TheIncredibles Tagged Articles at Cinematical

Over at NPR.org, writer Linda Holmes dared to blog an open letter to Pixar, politely asking to see a few adventures with, maybe, girls as the main characters. Her tone was set nicely in the opening of her piece, titled "Dear Pixar, From All The Girls With Band-Aids On Their Knees":


Holmes points out that of the ten features that Pixar's released theatrically so far, all ten have been boy's adventures. She acknowledges that the movies "feature women and girls to varying degrees -- The Incredibles, in particular -- but the story is never 'a girl and the things that happen to her,' the way it's 'a boy and what happens to him.'" She mentions again that she loves Pixar's movies ... she'd just like to see a character like Up's Ellie or The Incredibles' Violet as the main character for a change.

There are over 100 comments on the piece and, this being NPR, the overwhelming majority of the responses are intelligently expressed and in agreement with Holmes point of view. But if you skip over to Jerry Beck's animation blog, Cartoon Brew, you'll find a lot of readers with a different perspective.

Mother's Day is bittersweet for me because my own mother passed away 11 years ago. In recent times, though, the sweet far outweighs the bitter, because I have wonderful memories of our time together watching -- and loving -- movies. When I'd come home from school in the afternoon, we'd talk and watch old movies on a tiny, black and white TV. When everyone else in my family thought I was crazy for waiting in line for hours to see Star Wars and Close Encounters of the Third Kind, she told me about waiting in line for hours as a young teen to see Gone With the Wind. When she was dying of cancer and I visited for a couple of weeks from out of state, we spent hours watching old movies together.

In honor of all of our mothers, I've compiled a list of seven of the most awesomest movie moms. But this isn't a competition; it's just a list, and it's just a highly personal reflection of my own thoughts, so please feel free to share your favorite, most awesome movie moms in the comments.

1. Geena Davis as Samantha Caine / Charly Baltimore in The Long Kiss Goodnight

As Elisabeth Rappe rhapsodized recently, "the charm of the movie is that her psychotic nature is buried within a happy-go-lucky mom who enjoys baking muffins and wearing ugly Christmas sweaters." Home-made muffins are nice and all, but wouldn't it be cool if your mother could assassinate those bullies who keep beating you up after school? Not saying she would, of course, though that would have been a tantalizing prospect for me. Of course, the flip side is that you'd better behave ... or else!

I'm not entirely sure where or how /Film dug up this blog post from last summer about the lack of proper female characters taking the lead in Pixar's productions to date, but it's certainly made those of us on Twitter all... a-buzz.

Think about it: Toy Story had Bo Peep and Mrs. Potato Head serve as love interests; A Bug's Life had a princess love interest and spunky tot; Toy Story 2 can claim Jessie as a proper heroine; Monsters, Inc. is back to love interest and spunky kid; Finding Nemo does give Dory a fairly prominent and helpful presence; and The Incredibles has both Helen and Violet as prime role models. Cars and Ratatouille once again reduce the gals to objects of affection, while Wall-E falls for one admittedly assertive robot.

(In fairness, Dreamworks seems to be batting a similar average: for every Princess Fiona or Rita, there's either a Renee Zellweger or a Renee Zellweger around to muck it up.)

Pixar's next project, Up, appears for now to focus solely on one old man and one young boy. While I don't see the box office dipping in the name of all that testosterone, I still wonder if any of you are struck by this gender disparity in the studio's work, and if any sort of affirmative action is going to result in stories compromised just so they can include a Token Stand-Up Female. What say you guys and girls?

Hollywood isn't known as a place for a 'conservative' frame of mind. I think Sean Penn reminded us of that quite nicely during his Oscar acceptance speech when he endearingly referred to the crowd of tinsel-town elite as "You Commie Homo-Loving Sons of Guns". But that doesn't mean our Red-state friends don't like to go to the movies just as much as their liberal brethren -- so what's a Conservative to do? Well, the National Review has come to the rescue and compiled a list of The Best Conservative Movies. And how does a movie arrive on such a list? According to NR, "Conservatives enjoy these films because they are great movies that offer compelling messages about freedom, families, patriotism, traditions, and more" -- because I guess it is impossible for someone with Liberal political views to care about those things. So even though the political leanings of the cast and crew reportedly did not come into play for the list, I'm not sure I believe the addition of David Mamet's The Edge wasn't inspired (if only a little) by the filmmakers political 180 earlier this year.

Now for the list itself, well, there are the obvious choices like Red Dawn, 300 and The Dark Knight that are praised for their themes featuring individuals fighting against a terrorist, invading hoards, and a chorus of naysayers (sound familiar?). But the rest of the list isn't so obvious, and there are some weird selections in the bunch. Juno was noted for being pro-life (but punished for its heroines "unrealistic level of self-confidence"), Brazil for its tale of bureaucracy run amok, Groundhog Day for promoting small town values, and The Incredibles was even noted for bringing a little Ayn Rand back to the kiddie set. Personal politics aside, I have to wonder just what, exactly, some of these people were on when they included Ghostbusters on the list (I know, I know, an EPA guy is a bad guy, but c'mon, leave Dr. Venkman out of this).

Not long ago we brought you a pretty damn good mash-up featuring Toy Story footage cut to the audio behind The Dark Knight trailer. Well, a dude by the name of Justin Niemeyer has gone and created a similar (in style) mash-up in honor of the new James Bond flick Quantum of Solace, and this time the Pixar companion film is The Incredibles. While some of the dialogue doesn't exactly match up just right, this is still an impressive attempt for a trailer that runs almost two and a half minutes. Watching this also reminds me that it's been way too long since I've taken in a screening of The Incredibles, and seeing as the brand new WALL-E Blu-ray DVD just arrived in the mail, I may just have a delicious double feature ahead of me this weekend. Check out the video below and let us know what you think.

