TheHowling Tagged Articles at Cinematical
What a Surprise: 'The Howling' Gets a Remake
Filed under: Horror », Deals », Scripts », Remakes and Sequels »
What a complete non-surprise! Now that New Moon is raking in the cash, and doing what very little it can for the werewolves of the world, the vamps are gearing up for some further sharp-toothed competition. Variety reports that The Howling will return to the big screen by the hands of indie producers Joel Kastelberg and Etchie Stroh under the name The Howling: Reborn. Since it's been over three years since we first heard rumors of a remake, my guess is that this is a whole new can of worms.A former marketing executive for studios like MGM and New Line, Joe Nimziki wrote the script and will direct it when the feature starts shooting this February. Once that's all done, they're hoping to get this howler into theaters for Halloween. The plot is being kept under wraps, but the original followed a TV newswoman who goes on a retreat after an ordeal with a serial killer, only to be thrust into a world of
Now here's where I say this is a missed opportunity. It's inevitable that each old-school horror flick will get rebooted. But why not try to up the ante, or at least insert wow-factor? We've seen the increased interest in Elm Street since Jackie Earle Haley took over, and that's a pretty mainstream franchise. Now imagine what The Howling could be if they coerced John Sayles into writing it again -- maybe not to be campy like the first, but a well-written piece of horror. That man is a pro at taking characters and situations and spinning an intricate web, so imagine if he intermingled his indie talents with his old-school horror ways. At the very least, it'd make the project immediately buzz worthy to a larger audience.
As it stands, do you want more Howling?
My Multiplex Triple Bill: Whew!
Filed under: Action », Comedy », Thrillers », New Releases », Fandom », Exhibition », Summer Movies »
They don't make double bills like they used to. I got in on the tail end of the double feature, which was a routine practice at second-run theaters until (at least) the early 80s. As a child my parents only took me to see one or two movies per year, so when I got to my teens and realized I could see two movies for the price of one, I became an addict (my all-time favorite double bill: Excalibur and The Howling). Nowadays you have to create your own double feature, and be willing to pay separate admission fees for each movie. Add in the cost of concessions, which is hard to avoid if you're at a theater for more than four hours, and the price can get out of hand.
Multiplexes don't make it easy to watch movies back-to-back, either, staggering their showtimes to maximize the number of screenings per day, accommodate the sharing of film prints in more than one auditorium, and so forth. All that is understandable from their standpoint, and doesn't present a problem if you're only seeing one movie at a time. But when I'm trying to catch up with several releases that I've missed, it gets to be a big challenge. Let me give you an example.
To varying degrees, I wanted to see all three movies that opened in wide release on Friday (G.I. Joe: The Rise of Cobra, Julie & Julia, and A Perfect Getaway), ideally one after the one at the first available opportunity, which, for me, was during the day on Saturday.
RvB's After Images: Dracula Has Risen From the Grave (1968)
Filed under: Horror », Fandom », After Image », Cinematical Indie »
They had faces back then, certainly. More importantly they had titles. You could tell a Hammer film came from the land of Churchill just from their strong titles, fit for a debating society, really: "Resolved: Frankenstein Must Be Destroyed." As it happens, the Shock It To Me! fest in San Francisco at the Castro Theater October 5-7 is showing both Frankenstein Must Be Destroyed (1969) and Dracula Has Risen From the Grave (1968) with Hammer star Veronica Carlson flying in for a visit. They've also got three by the great Joe Dante (Matinee, The Howling, and the very witty Gremlins 2).
Bay Area horror movie luminary John Stanley will be visiting, and they'll be reviving the best movie made in Santa Cruz ever--and don't tell me about no Lost Boys!--Killer Klowns from Outer Space. Let us focus, though, on Hammer's third Dracula movie (not counting its 1960 The Brides of Dracula, which Dracula doesn't even bother to show up for). For the the third time, the tall and remote Christopher Lee fills the opera cape, in a horror adventure that deals with the rage of the Count; you could argue that Lee was one of the last people to take Dracula seriously.
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