TheHouseBunny Tagged Articles at Cinematical

Once again, we're sending some love to our warped friends over at Worth1000 for their latest brilliant photoshop contest. This time they asked readers to take any celebrity and place them in a different time period. So, for example, above you see WALL-E making a cameo in a Charlie Chaplin movie (my personal favorite). Or, you could take, say, Charlie Chaplin and photoshop him into an image from 2009. Get the idea? Folks were all over the place with this one -- from Marilyn Monroe starring in The House Bunny to Casablanca starring George Clooney, Nicole Kidman and Christian Bale, you'll no doubt find some fascinating imagery in this particular contest, even if some of them are just so very wrong. Check out our favorites in the gallery below, and the rest over at Worth 1000.



[via Superpunch]

Note release dates, which are spaced from today through next Sunday.

Burn After Reading (12/21)
The Coen Brothers shine a bright light on Washington spy silliness, and then, by extension, all of the silly extremes we indulge in, producing a very funny comic fable that should reward multiple viewings. With George Clooney and Brad Pitt. Available on DVD and Blu-ray. Buy it.

The House Bunny (12/19)
Anna Farris' comic brilliance transcends the shopworn material. As Erik Davis suggested, "enjoy the movie for what it is: A simple, seductive slice of late-summer sunshine." Available on DVD and Blu-ray. Rent it.

Mamma Mia! The Movie (12/16)
I think you'd do better to spend your money on another album by Abba; this musical has bewildering choreography and a wandering camera that doesn't know where it should be. Still, Meryl Streep has a lot of fun with it, and her presence covers a multitude of sins. Available on DVD and Blu-ray. Rent it.

The Mummy: Tomb of the Dragon Emperor (12/16)
Big budget, big battle scenes, and big nothing when all is said and done. A huge waste of talent and time that fails to entertain on the most basic of levels. (But I still like Maria Bello!) Available on DVD (wide screen and full screen) and Blu-ray. Skip it.

Death Race (12/21)
Jason Statham I can understand, but how did Joan Allen keep a straight face? A monstrous disappointment for action fans, with its hyped-up CGI'd incomprehensible racing scenes. Available on DVD and Blu-ray "unrated," though you'd do better to leave it "unwatched." Skip it.

Also out: Dr. Horrible's Sing-Along Blog (Amazon.com Exclusive) (12/19), The Women (2008) (12/19), Traitor (12/19), We Are Wizards (Amazon VOD).

Having already made my love for her comedic talents quite pronounced, it only heartens me to hear that Anna Faris is up for more antics in the genre. Her next two projects, according to the Hollywood Reporter, are an untitled pitch involving the House Bunny team in which "two estranged sisters team up to land a husband" and something called 20 Times a Lady, based on Karyn Bosnak's novel, in which her protagonist goes through all her past sexual conquests out of hopes of finding Mr. Right among their number.

Okay, so they both sound like somewhat gimmicky rom-com fodder that Kate Hudson probably passed on at some point, but if anyone has proven themselves capable of working wonders with next to nothing, I remain convinced it's this here comedienne. By IMDb's count, Faris has at least four other comedies due out next year (none of which, thankfully, are Scary Movie 5), and hey, if it ain't broke...

According to a new survey over at Fandango, the hottest movie-related Halloween costumes of 2008 might have a little something to do with the year's biggest film. As far as men go, the number one movie-related costume this year will, of course, be The Joker (as played by Heath Ledger) from The Dark Knight -- with Batman following closely behind at number two. Iron Man/Tony Stark, Kirk Lazarus (black action hero from Tropic Thunder), Indiana Jones, Hellboy, Two-Face, Jigsaw (from Saw), Simple Jack (as played by Ben Stiller in Tropic Thunder) and Saul the Dealer (James Franco in Pineapple Express) round out the top ten. Simple Jack? Really? Can you do me a favor and punch the guy who dresses as Simple Jack at your next Halloween party?

As for the ladies, it seems slutty Playboy bunny is all the rage this year. Yup, The House Bunny (Anna Faris) topped their list, with Angelina Jolie's Fox (Wanted) coming in second. Hannah Montana, Gabriella from High School Musical 3 and Bella from Twilight round out the top five. Don't Bella and Gabriella look like regular girls? How do you create that costume -- by picking up some clothes at The Gap?