I wanted to call this a Fan Made post, and I suppose you can technically say artist Lou Romano is a "fan" of the designs he produces, but it's a weird line and so we're not attaching any labels. Romano, of course, is a member of the art department over at Pixar Studios, and over on his blog he's just thrown up a slew of early concept images for The Incredibles, Jack-Jack Attack and Mr. Incredible and Friends. Romano introduces the enormous set by saying they're "some other samples of Incredibles work I did between 2000-2004. Development/color styling/and dvd bonus materials." The image above (one of my personal favorites), he calls "more of a gag drawing."

The Incredibles happens to be right up there with my favorites of Pixar -- and with the popularity of superhero movies and the popularity of The Incredibles, I'm real surprised Pixar isn't looking to make a sequel -- and, instead, is churning out a Cars 2 and a Toy Story 3. Bogus, I say! Check out a few of Romano's images in the gallery below, then head over to his page to see a ton more. Would you be down for an Incredibles sequel? Or are you happy with more Cars and Toy Story?



[via Super Punch]

In all the ComicCon insanity, a pretty cool story slipped under the Cinematical radar -- the news that Pixar had teamed up with Boom! Studios to create comic books and graphic novels based on the Disney/Pixar and Muppet properties. If that doesn't sound exciting to you, get a load of this -- the first series that will be published will be The Incredibles.

The series is confirmed for four issues, but author Mark Waid already has scripts penned for two more, and is hoping the series can continue beyond that. In an interview with MTV, Waid revealed that the storyline just about takes up where the movie left off. The characters aren't any older, and are still dealing with the insecurities and difficulties faced by a family of superheroes.

The four issue arc will center on Mr. Incredible, who starts suffering from heroic impotence. His powers are fading, and he doesn't want to tell his family or go to a doctor. Relgated to house husband status, "He feels terrible," Waid said. "He's calling them on the phone when they're on missions, to give them advice, but what he really needs to do is get his powers back." The Incredibles universe will be further fleshed out, introducing a doctor who practices superhero medicine.

The series will appear on store shelves in April, with other Pixar titles to follow. It sounds like Toy Story is the next in line, and the plan is to have six titles in rotation. None of the books, will deviate too far from the movie path in order not to interfere with possible sequels. And who knows -- we may just see The Incredibles go from the page to the screen for their second outing!

Although Will Smith plays an emotionally fragile superhero in Hancock, as a movie star he's practically invincible. By industry standards, the last genuine Smith dud was The Legend of Bagger Vance, but the actor's standing among many audiences has remained decidedly rocky. As a result, he occupies a unique corner of the Hollywood marketplace where quality and taste don't necessarily match up. Unlike, say, The Dark Knight, not many people eagerly await the latest Smith offering -- which currently has a 32% rating on Rotten Tomatoes -- but they'll see it anyway. Hancock is tracking well, thanks to a poster exclusively dominated by Smith's unshaven mug, and that pretty much seals its potent box office fate. Just as Smith's slapdash onscreen persona is bullet-proof, Smith himself is steadfastly critic-proof.

Which places movie in an interesting quagmire: After pulling in waves of cash, it will probably get relegated to the void of forgettable Smith fare, where spectacles offer passing amusement before scampering off forever. Hancock, however, deserves better than a fleeting moment in the limelight and a crash landing in the bargain bin. It's part of a genre that speaks directly to the modern state of blockbuster cinema: The superhero satire.

A couple of people have been griping about Wall-E director Andrew Stanton's refusal to admit that his cute little movie about a robot in love actually contains some pretty upfront green politics, but there's a far more polarizing reference in the film than its harmless pro-environment agenda. It's no major plot spoiler to reveal that, about an hour or so into the story, Fred Willard appears in a recorded message as the mysterious president of Earth's corporate government and orders the ship's captain (Jeff Garlin) to "stay the course." Wait, we've heard this one before: It was the go-to statement used by the Bush administration for about three years or so when describing its modus operandi in Iraq (the term was abandoned when staying the course started to sound like a bad idea). In Wall-E, the context is quite different -- it's an order to not do something, rather than take action -- but hard to ignore nonetheless.

Certain critics with (surprise!) conservative slants have taken issue with this. At Dirty Harry's Place, John Nolte expresses his disappointment in the first paragraph of his review: "Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome?" he asks. New York Post critic Kyle Smith picked up the rant and decided to write his own, even though he hadn't seen the film yet: "This kind of crack, lame as it is, also breaks the spell of the movie by hurling you out of the theater and back into reality."

Well, the time has finally come for another funtastic Pixar film to hit the big screen. This Friday, Wall·E touches down on earth, and naturally its impending arrival has got us thinking about those nutty dudes over at Pixar who took giant risks, worked their asses off and revolutionized the world of animation. I'm fully aware that naming your favorite Pixar film is kinda like naming your favorite child, but it's fun to look back over the years and attempt to come up with the one Pixar flick that entertained us the most.

Which do you hold closest to your heart? I'm sure everyone has a soft spot for the original Toy Story, but most folks I've spoken with feel The Incredibles was the best all-around Pixar film. Me? I'm a Monsters, Inc. guy. Yup, that's my favorite Pixar film. I just remember having so much fun watching Monsters, Inc. for the first time -- more fun than I had watching any other Pixar flick (with Toy Story and The Incredibles following closely behind). My least favorite is Cars, though I was sick the one time I watched it and have been meaning to give it another chance. Should I? Which is your favorite Pixar film (feature, not short)? Feel free to tell us why in the comments below ...