, and that's scary. What if The Dark Knight were banned for condoning torture? Maybe that's an extreme comparison, so try this one: What does Ofcom think about Michael Moore?

There are many ways to anticipate The Dark Knight. You can assemble a fake plot out of the numerous clips circulating the web, you can stitch together adorable bat-toys, or just rewatch Christopher Nolan's first entry in the Batman franchise. However, there's a lot more to this sprawling, nearly three hour rush of furious confrontations and haunting corruption. The greatest Batman stories emphasize the character's shadowy nature, and Nolan pulls from many of them to create the intensely moody aura of the latest film. You don't need to know anything about the character to enjoy the movie, but it certainly expands the experience to do some research -- and allows for a greater appreciation of the filmmaker's efforts to honor the nature of the character.

Here's a look at some antecedents to the current interpretation from the last two decades.