We posted the full lists after the jump (for men, women and couples), and feel free to tell us what movie-related costume you've created for Halloween. Better yet, show us -- in about a week from now, we'll be officially launching our Fourth Annual Halloween Costume Contest. Prizes, pictures, voting -- it's oh so much fun. Do join us.

It would be nice to be able to say that the Coens are finally getting some drawing power, but I suspect the insane cast of Burn After Reading -- Pitt, Clooney, Malkovich, Swinton, McDormand -- had something to do with its exceptionally strong $19.4 million bow, the Coens' strongest ever. It barely beat out The Family That Preys, which opened to $18.02 -- slightly below par for Tyler Perry, though still nabbing the highest per-screen average in the top 10 on just over 2000 screens.

The third-place, $16.5 million take for Righteous Kill seems about right: a compromise between the draw of De Niro and Pacino, and the toxic buzz surrounding the film. As for The Women, $10 million isn't exactly gangbusters, but probably more than Picturehouse had any right to expect given that the movie came out of nowhere.

Anna Faris's The House Bunny has turned into a minor hit; it took a 22% drop from last weekend, and has passed the $40 million mark. Not bad for a late-August release with no real star power. Bangkok Dangerous is dead in the water, dropping from 4th to 8th place; it will top out at around $15 million.

And I can't resist noting what happened to Proud American, the patriotic half-doc that was dumped into 750 screens this weekend by Slowhand Cinema. It landed below the top 25, with $135,000 and a $180 per-screen average. That's for the whole weekend. If you take $6.50 as an average ticket price (a bit below the actual average, but probably reasonable given that the interest for this film was probably not in major metropolitan markets), that's comes out to an awesome 28 people per theater, and around 2 people per show. Whoo!

The full estimates after the jump.

Jeepers, it was a slow weekend. I'm not even two sentences into this post, and I'm already bored. I'll keep this short.

The weekend's top film and the only new wide release -- Lionsgate's Bangkok Dangerous earned a whopping $7.8 million. I know what you're thinking. You're thinking: Gene, when was the last time a #1 movie made that little money? The answer is: precisely on the same weekend of the year back in 2003, when Dickie Roberts: Former Child Star took first place with $6.7 million. Here's Box Office Mojo's chart on the subject.

Bangkok Dangerous duked it out with Tropic Thunder, now in its fourth weekend, for the top slot. Bangkok won by less than half a million, and Tropic Thunder is headed for $100 million by next weekend.

The House Bunny turned out to be the weekend's strongest holdover, going from fourth place to third in its second weekend of release. With box-office receipts generally on the decline, resilient performers The Dark Knight and Mamma Mia! look to finally be taking some bigger hits.

That's about it I think. The full numbers after the jump.

There were no big surprises at the box office this weekend. To officially ring in the fall, it was the first weekend since April when no film debuted to more than $20 million. The best opener was the tolerably-reviewed Anna Faris vehicle The House Bunny, with $15.1 million. Interchangeable Jason Statham Movie, a.k.a. Death Race, followed with an estimated $12.3 million -- among Statham's weakest showings and the worst ever for director Paul W.S. Anderson (not counting the indie Shopping, which played on one screen).

Neither The House Bunny nor Death Race could dethrone Tropic Thunder, which held up fairly well to stay on top with a $16.1 million second weekend. It looks to have better legs than Pineapple Express, and should pass that film before all is said and done. In other holdover developments: The Dark Knight fell to fourth, but should reach $500 million by next weekend; Star Wars: The Clone Wars fell an unsurprising 60%+, and will top out around $35 million -- still not bad for a cartoon, I think.

Two more wide release debuts fared poorly. The Longshots -- the Ice Cube/Keke Palmer football drama directed by Fred Durst -- made a predictably tepid $4.3 million bow. But boy was I ever wrong about The Rocker, which was heavily advertised and promo-screened, but landed out of the top 10 with $2.8 million and an under-$1000 per-screen average. Color me surprised -- it's a decent flick, too. I guess Rainn Wilson not only can't open a movie, but affirmatively turns people off.

Hamlet 2 opened on 100 screens before going wide next weekend. Its $435,000 gross -- around $4,200 per screen -- isn't terrible, but doesn't inspire confidence for the expansion.

The full estimates after the jump.

A brief, sum-it-all-up-in-one-line description of The House Bunny would probably go something like this: Imagine if a sequel to Legally Blonde and a sequel to Clueless had a child and it was adopted by a sequel to Revenge of the Nerds. That's The House Bunny. Thankfully, a strong and very funny performance from Anna Faris -- as well as decent-enough turns from Emma Stone and Kat Dennings -- save this late summer slacker from flunking out of theaters completely. It's familiar, it doesn't make you work for a laugh and, heck, for some it might be a nice way to cap off a long, dark, foul-mouthed summer full of superheroes, stoners and sequels.

To Shelley Darlingson (Faris), living in the Playboy Mansion is a fairytale come true. Sure, she's not a centerfold ... yet ... and was only featured in a few pictorials (Girls with GEDs, Girls with Charlie Sheen), but that doesn't stop her from bringing half-naked cheer and joy to anyone within shouting distance. Things take a turn for the worse, however, when Shelley's told that Hef doesn't want her in the mansion anymore -- that 27 is, like, 59 in Bunny years. With nowhere to go, a suitcase full of skimpy outfits and the rusty, beaten-up station wagon she arrived in, Shelley wanders the streets until eventually she stumbles upon a whole bunch of mansions that look just like home ... only they're fraternity and sorority houses ... but good ol' Shelley don't know the difference.

Despite having starred in a series of spoofs that have together raked in over $400 million on the domestic front, it still doesn't feel like Anna Faris is quite the household name she deserves to be. All dollar signs aside, this comedienne has that endearing mix of whip-smart comic timing, goofy mugging, general hotness (what?), and a sense of self-awareness in even her ditziest roles. Time will only tell if tomorrow's release of The House Bunny will formally launch her into the ranks of, say, Reese Witherspoon after Legally Blonde, but even if she doesn't, here's at least seven reasons why she'll always be our funny bunny.

1. Cindy Campbell in Scary Movie 3 (2003)

Say what you will about this parody franchise, but it's been a minor blessing that Faris keeps coming back to ground these puppies from evaporating into pure irrelevance... although it's pure irrelevance that keeps me coming back to this one in particular. Call it a guilty pleasure if you must, but there are glorious non sequiturs a-plenty that help me cope with the slapdash plot and already dated pop culture riffs (oh, right, Simon Cowell, he's that guy...). Naturally, not the least of the credit goes to Faris, who, as the aloof reporter/single mom, is just as inept at either job as we'd like her to be.

"I tend to make an ass out of myself a lot. And so that's kinda the cool thing that comedy has given me -- the ability to laugh at myself." -- Anna Faris

You might not know it yet, and she might not know it yet, but the female answer to Judd Apatow and Seth Rogen and all those, well, dudes, has finally arrived in the form of ... a Playboy bunny? In her latest film The House Bunny, Anna Faris plays a Playboy bunny who's kicked out of the mansion, and, in searching for a new place to crash, stumbles into the dorkiest sorority house on campus and signs up to be their house mother. It's a familiar PG-13 comedy that doesn't exactly re-invent the wheel, but if there's one reason to see the film, it's Faris. Here, at least, she proves there's definitely room for big, female-centric comedies in Hollywood.

Cinematical sat down with Faris earlier this week, where we spoke about her new film, what it's like to be on the cover of Playboy and how, exactly, she went from starring in dramatic theater productions in Seattle to landing the lead role in a little comedy called Scary Movie.

Cinematical: So congrats on landing the cover of Playboy!

Anna Faris: [laughs] Thank you!

Cinematical: What's up with that? Was anyone caught by surprise or freaked out at seeing you on the cover?

AF: Yeah, I thought it was awesome -- it was rad -- and that all my ex-boyfriends would think, ya know ...

Cinematical: They'd be feverishly flipping through the pages thinking your career was over and this was a last ditch effort to do whatever ...

AF: [laughs] Probably ... but yeah, it was great. Ya know, we planned it awhile ago and just wanted it to tie into the film and all that. My parents are pretty conservative, but they were really happy and excited for me. In fact, I'm taking them to the premiere tomorrow, which the party afterwards is at the [Playboy] mansion ... so [laughs] I'm going to try to drag them up there.